Librería: Goodwill Southern California, Los Angeles, CA, Estados Unidos de America
EUR 13,68
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: good.
Original o primera edición
EUR 6,00
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: Wie neu. Ohne Schutzumschlag. 1. Auflage. 128 pages with many illustrations, partly coloured.
Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de America
EUR 17,29
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Idioma: Inglés
Publicado por University of Chicago press, 2016
ISBN 10: 3777426326 ISBN 13: 9783777426327
Librería: INDOO, Avenel, NJ, Estados Unidos de America
EUR 27,33
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. Brand New.
EUR 27,47
Cantidad disponible: 15 disponibles
Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
EUR 23,16
Cantidad disponible: 15 disponibles
Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
EUR 30,10
Cantidad disponible: Más de 20 disponibles
Añadir al carritoHardback. Condición: New. From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallize the sitter's identity and social milieu. Even portraits by contemporary artists are often interpreted as windows into African realities. This exhibition reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Sammy Baloji, Mohamed Camara, Saïdou Dicko, and George Osodi expand their subjects' interpretive possibilities, exemplifying a new creativity and versatility in portrait-making. While each artist employs different strategies, they all challenge the assumption that photographic portraits serve as mirrors of the "self." Baloji's montages dislocate the subject historically, Camara probes the boundaries of the portrait genre, Dicko expresses uncertainty at the possibility of representation, and Osodi engages his subjects as platforms for political commentary. The four artists enlist portraiture as a point of departure for exploring subjectivity, history, and photographic form. The Expanded Subject offers new insights into the expressive and conceptual range of African photo-portraiture today.
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 24,74
Cantidad disponible: 5 disponibles
Añadir al carritoCondición: new.
Librería: Anybook.com, Lincoln, Reino Unido
EUR 16,19
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9783777426327.
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 32,38
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: new. Hardcover. From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallize the sitter's identity and social milieu. Even portraits by contemporary artists are often interpreted as windows into African realities. This exhibition reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Sammy Baloji, Mohamed Camara, Saidou Dicko, and George Osodi expand their subjects' interpretive possibilities, exemplifying a new creativity and versatility in portrait-making. While each artist employs different strategies, they all challenge the assumption that photographic portraits serve as mirrors of the "self." Baloji's montages dislocate the subject historically, Camara probes the boundaries of the portrait genre, Dicko expresses uncertainty at the possibility of representation, and Osodi engages his subjects as platforms for political commentary. The four artists enlist portraiture as a point of departure for exploring subjectivity, history, and photographic form. The Expanded Subject offers new insights into the expressive and conceptual range of African photo-portraiture today. From 19th-century studio practice through the independence era, African photography has been known for modes of portraiture that crystallize the sitter's identity and social milieu. This title reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Librería: Majestic Books, Hounslow, Reino Unido
EUR 27,62
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: New. pp. 128.
Idioma: Inglés
Publicado por Princeton University Press, 2024
ISBN 10: 0691246017 ISBN 13: 9780691246017
Librería: Labyrinth Books, Princeton, NJ, Estados Unidos de America
EUR 38,70
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: New.
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Original o primera edición
EUR 31,35
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. From 19th-century studio practice through the independence era, African photography has been known for modes of portraiture that crystallize the sitter's identity and social milieu. This title reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Num Pages: 128 pages, 70 colour illustrations. BIC Classification: 1H; AJC. Category: (G) General (US: Trade). Dimension: 213 x 264 x 16. Weight in Grams: 720. . 2016. 01st Edition. Hardcover. . . . .
Publicado por Columbia University Press, New York, 2016
ISBN 10: 1884919332 ISBN 13: 9781884919336
Librería: Argosy Book Store, ABAA, ILAB, New York, NY, Estados Unidos de America
Original o primera edición
EUR 23,64
Cantidad disponible: 1 disponibles
Añadir al carritohardcover. Condición: fine. First. Illustrated in color and in black and white. 128 pages. Short, slim 4to, printed boards. New York: Columbia University Press, (2016). A fine copy.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 28,86
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: Brand New. 01 edition. 128 pages. French language. 10.25x8.25x0.75 inches. In Stock.
Librería: Chiron Media, Wallingford, Reino Unido
EUR 25,36
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: New.
Librería: Book Broker, Berlin, Alemania
EUR 8,29
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Wie neu. 1. 128 Seiten Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Dieser Artikel weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Sprache: Englisch Gewicht in Gramm: 660 Gebundene Ausgabe, Größe: 20.3 x 1.5 x 25.4 cm.
