Ofer gazit (41 resultados)

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Paperback. Condición: Brand New. 208 pages. 9.00x6.00x0.50 inches. In Stock.

Paperback. Condición: new. Paperback. Since the 1990s, migrant musicians have become increasingly prominent in New York City's jazz scene. Challenging norms about who can be a jazz musician and what immigrant music should sound like, these musicians create mobile and diverse notions of jazz while inadvertently contributing to processes of gentrification and cultural institutionalization. In Jazz Migrations, author Ofer Gazit discusses the impact of contemporary transnational migration on NewYork jazz, examining its effects on educational institutions, club scenes, and jam sessions.Drawing on four years of musical participation in the scene, as well as interviews withmusicians, audience members, venue owners, industry professionals, and institutional actors, Gazit transports readers from music schools in Japan, Israel, and India to rehearsals and private lessons in American jazz programs, and to New York's immigrant jazz hangouts: an immigrant-owned music school in the Bronx; a weekly jam session in a Haitian bar in central Brooklyn; a Colombian-owned jazz room in Jackson Heights, Queens; and a members-only club in Manhattan. Along the way, he introducesthe improvisatory practices of a cast of well-known and aspiring musicians: a South Indian guitarist's visions of John Coltrane and Carnatic music; a Chilean saxophonist's intimate dialogue with thesound of Sonny Rollins; an Israeli clarinetist finding a home in Brazilian Choro and in Louis Armstrong's legacy; and a multiple Grammy-nominated Cuban drummer from the Bronx. Jazz Migrations concludes with a call for a collective reconsideration of the meaning of genre boundaries, senses of belonging, and ethnic identity in American music. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: As New. Unread book in perfect condition.

paperback. Condición: New. Special order direct from the distributor.

Paperback. Condición: Brand New. 208 pages. 9.00x6.00x0.50 inches. In Stock.

hardcover. Condición: Very Good.

Taschenbuch. Condición: Neu. Neuware - Since the 1990s, migrant musicians have become increasingly prominent in New York City's jazz scene. Challenging norms about who can be a jazz musician and what immigrant music should sound like, these musicians create mobile and diverse notions of jazz while inadvertently contributing to processes of gentrification and cultural institutionalization. In Jazz Migrations, author Ofer Gazit discusses the impact of contemporary transnational migration on New York jazz, examining its effects on educational institutions, club scenes, and jam sessions. Drawing on four years of musical participation in the scene, as well as interviews with musicians, audience members, venue owners, industry professionals, and institutional actors, Gazit transports readers from music schools in Japan, Israel, and India to rehearsals and private lessons in American jazz programs, and to New York's immigrant jazz hangouts: an immigrant-owned music school in the Bronx; a weekly jam session in a Haitian bar in central Brooklyn; a Colombian-owned jazz room in Jackson Heights, Queens; and a members-only club in Manhattan. Along the way, he introduces the improvisatory practices of a cast of well-known and aspiring musicians: a South Indian guitarist's visions of John Coltrane and Carnatic music; a Chilean saxophonist's intimate dialogue with the sound of Sonny Rollins; an Israeli clarinetist finding a home in Brazilian Choro and in Louis Armstrong's legacy; and a multiple Grammy-nominated Cuban drummer from the Bronx. Jazz Migrations concludes with a call for a collective reconsideration of the meaning of genre boundaries, senses of belonging, and ethnic identity in American music.…

