snare petter (28 resultados)

Condición: As New. Unread book in perfect condition.

Condición: New.

hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Fin Serck-Hanssen Ilustrador. Hardcover, in obi strip. Clean, unmarked, tightly bound. Light wear. Photos available. We ship daily. Expedited shipping available! (Heavy books & sets may require extra shipping charges.).

Condición: As New. Unread book in perfect condition.

Gebunden. Condición: Neu. Neu -The term 'concrete art' was coined by the Dutch artistTheo van Doesburg in 1930, referring to works of art thatare exclusively based on purely 'plastic' elements, suchas color, line and plane, thereby forming an independent'concrete' reality. Accompanied by a new interest in howwe perceive and process visual impressions, insights fromperception psychology have been artistically explored tocreate dynamic and 'living' images.Over the past 50 years, the Norwegian art collector ErlingNeby has built an extraordinary collection of geometricand concrete art. Encompassing European, American andNordic art, the main focus is on works from the post-waryears, including leading figures such as Victor Vasarely,Max Bill, Auguste Herbin, Josef Albers, Aase Texmon Ryghand Olle Bærtling, as well as new generations of artistswho, in different ways, use a geometric-abstract form ofexpression. This catalogue documents a major exhibitionat the Kode Art Museum in Bergen featuring more than100 works from the collection, which-through its truly personalselection-offers a complex picture of artistic positions,and the impact of geometric and concrete art. 300 pp. Englisch.

Hardcover. Condición: new. Hardcover. The term "concrete art" was coined by the Dutch artist Theo van Doesburg in 1930, referring to works of art that are exclusively based on purely "plastic" elements, such as color, line and plane, thereby forming an independent "concrete" reality. Accompanied by a new interest in how we perceive and process visual impressions, insights from perception psychology have been artistically explored to create dynamic and 'living' images. Over the past 50 years, the Norwegian art collector Erling Neby has built an extraordinary collection of geometric and concrete art. Encompassing European, American and Nordic art, the main focus is on works from the post-war years, including leading figures such as Victor Vasarely, Max Bill, Auguste Herbin, Josef Albers, Aase Texmon Rygh and Olle Baertling, as well as new generations of artists who, in different ways, use a geometric-abstract form of expression. This catalogue documents a major exhibition at the Kode Art Museum in Bergen featuring more than 100 works from the collection, which-through its truly personal selection-offers a complex picture of artistic positions, and the impact of geometric and concrete art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: new.

Condición: New.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. The term "concrete art" was coined by the Dutch artist Theo van Doesburg in 1930, referring to works of art that are exclusively based on purely "plastic" elements, such as color, line and plane, thereby forming an independent "concrete" reality. Accompanied by a new interest in how we perceive and process visual impressions, insights from perception psychology have been artistically explored to create dynamic and 'living' images. Over the past 50 years, the Norwegian art collector Erling Neby has built an extraordinary collection of geometric and concrete art. Encompassing European, American and Nordic art, the main focus is on works from the post-war years, including leading figures such as Victor Vasarely, Max Bill, Auguste Herbin, Josef Albers, Aase Texmon Rygh and Olle Baertling, as well as new generations of artists who, in different ways, use a geometric-abstract form of expression. This catalogue documents a major exhibition at the Kode Art Museum in Bergen featuring more than 100 works from the collection, which-through its truly personal selection-offers a complex picture of artistic positions, and the impact of geometric and concrete art.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2024. 1st Edition. hardcover. . . . . .

Condición: New.

Condición: New. 2024. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Fin Serck-Hanssen Ilustrador. 253 pages, 4to. Minor shelfwear. Tight binding, no marks. Volume is in Very Good condition.

Hardcover. Condición: Brand New. 300 pages. 11.00x11.25x10.70 inches. In Stock.

Condición: New.

Hardcover. Condición: new. Hardcover. The term "concrete art" was coined by the Dutch artist Theo van Doesburg in 1930, referring to works of art that are exclusively based on purely "plastic" elements, such as color, line and plane, thereby forming an independent "concrete" reality. Accompanied by a new interest in how we perceive and process visual impressions, insights from perception psychology have been artistically explored to create dynamic and 'living' images. Over the past 50 years, the Norwegian art collector Erling Neby has built an extraordinary collection of geometric and concrete art. Encompassing European, American and Nordic art, the main focus is on works from the post-war years, including leading figures such as Victor Vasarely, Max Bill, Auguste Herbin, Josef Albers, Aase Texmon Rygh and Olle Baertling, as well as new generations of artists who, in different ways, use a geometric-abstract form of expression. This catalogue documents a major exhibition at the Kode Art Museum in Bergen featuring more than 100 works from the collection, which-through its truly personal selection-offers a complex picture of artistic positions, and the impact of geometric and concrete art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condición: Wie neu. Estado de la sobrecubierta: Wie neu. Fin Serck-Hanssen Ilustrador. Unread book in excellent condition. Lettering on the front cover slightly faded, due to storage and transportation. Otherwise the book is as good as new. Privately owned. Language: English.

Hardcover. Condición: New. [99] pages : illustrations ; 24 x 33 cm. English & Norwegian. Normalizing Judgment more problematic det norske fengsel- and avstraffningssystemet gjennom en kunstnerisk dokumentasjon fra åtte norske fengsler. Gjennom portretter and stedsbeskrivelser beacons boken on the side of the fencesystemet so overvåkning, dehumanisering and external medgjøring. He realigned in norske fenglser i samsvar med det norske selvformet som forestryfullt, including and redeeming? I interior photography and tilsynelatende quickly registered portraits of trekker artists seg out of fortolkningen of the inside and silent contracters to ask with the fact that the samfunnet has been covered up å deskytte seg mot offers, or else overgriperen for that place. Boken has initial pictures and an essay by Michael Petry.

