Susan m canning (50 resultados)

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Fine. 1st Edition. First Edition, 2014. Clean and tightly bound with fine contents and obi dust wrapper. The cover shows very slight bow, otherwise a fine copy. International and domestic priority shipping may require added postage charges.…

dj. First Edition. First edition and first printing. Hardcover. 168 pages. Published in conjunction with an exhibition that ran November 23, 2014 through January 25, 2015 at the The Art Institute of Chicago and then June 10 through September 7, 2014 at the The J. Paul Getty Museum. Foreword by Douglas Druick. Preface by Herwig Todts. Features text by Susan M. Canning, Patrick Florizoone, Nancy Ireson, and Kimberly J. Nichols. Includes 95 color and 5 black and white illustrations. A near fine copy with some very slight creasing to the last plate in fine half dust jacket as issued.…

Hardcover. Condición: Near Fine. Near Fine. First Edition; First Printing. The Art Institute of Chicago acquired Belgian artist James Ensor's (1860-1949) "The Temptation of St. Anthony" which is comprised of 51 sheets and is considered to be one of his great works. This book was published in conjunction with an exhibition that ran November 23, 2014 through January 25, 2015 at the The Art Institute of Chicago and also from June 10 through September 7, 2014 at the The J. Paul Getty Museum (which had previously acquired Ensor's "Christ's Entry Into Brussels in 1889"). Original publisher's orange paper covered boards with black spine and cover lettering. This is a nice clean, tight and unmarked book with no interior or exterior markings, no previous owner names and no bookplates. The unusual dust jacket covers only the lower half of the book (as issued) and is also in nice condition with no creases, tears, chips or markings. This is a very pretty book that would make a fine addition to any library. ; Color & B&W Illustrations; 4to 11" - 13" tall; 168 pages.…

Paperback. Condición: good. First edition. Quarto. (29cm x 23cm) Pictorial covers. 400pp. English text. Wear to edges and lighjt creasing to spine.

Hardcover with partial dustjacket, unpaginated, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: new.

Condición: New.

Condición: New.

Paperback. Condición: New. "Vive la Sociale": This rousing, revolutionary statement, written on a bright red banner across the top of James Ensor's monumental painting Christ's Entry into Brussels in 1889, stood as a visual manifesto and call to action by the Belgian artist (1860-1949) who saw his art as central to the cultural discourse of modern Belgium.Serving, too, as inspiration for this original survey of Ensor's art, which highlights the social concerns and cultural contexts of the artist as he navigated a rapidly modernising Belgium, this statement situates Ensor in the unique social contexts of his time. Ensor's interaction with the Belgian art world, and, in particular, the avant-garde art group Les XX and engagement with progressive art, science, politics and current events are discussed in-depth. Combined with analysis of the artist's self-portraits and depictions of women, this new study presents Ensor as an artist of agency and purpose whose art practice engaged the issues and concerns of middle class Belgian life, society and politics, and was informed by the changing values of class, race and gender of his time. Now available in paperback, this timely, nuanced reading of the art and career of this often misunderstood "artist's artist" invites a re-evaluation not only of Ensor's social context and expressive critique but also his unique contribution to modernist art practice. Lavishly illustrated with colour images of Ensor's bold figurative paintings, this book will be an important resource for artists, scholars and those interested in European modernism. Given Ensor's legacy of resistance, self-fashioning and performance through boundary-breaking art practice, his work remains all the more relevant today.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condición: Good. Susan M. Canning / J.F. Buyck: Henry van de Velde (1863 - 1957). Schilderijen en tekeningen / Paintings and drawings. Eigenverlag Koningklijk Museum voor Schone Kunsten, Antwerpen 1987. Broschur, 251 Seiten mit Abbildungen; ordentlicher Zustand. - Text nur in niederländisch und Englisch / in dutch and English only. Velde, Henry van de (ilustrador).…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

First Edition. First edition and first printing. Hardcover. 256 pages. Exhibition catalog for a show that ran April 27 through July 21, 2001. Features an introduction and acknowledgements by editor Catherine de Zegher, and texts by Susan M. Canning, Marcel De Maeyer, and Herwig Todts. Includes numerous color and black and white illustrations, a chronology by Xavier Tricot, a bibliography, and a checklist. A near fine copy in illustrated boards. No dust jacket as issued.…

Paperback. Condición: new. Paperback. Vive la Sociale: This rousing, revolutionary statement, written on a bright red banner across the top of James Ensors monumental painting Christs Entry into Brussels in 1889, stood as a visual manifesto and call to action by the Belgian artist (1860-1949) who saw his art as central to the cultural discourse of modern Belgium.Serving, too, as inspiration for this original survey of Ensors art, which highlights the social concerns and cultural contexts of the artist as he navigated a rapidly modernising Belgium, this statement situates Ensor in the unique social contexts of his time. Ensors interaction with the Belgian art world, and, in particular, the avant-garde art group Les XX and engagement with progressive art, science, politics and current events are discussed in-depth. Combined with analysis of the artists self-portraits and depictions of women, this new study presents Ensor as an artist of agency and purpose whose art practice engaged the issues and concerns of middle class Belgian life, society and politics, and was informed by the changing values of class, race and gender of his time. Now available in paperback, this timely, nuanced reading of the art and career of this often misunderstood artists artist invites a re-evaluation not only of Ensors social context and expressive critique but also his unique contribution to modernist art practice. Lavishly illustrated with colour images of Ensor's bold figurative paintings, this book will be an important resource for artists, scholars and those interested in European modernism. Given Ensor's legacy of resistance, self-fashioning and performance through boundary-breaking art practice, his work remains all the more relevant today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Condición: Good. Bilingual English and Dutch.; Later binding: professionally bound in cloth with original cover and spine. / Latere binding: professioneel gebonden in linnen band met behoud van originele kaft en rug.

