stagg richard (33 resultados)

Hardcover. Condición: New.

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Condición: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condición: Used. pp. 240 49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam.

Condición: Used. pp. 240.

Condición: Used. pp. 240.

Condición: New. pp. 240.

Condición: New. pp. 240.

Taschenbuch. Condición: Neu. Gebraucht - Wie neu Unbenutzt. Schnelle Lieferung, Kartonverpackung. Abzugsfähige Rechnung. Bei Mehrfachbestellung werden die Versandkosten anteilig erstattet. -Boo Dot Com. Three words that bring e-project managers out in a cold sweat. Getting things wrong in this business is embarrassing and expensive at best - fatal at worst.Any e-business project is about two things: business and how to handle It resources. Most people working in the area have a background in only one of those areas. This will be a book that bridges the divide. It's not about technology and toys, its about getting you project delivered on time and on budget. Business people need to be aware of the issues involved in running a project that is It based. It people need to be aware of the business issues that are driving a project. Many 'e' books concentrate on the glamorous dotcom start ups running e-commerce, business-to-consumer, retailing at a loss. This book will also spend a lot of time looking at the less sexy but infinitely more profitable e-business of the business-to-business (B2B) sector that currently constitutes 80% by value of all electronic transactions. This is a book for realists. Yes, you could be the next Jeff Bezzos, but you probably won't be. What you can be, if you read this book, is the person who delivered a realistic and profitable e-business project on time and on budget. 256 pp. Englisch.

Condición: New. pp. 240.

Soft cover. Condición: Good. 1st Edition. A lively and enduring fixture of British popular fiction, The Sexton Blake Library brought the adventures of the famous detective Sexton Blake to generations of readers across much of the twentieth century, from 1915 until 1968. Issued in inexpensive weekly or monthly format, these compact volumes combined mystery, espionage, crime, and adventure in the classic tradition of British pulp detective fiction, and today remain highly evocative survivals of popular publishing history. On offer here is a set of 3 issues; Assignment in Beirut, No. 367, by James Stagg, The Amalgamated Press, October 1956;  Lovely But Lethal!, No. 475, by Peter Saxon, Fleetway Publications, 1961; and;  Somebody Wants Me Dead!, No. 500, by Richard Williams, Fleetway Publications, 1962. All published in London, 1956-1962. Sometimes real author's names were used, and others were pseudonyms. Paperbacks, generally in good condition with bright, vibrant covers. Binding can be loose and issues subject to minor flaws and age-toning. Text in English. Covers + 64pp. Dimensions: each issue approximately 178mm high x 138mm wide x 4mm deep. Weight: approximately 140g (the set - unpacked).

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Bx6. Financial Times Series; 1.02 x 9.21 x 6.3 Inches.

Hardcover. Condición: New.

Hardcover. Condición: Brand New. 189 pages. 13.00x11.00x1.00 inches. In Stock.

hardcover. Condición: Fine.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Brand New. 189 pages. 13.00x11.00x1.00 inches. In Stock.

Condición: new.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. 'Richard Wilson's meticulously researched, powerfully argued and brilliantly written account of Shakespeare's 20th-century fascist followers is not just an important but a genuinely essential book.' Robert Shaughnessy, Guildford School of Acting, UKIn this illuminating book Richard Wilson demonstrates how in the 20th century Shakespeare's plays and poems were persistently misread as documents which voiced the fascist sympathies of their author. Wilson argues that the version of Shakespeare this caricature produced - authoritarian, jingoistic, racially intolerant, misogynistic - was viewed with satisfaction by many of the leading figures of the century's cultural establishment in Britain and America, while noting striking cases of the same bias in Germany and France.Some of the names this book focuses on will surprise: many of the right-wing political views or leanings of the prominent figures discussed have been left unexplored or ignored: from A. K. Chesterton, who was both editor of the British Union of Fascists' newspaper Blackshirt and former manager of press and publicity at the Shakespeare Memorial Theatre, to celebrated Shakespeareans such as G. Wilson Knight and writers, artists and theatre practitioners including W. B. Yeats, T. S. Eliot, Edward Gordon Craig and Marshall McLuhan. At a time when democracy is under threat, populism is on the rise and far right views are increasingly prominent in our political discourse, Richard Wilson's book makes an especially vital contribution to Shakespeare scholarship.