Hardback. Condición: New. There are some collectors who through foresight and dedication have built truly outstanding art collections and shared them widely as part of public museums. Among these were Samuel Courtauld in London and Rasmus Meyer in Bergen. At the heart of each man's collection were single artists who were their greatest passions: for Courtauld it was Paul Cézanne and for Meyer, Edvard Munch. This unique collaboration between KODE art museums in Bergen and The Courtauld in London, celebrates these two remarkable collectors and two great artists by showing masterpieces by Cézanne in Bergen and Munch in London. The Courtauld is home to some of the most important paintings by Cézanne, such as The Card Players and Montagne Sainte-Victoire. "Cézanne. Masterpieces from The Courtauld at KODE Art Museum" is the story about how collectors and artists became aware of Cézanne. This publication not only presents ten key works from The Courtauld along with Cézannes from Norwegian collections, it also brings them together with eye witness accounts from the early years of his profound influence, seen through the lens of the Norwegian art scene around 1900. With essays by Barnaby Wright, Øystein Sjåstad and Karen Serres and an introduction by Line Daatland. Forewords by Petter Snare and Ernst Vegelin van Claerbergen.

Hardback. Condición: New. The term "concrete art" was coined by the Dutch artist Theo van Doesburg in 1930, referring to works of art that are exclusively based on purely "plastic" elements, such as color, line and plane, thereby forming an independent "concrete" reality. Accompanied by a new interest in how we perceive and process visual impressions, insights from perception psychology have been artistically explored to create dynamic and 'living' images. Over the past 50 years, the Norwegian art collector Erling Neby has built an extraordinary collection of geometric and concrete art. Encompassing European, American and Nordic art, the main focus is on works from the post-war years, including leading figures such as Victor Vasarely, Max Bill, Auguste Herbin, Josef Albers, Aase Texmon Rygh and Olle Baertling, as well as new generations of artists who, in different ways, use a geometric-abstract form of expression. This catalogue documents a major exhibition at the Kode Art Museum in Bergen featuring more than 100 works from the collection, which-through its truly personal selection-offers a complex picture of artistic positions, and the impact of geometric and concrete art.

Hardcover. Condición: New. Fin Serck-Hanssen Ilustrador. 256 pages. Fin Serck-Hanssen photographed the first generation of Norwegian punk: Hærverk, Oslo Børs, Kjøtt, The Aller Værste and many others. He takes pictures of all kinds of artists, both in England and Norway. Everything from eccentrics like Einstürzende Neubaten, The Cramps and the trash trance Jayne / Wayne County, to post-punk bands like Bauhaus, Cabaret Voltaire and A Certain Ratio, to local bands like Holy Toy, Fra Lippi Lippo and Garden of Delight, to more famous names like Elvis Costello , Human League, Frankie Goes to Hollywood, Jim Kerr from Simple Minds, Midge Watches from Ultravox and later greats like REM Among the finest is one of the then totally unknown band Depeche Mode from the same year as the band made their LP debut. The book shows Fin Serck-Hanssen's rock photo for the first time since they were published in Nye Takter and many photographs that have never been shown before. Both as documentation from a formative period and as an artistic expression, In Between Pictures is an extraordinary book.

Hardcover. Condición: New. 287 pages : chiefly illustrations ; 30 cm. Ole Jørgen Ness (1961-) is one of Norway's foremost artists, and has been a key inspiration for a generation of Norwegian visual artists. XYZ, the artist's first "artist book" in over ten years, provides a unique representation of an artistic vision that includes drawing, painting, installation and sculpture. Through the book you get a rare clear picture of a central contemporary artist. "The quality of the book production is impressive. . The book will remain as a key document in a change of reception by Ole Jørgen Ness ." Øystein Sjåstad, Billedkunst # 2, 2012.

Hardcover. Condición: New. 204 pages in English & Norwegian. I Would Button up My T-shirt if I Could' consists of 142 collages, cutouts, paintings and drawings. The body of work is accompanied by commissioned essays by the German art critic Hanna Magauer and the Norwegian curator and art historian Steinar Sekkingstad. 0'At the base of these collages are clippings from printed media, from gossip magazines to architecture journals, or advertisements from Fendi to Versace, Rolex watches and diamond bracelets, crossword puzzles and tribal tattoos. Combined with abstract gestural painting and figurative, caricaturesque line drawings, one could see it as a collision of tastes, a deliberate confrontation of contradictory aesthetic codes.'.

Hardcover. Condición: New. 434 pages : chiefly illustrations ; 28 cm. Melody of Certain Damaged Lemons is a comprehensive presentation of Marit Følstad's video work. 25 images from each video give a strong visual presentation of each work. With more than 400 pages, the book is one of the most accomplished art books by a Norwegian artist. The book has newly written essays by Robert C Morgan, Magnus Haglund and Joakim Borda with a foreword by Christoph Cox. Through a number of exhibitions in recent years in Oslo, Tromsø and Kristiansand, Marit Følstad (1969-) has distinguished herself as one of Norway's most important artists. Her use of neon, music and photography makes Marit Følstad's art a total experience.

Hardcover. Condición: New. upaginated, ill. (mainly colour) : 32 cm. Text in Norwegian. Viggo Hagstrøm, professor at the Faculty of Law, UiO, donated a significant number of works of art to the North Norwegian Art Museum. The book documents highlights from Hagstrøm's donation to the museum and through a series of essays, the book provides insight into both Hagstrøm's career and the works of art he chose to collect.