Paperback. Condición: new. Paperback. Since the 1990s, migrant musicians have become increasingly prominent in New York City's jazz scene. Challenging norms about who can be a jazz musician and what immigrant music should sound like, these musicians create mobile and diverse notions of jazz while inadvertently contributing to processes of gentrification and cultural institutionalization. In Jazz Migrations, author Ofer Gazit discusses the impact of contemporary transnational migration on NewYork jazz, examining its effects on educational institutions, club scenes, and jam sessions.Drawing on four years of musical participation in the scene, as well as interviews withmusicians, audience members, venue owners, industry professionals, and institutional actors, Gazit transports readers from music schools in Japan, Israel, and India to rehearsals and private lessons in American jazz programs, and to New York's immigrant jazz hangouts: an immigrant-owned music school in the Bronx; a weekly jam session in a Haitian bar in central Brooklyn; a Colombian-owned jazz room in Jackson Heights, Queens; and a members-only club in Manhattan. Along the way, he introducesthe improvisatory practices of a cast of well-known and aspiring musicians: a South Indian guitarist's visions of John Coltrane and Carnatic music; a Chilean saxophonist's intimate dialogue with thesound of Sonny Rollins; an Israeli clarinetist finding a home in Brazilian Choro and in Louis Armstrong's legacy; and a multiple Grammy-nominated Cuban drummer from the Bronx. Jazz Migrations concludes with a call for a collective reconsideration of the meaning of genre boundaries, senses of belonging, and ethnic identity in American music. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condición: new. Paperback. Since the 1990s, migrant musicians have become increasingly prominent in New York City's jazz scene. Challenging norms about who can be a jazz musician and what immigrant music should sound like, these musicians create mobile and diverse notions of jazz while inadvertently contributing to processes of gentrification and cultural institutionalization. In Jazz Migrations, author Ofer Gazit discusses the impact of contemporary transnational migration on NewYork jazz, examining its effects on educational institutions, club scenes, and jam sessions.Drawing on four years of musical participation in the scene, as well as interviews withmusicians, audience members, venue owners, industry professionals, and institutional actors, Gazit transports readers from music schools in Japan, Israel, and India to rehearsals and private lessons in American jazz programs, and to New York's immigrant jazz hangouts: an immigrant-owned music school in the Bronx; a weekly jam session in a Haitian bar in central Brooklyn; a Colombian-owned jazz room in Jackson Heights, Queens; and a members-only club in Manhattan. Along the way, he introducesthe improvisatory practices of a cast of well-known and aspiring musicians: a South Indian guitarist's visions of John Coltrane and Carnatic music; a Chilean saxophonist's intimate dialogue with thesound of Sonny Rollins; an Israeli clarinetist finding a home in Brazilian Choro and in Louis Armstrong's legacy; and a multiple Grammy-nominated Cuban drummer from the Bronx. Jazz Migrations concludes with a call for a collective reconsideration of the meaning of genre boundaries, senses of belonging, and ethnic identity in American music. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Buch. Condición: Neu. Neuware - Since the 1990s, migrant musicians have become increasingly prominent in New York City's jazz scene. Challenging norms about who can be a jazz musician and what immigrant music should sound like, these musicians create a mobile and diverse notion of jazz while inadvertently contributing to processes of gentrification and institutionalization. Jazz Migrations assesses the impact of contemporary transnational migration on New York jazz, examining its effects on educational institutions, club scenes, and jam sessions. It urges the reader to reconsider the meaning of genre boundaries, senses of belonging, and ethnic identity in American music.…

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: New.

Condición: New.

Hardback. Condición: New. Weaving together first-person narratives of art practice, analytical accounts, and ethnographic research by artists and scholars in art history, theater, new media, music, and anthropology, this volume offers an overview of the wide range of conditions, processes, and motivations for artmaking among asylum seekers in view of Israel's continued legal obfuscation of the refugee status process.With attention to the theorization of artistic production as a form of active, effective citizenship, it decenters these discourses to account for illiberal political contexts, geopolitical border zones and new disciplinary orientations, considering artmaking in contexts of danger and incarceration. This carefully curated collection seeks to highlight the place of African asylum seekers in an increasingly illiberal, nationalist Israel, and the role of art as a resistant, affirming, and life-sustaining practice.A study of the social, political, and aesthetic considerations that asylum-seeking artists bring to their practice, Art Practice and Asylum in Israel will appeal to scholars across the social sciences with interests in migration and diaspora, art activism, and refugee studies.…

Condición: New.