Condición: Good. Original wrappers, illustrations in colour and b/w, text in both English and Dutch, small 4to.

Condición: As New. Unread book in perfect condition.

paperback. Condición: New.

Paperback. Condición: Brand New. 280 pages. 9.22x6.14x1.00 inches. In Stock.

Condición: New.

Hardcover. Condición: Very good. Hardcover. 1000cc. 48pp. Very good hardback in a very good dustjacket. Text in German and English.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

First Edition. First edition. Softcover. 331 pages. Exhibition catalog for a show that ran December 17, 2005 through March 18, 2006. Text in English with contributions by Sabine Bown-Taevernier, Susan M. Canning, Katharina Dohm, Patrick Florizoon, Joachim Heusinger von Waldegg, Eva Linhart, Ingrid Pfeiffer, Rudolf Schmitz, and Xavier Tricot. Includes numerous color illustrations. A clean very near fine copy in French style wrappers.…

Hardcover. 237 pp. richly illustrated. -(very good copy). ISBN 9789055448432.

Paperback. Condición: new. Paperback. Vive la Sociale: This rousing, revolutionary statement, written on a bright red banner across the top of James Ensors monumental painting Christs Entry into Brussels in 1889, stood as a visual manifesto and call to action by the Belgian artist (1860-1949) who saw his art as central to the cultural discourse of modern Belgium.Serving, too, as inspiration for this original survey of Ensors art, which highlights the social concerns and cultural contexts of the artist as he navigated a rapidly modernising Belgium, this statement situates Ensor in the unique social contexts of his time. Ensors interaction with the Belgian art world, and, in particular, the avant-garde art group Les XX and engagement with progressive art, science, politics and current events are discussed in-depth. Combined with analysis of the artists self-portraits and depictions of women, this new study presents Ensor as an artist of agency and purpose whose art practice engaged the issues and concerns of middle class Belgian life, society and politics, and was informed by the changing values of class, race and gender of his time. Now available in paperback, this timely, nuanced reading of the art and career of this often misunderstood artists artist invites a re-evaluation not only of Ensors social context and expressive critique but also his unique contribution to modernist art practice. Lavishly illustrated with colour images of Ensor's bold figurative paintings, this book will be an important resource for artists, scholars and those interested in European modernism. Given Ensor's legacy of resistance, self-fashioning and performance through boundary-breaking art practice, his work remains all the more relevant today. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Condición: Neu. Neuware - 'Vive la Sociale': This rousing, revolutionary statement, written on a bright red banner across the top of James Ensor's monumental painting Christ's Entry into Brussels in 1889, stood as a visual manifesto and call to action by the Belgian artist (1860-1949) who saw his art as central to the cultural discourse of modern Belgium.Serving, too, as inspiration for this original survey of Ensor's art, which highlights the social concerns and cultural contexts of the artist as he navigated a rapidly modernising Belgium, this statement situates Ensor in the unique social contexts of his time. Ensor's interaction with the Belgian art world, and, in particular, the avant-garde art group Les XX and engagement with progressive art, science, politics and current events are discussed in-depth. Combined with analysis of the artist's self-portraits and depictions of women, this new study presents Ensor as an artist of agency and purpose whose art practice engaged the issues and concerns of middle class Belgian life, society and politics, and was informed by the changing values of class, race and gender of his time. Now available in paperback, this timely, nuanced reading of the art and career of this often misunderstood 'artist's artist' invites a re-evaluation not only of Ensor's social context and expressive critique but also his unique contribution to modernist art practice. Lavishly illustrated with colour images of Ensor's bold figurative paintings, this book will be an important resource for artists, scholars and those interested in European modernism. Given Ensor's legacy of resistance, self-fashioning and performance through boundary-breaking art practice, his work remains all the more relevant today. …

Broschiert. 24,4 x 21,0 cm. 251 Seiten. Broschur. Sprache: Niederländisch, Mit zahlr. farb. und schw.-w. Abb. geringf. gebräunt, gutes Exemplar.

Softcover. Condición: Gut bis sehr gut. 1. Auflage. M : 271 pages, nombreuses illustrations en noir et en couleurs - James Ensor (1860-1949) est sans doute la figure la plus originale de la peinture belge de la fin du XIXe siècle. Grand maître de la lumière qu'il approche dans un esprit opposé exact de celui des impressionnistes, ses contemporains, il développe un univers particulier dans lequel masques et squelettes contribuent à la réinvention d'un monde sans doute jugé trop fade, trop étriqué, trop mesquin. Il invente également un art inclassable dans lequel se succèdent de grandes pages lyriques et mystiques et de petits panneaux caustiques, macabres, absurdes, méchants qui flirtent avec les moyens de la caricature.¦Conscient tout à la fois de sa singularité, de son talent et de l'incompréhension qu'il provoque, James Ensor crée une oeuvre dont il est le centre et dont sa maison-magasin comme sa ville natale d'Ostende constituent les limites aussi infinies que bornées.…

Broschiert. Gr.-Oktav. 251 S. Broschur. Sprache: Niederländisch, Mit zahlr. farb. und schw.-w. Abb. gutes Exemplar.