Debra levine (35 resultados)

Paperback. Condición: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: Good. Good condition. With CD! A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. First Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Paperback. Condición: Good+. Paperback. Binding sound, text clean, some shelfwear to covers. Book.

Hardcover. Condición: New. No Jacket. 1st Edition.

Hardcover. Condición: Very Good. 1st Edition (Unstated). Computational Neuroscience; 7.5 X 1.25 X 10.5 inches; 428 pages; Small bump on back cover. Light wear. No writing or major blemishes. Copyright page does not state edition or printing. Likely 1st edition judging from date.; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence.…

Hardcover. Condición: Very Good. 1st Edition. General wear and rubbing to boards. Small stamp on top edge. Sticker and sticker residue on fep. Underlining in first chapter. Binding tight.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:9780262161756.…

Hardback. Condición: Fine. Estado de la sobrecubierta: Pictorial Cover.

hardcover. Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. A6.

Hardback or Cased Book. Condición: New. Jazzed: Jack Cole and Twentieth-Century American Dance. Book.

Hardcover. Condición: new. Hardcover. Born John Ewing Richter, Jack Cole (19111974) was a one-of-a-kind artist who initiated a gripping style of theatrical jazz dance that forever vanquished the vaudeville kick line. Starting in the Great Depression, Cole led a distinctive four-decade career choreographing for stage, screen, and his iconic nightclub act. He transformed early modern dance by injecting angularity, syncopation, and body isolations derived from Indian, Latin American, African, and Caribbean dance forms. At the forefront of Broadway innovation, Cole worked on shows like The Ziegfeld Follies (1943), Kismet (1953), and Man of La Mancha (1965). But his greater renown came as a film choreographer, with quintessential contributions to Gilda (1945), There's No Business Like Show Business (1954), Les Girls (1957), Some Like It Hot (1959), and Let's Make Love (1960). In Gentlemen Prefer Blondes (1953), Cole shepherded two non-dancing stars, Marilyn Monroe and Jane Russell, through an array of eye-catching production numbers. His pinnacle in Gentlemen, "Diamonds Are a Girl's Best Friend," catapulted Monroe to superstardom. Cole also collaborated with Gwen Verdon, Mitzi Gaynor, Rita Hayworth, and Chita Rivera. He influenced Bob Fosse, Jerome Robbins, Gene Kelly, and Michael Bennett. Yet Cole's impact on American dance has long been overlooked. With lucid prose and unmatched research pulled from film and art archives, public events, memoirs, and interviews, Jazzed takes readers on a journey through Cole's professional and personal transitions. Author Debra Levine not only focuses on Cole's choreography career at MGM, Columbia Pictures, and Twentieth Century-Fox but also uncovers details of his obsessive training, struggle with depression and alcoholism, proclivity for violence, and encounters with homophobia as a gay man. Levine winnows fact from fiction to deliver an insightful, entertaining biography of a dance renegade whose legacy persists as theatrical jazz dance remains popular in nightclubs, music videos, and musicals today. AUTHOR: Debra Levine is a Hollywood-fascinated dance critic whose discovery of Jack Cole turned her aesthetic world on its head. Her writing has appeared in the New York Times, Los Angeles Times, Dance Magazine, Huffington Post, and more. She is the founder of the fine arts blog artsmeme. Levine has produced, curated, and hosted screening and interview events at venues such as the Museum of Modern Art, the Academy of Motion Picture Arts and Sciences, and others. 59 b/w illustrations Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Hardback. Condición: New. Born John Ewing Richter, Jack Cole (1911-1974) was a one-of-a-kind artist who initiated a gripping style of theatrical jazz dance that forever vanquished the vaudeville kick line. Starting in the Great Depression, Cole led a distinctive four-decade career choreographing for stage, screen, and his iconic nightclub act. He transformed early modern dance by injecting angularity, syncopation, and body isolations derived from Indian, Latin American, African, and Caribbean dance forms.At the forefront of Broadway innovation, Cole worked on shows like The Ziegfeld Follies (1943), Kismet (1953), and Man of La Mancha (1965). But his greater renown came as a film choreographer, with quintessential contributions to Gilda (1945), There's No Business Like Show Business (1954), Les Girls (1957), Some Like It Hot (1959), and Let's Make Love (1960). In Gentlemen Prefer Blondes (1953), Cole shepherded two non-dancing stars, Marilyn Monroe and Jane Russell, through an array of eye-catching production numbers. His pinnacle in Gentlemen, "Diamonds Are a Girl's Best Friend," catapulted Monroe to superstardom. Cole also collaborated with Gwen Verdon, Mitzi Gaynor, Rita Hayworth, and Chita Rivera. He influenced Bob Fosse, Jerome Robbins, Gene Kelly, and Michael Bennett. Yet Cole's impact on American dance has long been overlooked.With lucid prose and unmatched research pulled from film and art archives, public events, memoirs, and interviews, Jazzed takes readers on a journey through Cole's professional and personal transitions. Author Debra Levine not only focuses on Cole's choreography career at MGM, Columbia Pictures, and Twentieth Century-Fox but also uncovers details of his obsessive training, struggle with depression and alcoholism, proclivity for violence, and encounters with homophobia as a gay man. Levine winnows fact from fiction to deliver an insightful, entertaining biography of a dance renegade whose legacy persists as theatrical jazz dance remains popular in nightclubs, music videos, and musicals today.…

