9780826369635 - and so we moved to petaca: portrait of a new mexico community (28 resultados)
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Paperback or Softback. Condición: New. And So We Moved to Petaca: Portrait of a New Mexico Community. Book.
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Paperback. Condición: New. A sublime photographic chronicle of the efforts of several counterculture families to adopt a traditional Nuevomexicano life in the tiny village of Petaca, New Mexico, in the early 1970s. In the early 1970s there weren't many women photographers, and fewer still who used their camera to make ethnograph…ic studies. Lynn Adler was a self-taught photographer using an old 35 mm camera her mother had left to her. But her instinct for seeing the collision of cultures, along with her savant's eye for constructing beautiful frames, allowed her to capture a moment both rare and spectacular in a tiny village in Northern New Mexico called Petaca. At the time, Petaca was home to about fifty very traditional Hispano families with roots in the area going back well over a hundred years. The town had no schools, no hospital, no stoplights; it had one church, one bar, one dry-goods store, and a single gas pump. Spanish was nearly everyone's first language, and the only real employment had been a mineral mine, shut down in the 1950s. Most families got by as subsistence farmers. These families were joined by people who had left San Francisco and New York City, seeking a simpler life. It was while visiting friends who had made this move that Lynn Adler made these photographs between 1970 and 1974. Lynn's photographs show her friends deep in the hard work of homesteading and raising families; they show the local people tending the crops and looking after their animals, and they show when members of both groups came together. It has been half a century since Adler last looked through her viewfinder at Petaca. The children who ran through her pictures are now deep into middle age, and the older people are gone. And So We Moved to Petaca is a moving portrait of a time and place. If not for these photographs, this fleeting moment would have been lost to time, and this story of community and conflict would never have been shared.
Idioma: Inglés
Editorial: University of New Mexico Press, Albuquerque, NM, 2026
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Paperback. Condición: new. Paperback. A sublime photographic chronicle of the efforts of several counterculture families to adopt a traditional Nuevomexicano life in the tiny village of Petaca, New Mexico, in the early 1970s.In the early 1970s there werent many women photographers, and fewer still who used their camera to make e…thnographic studies. Lynn Adler was a self-taught photographer using an old 35 mm camera her mother had left to her. But her instinct for seeing the collision of cultures, along with her savants eye for constructing beautiful frames, allowed her to capture a moment both rare and spectacular in a tiny village in Northern New Mexico called Petaca.At the time, Petaca was home to about fifty very traditional Hispano families with roots in the area going back well over a hundred years. The town had no schools, no hospital, no stoplights; it had one church, one bar, one dry-goods store, and a single gas pump. Spanish was nearly everyones first language, and the only real employment had been a mineral mine, shut down in the 1950s. Most families got by as subsistence farmers. These families were joined by people who had left San Francisco and New York City, seeking a simpler life. It was while visiting friends who had made this move that Lynn Adler made these photographs between 1970 and 1974.Lynns photographs show her friends deep in the hard work of homesteading and raising families; they show the local people tending the crops and looking after their animals, and they show when members of both groups came together.It has been half a century since Adler last looked through her viewfinder at Petaca. The children who ran through her pictures are now deep into middle age, and the older people are gone. And So We Moved to Petaca is a moving portrait of a time and place. If not for these photographs, this fleeting moment would have been lost to time, and this story of community and conflict would never have been shared. An evocative visual record from a 1970s New Mexico village where counterculture pioneers merged with traditional Hispano homesteading. Self-taught images capture the rigorous realities of subsistence living, deep community bonds, and the enduring yet fading spirit of a once-simple rural life. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condición: New. A sublime photographic chronicle of the efforts of several counterculture families to adopt a traditional Nuevomexicano life in the tiny village of Petaca, New Mexico, in the early 1970s. In the early 1970s there weren't many women photographers, and fewer still who used their camera to make ethnograph…ic studies. Lynn Adler was a self-taught photographer using an old 35 mm camera her mother had left to her. But her instinct for seeing the collision of cultures, along with her savant's eye for constructing beautiful frames, allowed her to capture a moment both rare and spectacular in a tiny village in Northern New Mexico called Petaca. At the time, Petaca was home to about fifty very traditional Hispano families with roots in the area going back well over a hundred years. The town had no schools, no hospital, no stoplights; it had one church, one bar, one dry-goods store, and a single gas pump. Spanish was nearly everyone's first language, and the only real employment had been a mineral mine, shut down in the 1950s. Most families got by as subsistence farmers. These families were joined by people who had left San Francisco and New York City, seeking a simpler life. It was while visiting friends who had made this move that Lynn Adler made these photographs between 1970 and 1974. Lynn's photographs show her friends deep in the hard work of homesteading and raising families; they show the local people tending the crops and looking after their animals, and they show when members of both groups came together. It has been half a century since Adler last looked through her viewfinder at Petaca. The children who ran through her pictures are now deep into middle age, and the older people are gone. And So We Moved to Petaca is a moving portrait of a time and place. If not for these photographs, this fleeting moment would have been lost to time, and this story of community and conflict would never have been shared.