Librería: Biblios, Frankfurt am main, HESSE, Alemania
EUR 34,53
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: New. pp. 128.
Idioma: Inglés
Publicado por Princeton University Press, 2024
ISBN 10: 0691246017 ISBN 13: 9780691246017
Librería: Strand Book Store, ABAA, New York, NY, Estados Unidos de America
EUR 37,82
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: Good.
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 39,12
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. From 19th-century studio practice through the independence era, African photography has been known for modes of portraiture that crystallize the sitter's identity and social milieu. This title reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Num Pages: 128 pages, 70 colour illustrations. BIC Classification: 1H; AJC. Category: (G) General (US: Trade). Dimension: 213 x 264 x 16. Weight in Grams: 720. . 2016. 01st Edition. Hardcover. . . . . Books ship from the US and Ireland.
EUR 29,90
Cantidad disponible: 1 disponibles
Añadir al carritoBuch. Condición: Neu. Neuware -Bis in das 20. Jahrhundert stellte die afrikanische Porträt-Fotografie hauptsächlich den Menschen und sein soziales Umfeld in den Mittelpunkt. Das Subjekt der Aufnahme sollte gleichsam als Fenster zur Realität des Kontinents dienen. Die zeitgenössischen afrikanischen Fotografen Sammy Baloji, Mohamed Camara, Saïdou Dicko und George Osodi vereint dagegen die Überzeugung, dass Foto-Porträts als Spiegel des Selbst fungieren. Balojis Montagen verlassen den historischen Kontext, Camara lotet die Grenzen des Genres aus, Dicko spielt mit der Ambivalenz von Darstellungsmöglichkeiten und Osodi betont politische Aussagen. Zusammen zeigen Ihre Bilder die faszinierende Bandbreite der zeitgenössischen afrikanischen Fotografie. 128 pp. Englisch.
EUR 29,90
Cantidad disponible: 1 disponibles
Añadir al carritoBuch. Condición: Neu. Neuware -Bis in das 20. Jahrhundert stellte die afrikanische Porträt-Fotografie hauptsächlich den Menschen und sein soziales Umfeld in den Mittelpunkt. Das Subjekt der Aufnahme sollte gleichsam als Fenster zur Realität des Kontinents dienen. Die zeitgenössischen afrikanischen Fotografen Sammy Baloji, Mohamed Camara, Saïdou Dicko und George Osodi vereint dagegen die Überzeugung, dass Foto-Porträts als Spiegel des Selbst fungieren. Balojis Montagen verlassen den historischen Kontext, Camara lotet die Grenzen des Genres aus, Dicko spielt mit der Ambivalenz von Darstellungsmöglichkeiten und Osodi betont politische Aussagen. Zusammen zeigen Ihre Bilder die faszinierende Bandbreite der zeitgenössischen afrikanischen Fotografie. 128 pp. Englisch.
Idioma: Inglés
Publicado por Princeton University Press, 2024
ISBN 10: 0691246017 ISBN 13: 9780691246017
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 48,54
Cantidad disponible: 15 disponibles
Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 54,36
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Princeton University Press, 2024
ISBN 10: 0691246017 ISBN 13: 9780691246017
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 54,70
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Princeton University Press, 2024
ISBN 10: 0691246017 ISBN 13: 9780691246017
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 54,82
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Princeton University Press, 2024
ISBN 10: 0691246017 ISBN 13: 9780691246017
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 52,59
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: new.
EUR 29,96
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: new. Hardcover. From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallize the sitter's identity and social milieu. Even portraits by contemporary artists are often interpreted as windows into African realities. This exhibition reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Sammy Baloji, Mohamed Camara, Saidou Dicko, and George Osodi expand their subjects' interpretive possibilities, exemplifying a new creativity and versatility in portrait-making. While each artist employs different strategies, they all challenge the assumption that photographic portraits serve as mirrors of the "self." Baloji's montages dislocate the subject historically, Camara probes the boundaries of the portrait genre, Dicko expresses uncertainty at the possibility of representation, and Osodi engages his subjects as platforms for political commentary. The four artists enlist portraiture as a point of departure for exploring subjectivity, history, and photographic form. The Expanded Subject offers new insights into the expressive and conceptual range of African photo-portraiture today. From 19th-century studio practice through the independence era, African photography has been known for modes of portraiture that crystallize the sitter's identity and social milieu. This title reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 61,31
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.
Librería: Majestic Books, Hounslow, Reino Unido
EUR 55,93
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: New.