Hardback. Condición: New. Born John Ewing Richter, Jack Cole (1911-1974) was a one-of-a-kind artist who initiated a gripping style of theatrical jazz dance that forever vanquished the vaudeville kick line. Starting in the Great Depression, Cole led a distinctive four-decade career choreographing for stage, screen, and his iconic nightclub act. He transformed early modern dance by injecting angularity, syncopation, and body isolations derived from Indian, Latin American, African, and Caribbean dance forms.At the forefront of Broadway innovation, Cole worked on shows like The Ziegfeld Follies (1943), Kismet (1953), and Man of La Mancha (1965). But his greater renown came as a film choreographer, with quintessential contributions to Gilda (1945), There's No Business Like Show Business (1954), Les Girls (1957), Some Like It Hot (1959), and Let's Make Love (1960). In Gentlemen Prefer Blondes (1953), Cole shepherded two non-dancing stars, Marilyn Monroe and Jane Russell, through an array of eye-catching production numbers. His pinnacle in Gentlemen, "Diamonds Are a Girl's Best Friend," catapulted Monroe to superstardom. Cole also collaborated with Gwen Verdon, Mitzi Gaynor, Rita Hayworth, and Chita Rivera. He influenced Bob Fosse, Jerome Robbins, Gene Kelly, and Michael Bennett. Yet Cole's impact on American dance has long been overlooked.With lucid prose and unmatched research pulled from film and art archives, public events, memoirs, and interviews, Jazzed takes readers on a journey through Cole's professional and personal transitions. Author Debra Levine not only focuses on Cole's choreography career at MGM, Columbia Pictures, and Twentieth Century-Fox but also uncovers details of his obsessive training, struggle with depression and alcoholism, proclivity for violence, and encounters with homophobia as a gay man. Levine winnows fact from fiction to deliver an insightful, entertaining biography of a dance renegade whose legacy persists as theatrical jazz dance remains popular in nightclubs, music videos, and musicals today.…

hardcover. Condición: New. Special order direct from the distributor.

Condición: New. 2026. hardcover. . . . . .

Condición: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: Brand New. 384 pages. 9.25x6.12x9.25 inches. In Stock.

Hardcover. Condición: Brand New. 384 pages. 9.25x6.12x9.25 inches. In Stock.

Hardback. Condición: New. Born John Ewing Richter, Jack Cole (1911-1974) was a one-of-a-kind artist who initiated a gripping style of theatrical jazz dance that forever vanquished the vaudeville kick line. Starting in the Great Depression, Cole led a distinctive four-decade career choreographing for stage, screen, and his iconic nightclub act. He transformed early modern dance by injecting angularity, syncopation, and body isolations derived from Indian, Latin American, African, and Caribbean dance forms.At the forefront of Broadway innovation, Cole worked on shows like The Ziegfeld Follies (1943), Kismet (1953), and Man of La Mancha (1965). But his greater renown came as a film choreographer, with quintessential contributions to Gilda (1945), There's No Business Like Show Business (1954), Les Girls (1957), Some Like It Hot (1959), and Let's Make Love (1960). In Gentlemen Prefer Blondes (1953), Cole shepherded two non-dancing stars, Marilyn Monroe and Jane Russell, through an array of eye-catching production numbers. His pinnacle in Gentlemen, "Diamonds Are a Girl's Best Friend," catapulted Monroe to superstardom. Cole also collaborated with Gwen Verdon, Mitzi Gaynor, Rita Hayworth, and Chita Rivera. He influenced Bob Fosse, Jerome Robbins, Gene Kelly, and Michael Bennett. Yet Cole's impact on American dance has long been overlooked.With lucid prose and unmatched research pulled from film and art archives, public events, memoirs, and interviews, Jazzed takes readers on a journey through Cole's professional and personal transitions. Author Debra Levine not only focuses on Cole's choreography career at MGM, Columbia Pictures, and Twentieth Century-Fox but also uncovers details of his obsessive training, struggle with depression and alcoholism, proclivity for violence, and encounters with homophobia as a gay man. Levine winnows fact from fiction to deliver an insightful, entertaining biography of a dance renegade whose legacy persists as theatrical jazz dance remains popular in nightclubs, music videos, and musicals today.…