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Paperback. Condición: New. A sublime photographic chronicle of the efforts of several counterculture families to adopt a traditional Nuevomexicano life in the tiny village of Petaca, New Mexico, in the early 1970s. In the early 1970s there weren't many women photographers, and fewer still who used their camera to make ethnograph…ic studies. Lynn Adler was a self-taught photographer using an old 35 mm camera her mother had left to her. But her instinct for seeing the collision of cultures, along with her savant's eye for constructing beautiful frames, allowed her to capture a moment both rare and spectacular in a tiny village in Northern New Mexico called Petaca. At the time, Petaca was home to about fifty very traditional Hispano families with roots in the area going back well over a hundred years. The town had no schools, no hospital, no stoplights; it had one church, one bar, one dry-goods store, and a single gas pump. Spanish was nearly everyone's first language, and the only real employment had been a mineral mine, shut down in the 1950s. Most families got by as subsistence farmers. These families were joined by people who had left San Francisco and New York City, seeking a simpler life. It was while visiting friends who had made this move that Lynn Adler made these photographs between 1970 and 1974. Lynn's photographs show her friends deep in the hard work of homesteading and raising families; they show the local people tending the crops and looking after their animals, and they show when members of both groups came together. It has been half a century since Adler last looked through her viewfinder at Petaca. The children who ran through her pictures are now deep into middle age, and the older people are gone. And So We Moved to Petaca is a moving portrait of a time and place. If not for these photographs, this fleeting moment would have been lost to time, and this story of community and conflict would never have been shared.
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Editorial: University of New Mexico Press, Albuquerque, NM, 2026
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Paperback. Condición: new. Paperback. A sublime photographic chronicle of the efforts of several counterculture families to adopt a traditional Nuevomexicano life in the tiny village of Petaca, New Mexico, in the early 1970s.In the early 1970s there werent many women photographers, and fewer still who used their camera to make e…thnographic studies. Lynn Adler was a self-taught photographer using an old 35 mm camera her mother had left to her. But her instinct for seeing the collision of cultures, along with her savants eye for constructing beautiful frames, allowed her to capture a moment both rare and spectacular in a tiny village in Northern New Mexico called Petaca.At the time, Petaca was home to about fifty very traditional Hispano families with roots in the area going back well over a hundred years. The town had no schools, no hospital, no stoplights; it had one church, one bar, one dry-goods store, and a single gas pump. Spanish was nearly everyones first language, and the only real employment had been a mineral mine, shut down in the 1950s. Most families got by as subsistence farmers. These families were joined by people who had left San Francisco and New York City, seeking a simpler life. It was while visiting friends who had made this move that Lynn Adler made these photographs between 1970 and 1974.Lynns photographs show her friends deep in the hard work of homesteading and raising families; they show the local people tending the crops and looking after their animals, and they show when members of both groups came together.It has been half a century since Adler last looked through her viewfinder at Petaca. The children who ran through her pictures are now deep into middle age, and the older people are gone. And So We Moved to Petaca is a moving portrait of a time and place. If not for these photographs, this fleeting moment would have been lost to time, and this story of community and conflict would never have been shared. An evocative visual record from a 1970s New Mexico village where counterculture pioneers merged with traditional Hispano homesteading. Self-taught images capture the rigorous realities of subsistence living, deep community bonds, and the enduring yet fading spirit of a once-simple rural life. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Taschenbuch. Condición: Neu. Neuware - A sublime photographic chronicle of the efforts of several counterculture families to adopt a traditional Nuevomexicano life in the tiny village of Petaca, New Mexico, in the early 1970s. In the early 1970s there weren't many women photographers, and fewer still who used their camera to mak…e ethnographic studies. Lynn Adler was a self-taught photographer using an old 35 mm camera her mother had left to her. But her instinct for seeing the collision of cultures, along with her savant's eye for constructing beautiful frames, allowed her to capture a moment both rare and spectacular in a tiny village in Northern New Mexico called Petaca. At the time, Petaca was home to about fifty very traditional Hispano families with roots in the area going back well over a hundred years. The town had no schools, no hospital, no stoplights; it had one church, one bar, one dry-goods store, and a single gas pump. Spanish was nearly everyone's first language, and the only real employment had been a mineral mine, shut down in the 1950s. Most families got by as subsistence farmers. These families were joined by people who had left San Francisco and New York City, seeking a simpler life. It was while visiting friends who had made this move that Lynn Adler made these photographs between 1970 and 1974. Lynn's photographs show her friends deep in the hard work of homesteading and raising families; they show the local people tending the crops and looking after their animals, and they show when members of both groups came together. It has been half a century since Adler last looked through her viewfinder at Petaca. The children who ran through her pictures are now deep into middle age, and the older people are gone. And So We Moved to Petaca is a moving portrait of a time and place. If not for these photographs, this fleeting moment would have been lost to time, and this story of community and conflict would never have been shared.