Hardcover. Condición: new. Hardcover. Richard Wilsons meticulously researched, powerfully argued and brilliantly written account of Shakespeares 20th-century fascist followers is not just an important but a genuinely essential book. Robert Shaughnessy, Guildford School of Acting, UKIn this illuminating book Richard Wilson demonstrates how in the 20th century Shakespeares plays and poems were persistently misread as documents which voiced the fascist sympathies of their author. Wilson argues that the version of Shakespeare this caricature produced authoritarian, jingoistic, racially intolerant, misogynistic was viewed with satisfaction by many of the leading figures of the centurys cultural establishment in Britain and America, while noting striking cases of the same bias in Germany and France.Some of the names this book focuses on will surprise: many of the right-wing political views or leanings of the prominent figures discussed have been left unexplored or ignored: from A. K. Chesterton, who was both editor of the British Union of Fascists newspaper Blackshirt and former manager of press and publicity at the Shakespeare Memorial Theatre, to celebrated Shakespeareans such as G. Wilson Knight and writers, artists and theatre practitioners including W. B. Yeats, T. S. Eliot, Edward Gordon Craig and Marshall McLuhan. At a time when democracy is under threat, populism is on the rise and far right views are increasingly prominent in our political discourse, Richard Wilsons book makes an especially vital contribution to Shakespeare scholarship. This illuminating book demonstrates how in the 20th century Shakespeare and his plays were subjected to a sustained institutionalized misreading, which served the purposes of proto-, present and future fascism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

hardcover. Condición: New.

Hardcover. Condición: Brand New. 336 pages. 9.22x6.14x1.00 inches. In Stock.

Condición: New.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condición: new. Hardcover. Richard Wilsons meticulously researched, powerfully argued and brilliantly written account of Shakespeares 20th-century fascist followers is not just an important but a genuinely essential book. Robert Shaughnessy, Guildford School of Acting, UKIn this illuminating book Richard Wilson demonstrates how in the 20th century Shakespeares plays and poems were persistently misread as documents which voiced the fascist sympathies of their author. Wilson argues that the version of Shakespeare this caricature produced authoritarian, jingoistic, racially intolerant, misogynistic was viewed with satisfaction by many of the leading figures of the centurys cultural establishment in Britain and America, while noting striking cases of the same bias in Germany and France.Some of the names this book focuses on will surprise: many of the right-wing political views or leanings of the prominent figures discussed have been left unexplored or ignored: from A. K. Chesterton, who was both editor of the British Union of Fascists newspaper Blackshirt and former manager of press and publicity at the Shakespeare Memorial Theatre, to celebrated Shakespeareans such as G. Wilson Knight and writers, artists and theatre practitioners including W. B. Yeats, T. S. Eliot, Edward Gordon Craig and Marshall McLuhan. At a time when democracy is under threat, populism is on the rise and far right views are increasingly prominent in our political discourse, Richard Wilsons book makes an especially vital contribution to Shakespeare scholarship. This illuminating book demonstrates how in the 20th century Shakespeare and his plays were subjected to a sustained institutionalized misreading, which served the purposes of proto-, present and future fascism. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: New.

Hardback. Condición: New. 'Richard Wilson's meticulously researched, powerfully argued and brilliantly written account of Shakespeare's 20th-century fascist followers is not just an important but a genuinely essential book.' Robert Shaughnessy, Guildford School of Acting, UKIn this illuminating book Richard Wilson demonstrates how in the 20th century Shakespeare's plays and poems were persistently misread as documents which voiced the fascist sympathies of their author. Wilson argues that the version of Shakespeare this caricature produced - authoritarian, jingoistic, racially intolerant, misogynistic - was viewed with satisfaction by many of the leading figures of the century's cultural establishment in Britain and America, while noting striking cases of the same bias in Germany and France.Some of the names this book focuses on will surprise: many of the right-wing political views or leanings of the prominent figures discussed have been left unexplored or ignored: from A. K. Chesterton, who was both editor of the British Union of Fascists' newspaper Blackshirt and former manager of press and publicity at the Shakespeare Memorial Theatre, to celebrated Shakespeareans such as G. Wilson Knight and writers, artists and theatre practitioners including W. B. Yeats, T. S. Eliot, Edward Gordon Craig and Marshall McLuhan. At a time when democracy is under threat, populism is on the rise and far right views are increasingly prominent in our political discourse, Richard Wilson's book makes an especially vital contribution to Shakespeare scholarship.