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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. Focusing on Calouste Gulbenkian's determination to preserve his cherished art collection intact after his death, this book tells the story of the creation of the Gulbenkian Museum in Lisbon. It begins with the efforts of the Calouste Gulbenkian Foundation, founded in 1956, to reunite an exceptional art collection then dispersed between Paris, Washington D.C. and London. The book examines the legal, diplomatic and practical measures that made this mission possible and follows the planning of a museum shaped by the most advanced museological thinking of the 1950s and 1960s, whereby the artworks themselves guided decisions across architecture, exhibition design and museography. It also highlights the key roles played by the first generation of Portuguese women curators and international consultants, from cataloguing the works to trial exhibitions and final installation. Ultimately, the volume shows how the Foundation interpreted and translated Gulbenkian's taste and character into museum form, resulting in a unique and enduring institution. …

Paperback. Condición: new. Paperback. Focusing on Calouste Gulbenkian's determination to preserve his cherished art collection intact after his death, this book tells the story of the creation of the Gulbenkian Museum in Lisbon. It begins with the efforts of the Calouste Gulbenkian Foundation, founded in 1956, to reunite an exceptional art collection then dispersed between Paris, Washington D.C. and London. The book examines the legal, diplomatic and practical measures that made this mission possible and follows the planning of a museum shaped by the most advanced museological thinking of the 1950s and 1960s, whereby the artworks themselves guided decisions across architecture, exhibition design and museography. It also highlights the key roles played by the first generation of Portuguese women curators and international consultants, from cataloguing the works to trial exhibitions and final installation. Ultimately, the volume shows how the Foundation interpreted and translated Gulbenkian's taste and character into museum form, resulting in a unique and enduring institution. The Inside series focuses on the mission and organisation of an institution rather than the collections within it the context in which it operates and the people who make it work. It tells the story of how an institution has evolved through its people, history, architecture, purpose and practice. AUTHOR: Vera Mariz is Research Curator at the Calouste Gulbenkian Museum. She holds a PhD in Art History, and her research focuses on the 19th and 20th century history of collecting and art markets, with particular emphasis on transnational networks of collectors and dealers, collectors' homes and display practices, the transition of private collections into the public sphere, and the history of jewellery. Her work has been published in The Rijksmuseum Bulletin, The Getty Research Journal, MDCCC 1800, Ge-conservacion, and the Journal of the History of Collections, among others. SELLING POINTS: . Addresses public curiosity about Gulbenkian and his approach to collecting . Based on previously unpublished archival documents and images . Places the Gulbenkian Museum within the broader context of post-war museology, showcasing the contributions of renowned specialists such as Franco Albini and Georges-Henri Riviere . Highlights the pioneering role of women curators 100 colour illustrations An essential overview of the creation of the Calouste Gulbenkian Museum, from the transfer of the collection from France, London and Washington D.C. after the collectors death, to its installation in Lisbon and opening in 1969. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condición: New.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 128 pages. 8.66x6.69x8.66 inches. In Stock.

Condición: New.

Paperback. Condición: New. In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting.Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition.This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display.Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century.The second part consists of 34 catalogue entries written by Luísa Sampaio, the curator of the exhibition.Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable. …

Condición: New.

paperback. Condición: New. **PAPERBACK**.

Condición: New.

Paperback. Condición: New. In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting.Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition.This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display.Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century.The second part consists of 34 catalogue entries written by Luísa Sampaio, the curator of the exhibition.Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable. …

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 208 pages. 11.81x9.06x9.06 inches. In Stock.

Paperback. Condición: New. Focusing on Calouste Gulbenkian's determination to preserve his cherished art collection intact after his death, this book tells the story of the creation of the Gulbenkian Museum in Lisbon. It begins with the efforts of the Calouste Gulbenkian Foundation, founded in 1956, to reunite an exceptional art collection then dispersed between Paris, Washington D.C. and London. The book examines the legal, diplomatic and practical measures that made this mission possible and follows the planning of a museum shaped by the most advanced museological thinking of the 1950s and 1960s, whereby the artworks themselves guided decisions across architecture, exhibition design and museography. It also highlights the key roles played by the first generation of Portuguese women curators and international consultants, from cataloguing the works to trial exhibitions and final installation. Ultimately, the volume shows how the Foundation interpreted and translated Gulbenkian's taste and character into museum form, resulting in a unique and enduring institution. …