Idioma: Inglés
Editorial: University of New Mexico Press, Albuquerque, NM, 2026
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Paperback. Condición: new. Paperback. A sublime photographic chronicle of the efforts of several counterculture families to adopt a traditional Nuevomexicano life in the tiny village of Petaca, New Mexico, in the early 1970s.In the early 1970s there werent many women photographers, and fewer still who used their camera to make e…thnographic studies. Lynn Adler was a self-taught photographer using an old 35 mm camera her mother had left to her. But her instinct for seeing the collision of cultures, along with her savants eye for constructing beautiful frames, allowed her to capture a moment both rare and spectacular in a tiny village in Northern New Mexico called Petaca.At the time, Petaca was home to about fifty very traditional Hispano families with roots in the area going back well over a hundred years. The town had no schools, no hospital, no stoplights; it had one church, one bar, one dry-goods store, and a single gas pump. Spanish was nearly everyones first language, and the only real employment had been a mineral mine, shut down in the 1950s. Most families got by as subsistence farmers. These families were joined by people who had left San Francisco and New York City, seeking a simpler life. It was while visiting friends who had made this move that Lynn Adler made these photographs between 1970 and 1974.Lynns photographs show her friends deep in the hard work of homesteading and raising families; they show the local people tending the crops and looking after their animals, and they show when members of both groups came together.It has been half a century since Adler last looked through her viewfinder at Petaca. The children who ran through her pictures are now deep into middle age, and the older people are gone. And So We Moved to Petaca is a moving portrait of a time and place. If not for these photographs, this fleeting moment would have been lost to time, and this story of community and conflict would never have been shared. An evocative visual record from a 1970s New Mexico village where counterculture pioneers merged with traditional Hispano homesteading. Self-taught images capture the rigorous realities of subsistence living, deep community bonds, and the enduring yet fading spirit of a once-simple rural life. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Taschenbuch. Condición: Neu. And So We Moved to Petaca | Portrait of a New Mexico Community | Lynn Adler | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2026 | University of New Mexico Press | EAN 9780826369635 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbi…eter: preigu.
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Paperback. Condición: New. A sublime photographic chronicle of the efforts of several counterculture families to adopt a traditional Nuevomexicano life in the tiny village of Petaca, New Mexico, in the early 1970s. In the early 1970s there weren't many women photographers, and fewer still who used their camera to make ethnograph…ic studies. Lynn Adler was a self-taught photographer using an old 35 mm camera her mother had left to her. But her instinct for seeing the collision of cultures, along with her savant's eye for constructing beautiful frames, allowed her to capture a moment both rare and spectacular in a tiny village in Northern New Mexico called Petaca. At the time, Petaca was home to about fifty very traditional Hispano families with roots in the area going back well over a hundred years. The town had no schools, no hospital, no stoplights; it had one church, one bar, one dry-goods store, and a single gas pump. Spanish was nearly everyone's first language, and the only real employment had been a mineral mine, shut down in the 1950s. Most families got by as subsistence farmers. These families were joined by people who had left San Francisco and New York City, seeking a simpler life. It was while visiting friends who had made this move that Lynn Adler made these photographs between 1970 and 1974. Lynn's photographs show her friends deep in the hard work of homesteading and raising families; they show the local people tending the crops and looking after their animals, and they show when members of both groups came together. It has been half a century since Adler last looked through her viewfinder at Petaca. The children who ran through her pictures are now deep into middle age, and the older people are gone. And So We Moved to Petaca is a moving portrait of a time and place. If not for these photographs, this fleeting moment would have been lost to time, and this story of community and conflict would never have been shared.
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Condición: New. 2026. paperback. . . . . .
