From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallize the sitter’s identity and social milieu. Even portraits by contemporary artists are often interpreted as windows into African realities. This exhibition reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Sammy Baloji, Mohamed Camara, Saïdou Dicko, and George Osodi expand their subjects’ interpretive possibilities, exemplifying a new creativity and versatility in portrait-making. While each artist employs different strategies, they all challenge the assumption that photographic portraits serve as mirrors of the “self.” Baloji’s montages dislocate the subject historically, Camara probes the boundaries of the portrait genre, Dicko expresses uncertainty at the possibility of representation, and Osodi engages his subjects as platforms for political commentary. The four artists enlist portraiture as a point of departure for exploring subjectivity, history, and photographic form. The Expanded Subject offers new insights into the expressive and conceptual range of African photo-portraiture today.
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Sandrine Colard is Assistant Professor of Art History at Rutgers University-Newark, a writer and an independent curator. She specialises in modern and contemporary African arts and photography, with a focus on Central Africa.
From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallize the sitter’s identity and social milieu. Even portraits by contemporary artists are often interpreted as windows into African realities. This exhibition reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Sammy Baloji, Mohamed Camara, Saïdou Dicko, and George Osodi expand their subjects’ interpretive possibilities, exemplifying a new creativity and versatility in portrait-making. While each artist employs different strategies, they all challenge the assumption that photographic portraits serve as mirrors of the “self.” Baloji’s montages dislocate the subject historically, Camara probes the boundaries of the portrait genre, Dicko expresses uncertainty at the possibility of representation, and Osodi engages his subjects as platforms for political commentary. The four artists enlist portraiture as a point of departure for exploring subjectivity, history, and photographic form. The Expanded Subject offers new insights into the expressive and conceptual range of African photo-portraiture today.
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Librería: Thomas Emig, Altlandsberg, Alemania
Hardcover. Condición: Wie neu. Ohne Schutzumschlag. 1. Auflage. 128 pages with many illustrations, partly coloured. Nº de ref. del artículo: 2023-017708
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Librería: INDOO, Avenel, NJ, Estados Unidos de America
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Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: HU-9783777426327
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Librería: Rarewaves.com USA, London, LONDO, Reino Unido
Hardback. Condición: New. From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallize the sitter's identity and social milieu. Even portraits by contemporary artists are often interpreted as windows into African realities. This exhibition reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Sammy Baloji, Mohamed Camara, Saïdou Dicko, and George Osodi expand their subjects' interpretive possibilities, exemplifying a new creativity and versatility in portrait-making. While each artist employs different strategies, they all challenge the assumption that photographic portraits serve as mirrors of the "self." Baloji's montages dislocate the subject historically, Camara probes the boundaries of the portrait genre, Dicko expresses uncertainty at the possibility of representation, and Osodi engages his subjects as platforms for political commentary. The four artists enlist portraiture as a point of departure for exploring subjectivity, history, and photographic form. The Expanded Subject offers new insights into the expressive and conceptual range of African photo-portraiture today. Nº de ref. del artículo: LU-9783777426327
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Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: HU-9783777426327
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Librería: Brook Bookstore On Demand, Napoli, NA, Italia
Condición: new. Nº de ref. del artículo: 0ed17e9414d29a8764748691f98cafb9
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
Hardcover. Condición: new. Hardcover. From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallize the sitter's identity and social milieu. Even portraits by contemporary artists are often interpreted as windows into African realities. This exhibition reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Sammy Baloji, Mohamed Camara, Saidou Dicko, and George Osodi expand their subjects' interpretive possibilities, exemplifying a new creativity and versatility in portrait-making. While each artist employs different strategies, they all challenge the assumption that photographic portraits serve as mirrors of the "self." Baloji's montages dislocate the subject historically, Camara probes the boundaries of the portrait genre, Dicko expresses uncertainty at the possibility of representation, and Osodi engages his subjects as platforms for political commentary. The four artists enlist portraiture as a point of departure for exploring subjectivity, history, and photographic form. The Expanded Subject offers new insights into the expressive and conceptual range of African photo-portraiture today. From 19th-century studio practice through the independence era, African photography has been known for modes of portraiture that crystallize the sitter's identity and social milieu. This title reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9783777426327
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Librería: Anybook.com, Lincoln, Reino Unido
Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9783777426327. Nº de ref. del artículo: 9982870
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Librería: Majestic Books, Hounslow, Reino Unido
Condición: New. pp. 128. Nº de ref. del artículo: 371458288
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condición: New. From 19th-century studio practice through the independence era, African photography has been known for modes of portraiture that crystallize the sitter's identity and social milieu. This title reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Num Pages: 128 pages, 70 colour illustrations. BIC Classification: 1H; AJC. Category: (G) General (US: Trade). Dimension: 213 x 264 x 16. Weight in Grams: 720. . 2016. 01st Edition. Hardcover. . . . . Nº de ref. del artículo: V9783777426327
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