Paperback. Condición: new. Paperback. Focusing on Calouste Gulbenkian's determination to preserve his cherished art collection intact after his death, this book tells the story of the creation of the Gulbenkian Museum in Lisbon. It begins with the efforts of the Calouste Gulbenkian Foundation, founded in 1956, to reunite an exceptional art collection then dispersed between Paris, Washington D.C. and London. The book examines the legal, diplomatic and practical measures that made this mission possible and follows the planning of a museum shaped by the most advanced museological thinking of the 1950s and 1960s, whereby the artworks themselves guided decisions across architecture, exhibition design and museography. It also highlights the key roles played by the first generation of Portuguese women curators and international consultants, from cataloguing the works to trial exhibitions and final installation. Ultimately, the volume shows how the Foundation interpreted and translated Gulbenkian's taste and character into museum form, resulting in a unique and enduring institution. The Inside series focuses on the mission and organisation of an institution rather than the collections within it the context in which it operates and the people who make it work. It tells the story of how an institution has evolved through its people, history, architecture, purpose and practice. AUTHOR: Vera Mariz is Research Curator at the Calouste Gulbenkian Museum. She holds a PhD in Art History, and her research focuses on the 19th and 20th century history of collecting and art markets, with particular emphasis on transnational networks of collectors and dealers, collectors' homes and display practices, the transition of private collections into the public sphere, and the history of jewellery. Her work has been published in The Rijksmuseum Bulletin, The Getty Research Journal, MDCCC 1800, Ge-conservacion, and the Journal of the History of Collections, among others. SELLING POINTS: . Addresses public curiosity about Gulbenkian and his approach to collecting . Based on previously unpublished archival documents and images . Places the Gulbenkian Museum within the broader context of post-war museology, showcasing the contributions of renowned specialists such as Franco Albini and Georges-Henri Riviere . Highlights the pioneering role of women curators 100 colour illustrations An essential overview of the creation of the Calouste Gulbenkian Museum, from the transfer of the collection from France, London and Washington D.C. after the collectors death, to its installation in Lisbon and opening in 1969. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Paperback. Condición: New. In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting.Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition.This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display.Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century.The second part consists of 34 catalogue entries written by Luísa Sampaio, the curator of the exhibition.Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable. …

Paperback. Condición: New. Focusing on Calouste Gulbenkian's determination to preserve his cherished art collection intact after his death, this book tells the story of the creation of the Gulbenkian Museum in Lisbon. It begins with the efforts of the Calouste Gulbenkian Foundation, founded in 1956, to reunite an exceptional art collection then dispersed between Paris, Washington D.C. and London. The book examines the legal, diplomatic and practical measures that made this mission possible and follows the planning of a museum shaped by the most advanced museological thinking of the 1950s and 1960s, whereby the artworks themselves guided decisions across architecture, exhibition design and museography. It also highlights the key roles played by the first generation of Portuguese women curators and international consultants, from cataloguing the works to trial exhibitions and final installation. Ultimately, the volume shows how the Foundation interpreted and translated Gulbenkian's taste and character into museum form, resulting in a unique and enduring institution. …

Taschenbuch. Condición: Neu. Neuware - The collection of artworks featured here testifies to the attraction the city held for visitors, as enthusiastically echoed by two great 20th century collectors: Calouste Sarkis Gulbenkian and Hans Heinrich Thyssen-Bornemisza.In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting. Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition. This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display. Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century. The second part consists of 34 catalogue entries written by Luísa Sampaio, the curator of the exhibition. Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable.…

Paperback. Condición: New. In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting.Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition.This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display.Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century.The second part consists of 34 catalogue entries written by Luísa Sampaio, the curator of the exhibition.Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable. …

Taschenbuch. Condición: Neu. Neuware -The collection of artworks featured here testifies to the attraction the city held for visitors, as enthusiastically echoed by two great 20th century collectors: Calouste Sarkis Gulbenkian and Hans Heinrich Thyssen-Bornemisza.In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting. Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition. This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display. Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century. The second part consists of 34 catalogue entries written by Luísa Sampaio, the curator of the exhibition. Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable. 208 pp. Englisch.…

Paperback. Condición: new. Paperback. Focusing on Calouste Gulbenkian's determination to preserve his cherished art collection intact after his death, this book tells the story of the creation of the Gulbenkian Museum in Lisbon. It begins with the efforts of the Calouste Gulbenkian Foundation, founded in 1956, to reunite an exceptional art collection then dispersed between Paris, Washington D.C. and London. The book examines the legal, diplomatic and practical measures that made this mission possible and follows the planning of a museum shaped by the most advanced museological thinking of the 1950s and 1960s, whereby the artworks themselves guided decisions across architecture, exhibition design and museography. It also highlights the key roles played by the first generation of Portuguese women curators and international consultants, from cataloguing the works to trial exhibitions and final installation. Ultimately, the volume shows how the Foundation interpreted and translated Gulbenkian's taste and character into museum form, resulting in a unique and enduring institution. The Inside series focuses on the mission and organisation of an institution rather than the collections within it the context in which it operates and the people who make it work. It tells the story of how an institution has evolved through its people, history, architecture, purpose and practice. AUTHOR: Vera Mariz is Research Curator at the Calouste Gulbenkian Museum. She holds a PhD in Art History, and her research focuses on the 19th and 20th century history of collecting and art markets, with particular emphasis on transnational networks of collectors and dealers, collectors' homes and display practices, the transition of private collections into the public sphere, and the history of jewellery. Her work has been published in The Rijksmuseum Bulletin, The Getty Research Journal, MDCCC 1800, Ge-conservacion, and the Journal of the History of Collections, among others. SELLING POINTS: . Addresses public curiosity about Gulbenkian and his approach to collecting . Based on previously unpublished archival documents and images . Places the Gulbenkian Museum within the broader context of post-war museology, showcasing the contributions of renowned specialists such as Franco Albini and Georges-Henri Riviere . Highlights the pioneering role of women curators 100 colour illustrations An essential overview of the creation of the Calouste Gulbenkian Museum, from the transfer of the collection from France, London and Washington D.C. after the collectors death, to its installation in Lisbon and opening in 1969. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …