rodriguez solas david (30 resultados)

Soft cover. Condición: Very Good. 1st Edition. 8vo, card covers, 237pp. First edition. Signed and inscribed by the author at both the title page and on a separate inserted sheet. VG: minor rubbing to the cover's edges and corners; a clean and solid book. Signed by Author(s).

Condición: New.

Condición: Nuevo. Desde una perspectiva multidisciplinar, este volumen analiza el proceso de formación de una tradición teatral republicana en el periodo 1931-1936 y se detiene en las consecuencias que la inestabilidad política provocó en el consenso de un modelo de Teatro Nacional. Obra finalista del Premio Leandro Fernández de Moratín de la Asociación de Directores de Escena de España, 2015. 238 pages.

Condición: As New. Unread book in perfect condition.

Condición: New.

01-07-2014 edición 225 Este libro analiza el proceso de formación de una tradición teatral republicana en el periodo 1931-1936. En estos años asistimos a una apreciación simbólica de las obras teatrales del Siglo de Oro en su circulación impresa y en las políticas culturales que fundaron los dos proyectos estrella de la República: Misiones Pedagógicas y La Barraca. Por último, el libro muestra cómo la inestabilidad política y social del periodo republicano impidió que se consensuara un modelo de Teatro Nacional y enfrentó a la sociedad con dos imágenes antagónicas de Lope de Vega en la conmemoración del tricentenario de su muerte en 1935. Desde un acercamiento multidisciplinar que se sirve de metodologías diversas de los estudios literarios, culturales y de performance, se analizan estas iniciativas. páginas/pasges.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Paperback. Condición: Brand New. 172 pages. 9.00x6.00x9.02 inches. In Stock.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. In.

Condición: New.

Condición: New.

Condición: New.

Iberoamericana / Vervuert, 2014. ESTUDIOS DE CULTURA DE ESPAÑA. 238pp. 15cm. Este libro analiza el proceso de formación de una tradición teatral republicana en el periodo 1931-1936. En estos años asistimos a una apreciación simbólica de las obras teatrales del Siglo de Oro en su circulación impresa y en las políticas culturales q.

Condición: Usado- bueno.

Paperback. Condición: new. Paperback. This book examines troupes, plays, festivals, performative practices, and audiences active during the final years of the Franco dictatorship and the beginning of the transition to democracy.This period, spanning 1968 to 1982, is considered the historical moment that most directly shaped contemporary Spanish politics and society. The dominant narrative of the Transition has long portrayed it as a normalized, non-confrontational, and consensual process steered by political elites. But the world of Spanish theater tells a very different story - one in which ordinary Spaniards played a vital role in the transition to democracy. The chapters of this book draw on censorship files, photographs, audiovisual and textual material, and the authors own interviews with more than a dozen audience and troupe members. Using these sources, David Rodriguez-Solas examines the notable experimentation during this period with theatrical performance and music; the establishment of performing spaces and festivals; the development of touring networks as a way to evade censorship; and the creation of networks of support that opposed diverse forms of violence and repression.This study will be of great interest to students and scholars interested in theater and the cultural and political history of Spain in the 1960s and 1970s. This book examines troupes, plays, festivals, performative practices, and audiences active during the final years of the Franco dictatorship and the beginning of the transition to democracy. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. This book examines troupes, plays, festivals, performative practices, and audiences active during the final years of the Franco dictatorship and the beginning of the transition to democracy.This period, spanning 1968 to 1982, is considered the historical moment that most directly shaped contemporary Spanish politics and society. The dominant narrative of the Transition has long portrayed it as a normalized, non-confrontational, and consensual process steered by political elites. But the world of Spanish theater tells a very different story - one in which ordinary Spaniards played a vital role in the transition to democracy. The chapters of this book draw on censorship files, photographs, audiovisual and textual material, and the authors own interviews with more than a dozen audience and troupe members. Using these sources, David Rodriguez-Solas examines the notable experimentation during this period with theatrical performance and music; the establishment of performing spaces and festivals; the development of touring networks as a way to evade censorship; and the creation of networks of support that opposed diverse forms of violence and repression.This study will be of great interest to students and scholars interested in theater and the cultural and political history of Spain in the 1960s and 1970s. This book examines troupes, plays, festivals, performative practices, and audiences active during the final years of the Franco dictatorship and the beginning of the transition to democracy. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condición: new. Paperback. This book examines troupes, plays, festivals, performative practices, and audiences active during the final years of the Franco dictatorship and the beginning of the transition to democracy.This period, spanning 1968 to 1982, is considered the historical moment that most directly shaped contemporary Spanish politics and society. The dominant narrative of the Transition has long portrayed it as a normalized, non-confrontational, and consensual process steered by political elites. But the world of Spanish theater tells a very different story - one in which ordinary Spaniards played a vital role in the transition to democracy. The chapters of this book draw on censorship files, photographs, audiovisual and textual material, and the authors own interviews with more than a dozen audience and troupe members. Using these sources, David Rodriguez-Solas examines the notable experimentation during this period with theatrical performance and music; the establishment of performing spaces and festivals; the development of touring networks as a way to evade censorship; and the creation of networks of support that opposed diverse forms of violence and repression.This study will be of great interest to students and scholars interested in theater and the cultural and political history of Spain in the 1960s and 1970s. This book examines troupes, plays, festivals, performative practices, and audiences active during the final years of the Franco dictatorship and the beginning of the transition to democracy. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book examines troupes, plays, festivals, performative practices, and audiences active during the final years of the Franco dictatorship and the beginning of the transition to democracy.

Taschenbuch. Condición: Neu. Performing the Transition to Democracy | Theater and Performance in 1970s Spain | David Rodríguez-Solás | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2025 | Routledge | EAN 9781032454467 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book examines troupes, plays, festivals, performative practices, and audiences active during the final years of the Franco dictatorship and the beginning of the transition to democracy.This period, spanning 1968 to 1982, is considered the historical moment that most directly shaped contemporary Spanish politics and society. The dominant narrative of the Transition has long portrayed it as a normalized, non-confrontational, and consensual process steered by political elites. But the world of Spanish theater tells a very different story - one in which ordinary Spaniards played a vital role in the transition to democracy. The chapters of this book draw on censorship files, photographs, audiovisual and textual material, and the author's own interviews with more than a dozen audience and troupe members. Using these sources, David Rodriguez-Solas examines the notable experimentation during this period with theatrical performance and music; the establishment of performing spaces and festivals; the development of touring networks as a way to evade censorship; and the creation of networks of support that opposed diverse forms of violence and repression.This study will be of great interest to students and scholars interested in theater and the cultural and political history of Spain in the 1960s and 1970s. 174 pp. Englisch.

Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book examines troupes, plays, festivals, performative practices, and audiences active during the final years of the Franco dictatorship and the beginning of the transition to democracy.This period, spanning 1968 to 1982, is considered the historical moment that most directly shaped contemporary Spanish politics and society. The dominant narrative of the Transition has long portrayed it as a normalized, non-confrontational, and consensual process steered by political elites. But the world of Spanish theater tells a very different story - one in which ordinary Spaniards played a vital role in the transition to democracy. The chapters of this book draw on censorship files, photographs, audiovisual and textual material, and the author's own interviews with more than a dozen audience and troupe members. Using these sources, David Rodriguez-Solas examines the notable experimentation during this period with theatrical performance and music; the establishment of performing spaces and festivals; the development of touring networks as a way to evade censorship; and the creation of networks of support that opposed diverse forms of violence and repression.This study will be of great interest to students and scholars interested in theater and the cultural and political history of Spain in the 1960s and 1970s.