Buch. Condición: Neu. Neuware - Renowned dancer and choreographer Jack Cole (1911-1974), whose birth name was John Ewing Richter, was a one-of-a-kind artist who initiated a gripping style of theatrical jazz dance that forever vanquished the vaudeville kickline. Cole's distinctive four-decade career choreographing for stage, screen, and his iconic nightclub act began during the Great Depression. He transformed early modern dance by injecting angularity, syncopation, and body isolations derived from Indian, Latin American, African, and Caribbean dance forms.At the forefront of Broadway innovation, Cole worked on shows like Ziegfeld Follies of 1943, Kismet (1953), and Man of La Mancha (1965). But his greater renown came as a film choreographer, with quintessential contributions to Gilda (1946), There's No Business LikeShow Business (1954), Les Girls (1957), Some Like It Hot (1959), and Let's Make Love (1960). In Gentlemen Prefer Blondes (1953), Cole shepherded Marilyn Monroe and Jane Russell, who were considered nondancing movie stars, through an array of eye-catching production numbers. His work on Monroe's exceptional performance in 'Diamonds Are a Girl's Best Friend' helped catapult Monroe to superstardom. Cole also collaborated with Gwen Verdon, Mitzi Gaynor, Rita Hayworth, and Chita Rivera. He influenced Bob Fosse, Jerome Robbins, Gene Kelly, and Michael Bennett. Yet Cole's impact on American dance has long been overlooked.With lucid prose and unmatched research pulled from film and art archives, public events, memoirs, and interviews, Jazzed takes readers on a journey through Cole's professional and personal transitions. Author Debra Levine not only focuses on Cole's choreography career at MGM, Columbia Pictures, and Twentieth Century-Fox but also uncovers details of his obsessive training, his struggles with depression and alcoholism, his proclivity for violence, and his encounters with homophobia. Levine winnows fact from fiction to deliver an insightful, entertaining biography of the dance renegade whose unique brand of theatrical jazz dance still resonates in nightclubs, music videos, and musicals today.…

Hardcover. Condición: new. Hardcover. Born John Ewing Richter, Jack Cole (19111974) was a one-of-a-kind artist who initiated a gripping style of theatrical jazz dance that forever vanquished the vaudeville kick line. Starting in the Great Depression, Cole led a distinctive four-decade career choreographing for stage, screen, and his iconic nightclub act. He transformed early modern dance by injecting angularity, syncopation, and body isolations derived from Indian, Latin American, African, and Caribbean dance forms. At the forefront of Broadway innovation, Cole worked on shows like The Ziegfeld Follies (1943), Kismet (1953), and Man of La Mancha (1965). But his greater renown came as a film choreographer, with quintessential contributions to Gilda (1945), There's No Business Like Show Business (1954), Les Girls (1957), Some Like It Hot (1959), and Let's Make Love (1960). In Gentlemen Prefer Blondes (1953), Cole shepherded two non-dancing stars, Marilyn Monroe and Jane Russell, through an array of eye-catching production numbers. His pinnacle in Gentlemen, "Diamonds Are a Girl's Best Friend," catapulted Monroe to superstardom. Cole also collaborated with Gwen Verdon, Mitzi Gaynor, Rita Hayworth, and Chita Rivera. He influenced Bob Fosse, Jerome Robbins, Gene Kelly, and Michael Bennett. Yet Cole's impact on American dance has long been overlooked. With lucid prose and unmatched research pulled from film and art archives, public events, memoirs, and interviews, Jazzed takes readers on a journey through Cole's professional and personal transitions. Author Debra Levine not only focuses on Cole's choreography career at MGM, Columbia Pictures, and Twentieth Century-Fox but also uncovers details of his obsessive training, struggle with depression and alcoholism, proclivity for violence, and encounters with homophobia as a gay man. Levine winnows fact from fiction to deliver an insightful, entertaining biography of a dance renegade whose legacy persists as theatrical jazz dance remains popular in nightclubs, music videos, and musicals today. AUTHOR: Debra Levine is a Hollywood-fascinated dance critic whose discovery of Jack Cole turned her aesthetic world on its head. Her writing has appeared in the New York Times, Los Angeles Times, Dance Magazine, Huffington Post, and more. She is the founder of the fine arts blog artsmeme. Levine has produced, curated, and hosted screening and interview events at venues such as the Museum of Modern Art, the Academy of Motion Picture Arts and Sciences, and others. 59 b/w illustrations Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…