Craievich alberto (58 resultados)

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Paperback or Softback. Condición: New. Splendour in Venice: From Canaletto to Guardi. Book.

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Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting. Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition. This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display. Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century. The second part consists of 34 catalogue entries written by Luisa Sampaio, the curator of the exhibition. Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable. AUTHOR: Luisa Sampaio is currently in charge of Collections Management at the Calouste Gulbenkian Museum. As a curator, she takes care of the departments of Painting, Sculpture and the works of Rene Lalique in the Collection. In this capacity, she has curated various international exhibitions devoted to artists including Turner, Fantin-Latour, Carpeaux and Rodin. She recently curated the exhibition Rene Lalique and the Age of Glass (2020). She is the author of the Calouste Gulbenkian Museum's painting catalogue (2009). SELLING POINTS: . The Calouste Gulbenkian Museum and the Museo Thyssen-Bornemisza are joined forces once again to promote an encounter between the works of their respective collections. This project took as its theme Venetian painting from the 18th century, of which both institutions possess significant works that are a natural complement to one another . Renowned painters such as Canaletto, Guardi, Bellotto and Tiepolo, creators of some of the most brilliant compositions of their time, are brought together with other artists selected for the exhibition . The Gulbenkian Museum Collection thus possesses 19 of the Guardi's finest paintings, acquired between 1907 and 1921, comprising what is arguably one of the most important groups of his work in the world 140 colour, 4 b/w illustrations The collection of artworks featured here testifies to the attraction the city held for visitors, as enthusiastically echoed by two great 20th century collectors: Calouste Sarkis Gulbenkian and Hans Heinrich Thyssen-Bornemisza. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condición: New. In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting.Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition.This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display.Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century.The second part consists of 34 catalogue entries written by Luísa Sampaio, the curator of the exhibition.Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable. …

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condición: New. **PAPERBACK**.

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Paperback. Condición: New. In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting.Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition.This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display.Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century.The second part consists of 34 catalogue entries written by Luísa Sampaio, the curator of the exhibition.Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable. …

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Condición: New. 2025. 1st Edition. paperback. . . . . .

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Paperback. Condición: Brand New. 208 pages. 11.81x9.06x9.06 inches. In Stock.

Cloth. Condición: Fine Condition. Estado de la sobrecubierta: No Jacket, As Issued. 192 pages 120 illustrations in color. Text is in German. Foreword by Professor Dr. Ulrich Alois Weidmann. Illustrated boards. Published on the occasion of the exhibition from the Graphische Sammlung ETH Zürich 10 February-3 April 2016. Bibliography. Book.…

Paperback. Condición: New. In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting.Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition.This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display.Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century.The second part consists of 34 catalogue entries written by Luísa Sampaio, the curator of the exhibition.Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable. …

Condición: NEW.

Cartonato. Condición: new. Venezia, Ca' Rezzonico, 7 marzo - 8 giugno 2026. A cura di Alberto Craievich. Cornuda, 2026; cartonato, pp. 136, ill. col., cm 23x28. Calouste Sarkis Gulbenkian (Scutari, 1869 - Lisbona, 1955) è stato una dei protagonisti dell'imprenditoria e del collezionismo europeo fra Otto e Novecento. Di origine armena, sfuggì con la sua famiglia alle persecuzioni ottomane rifugiandosi prima a Il Cairo, poi a Londra, Parigi, e infine a Lisbona, dove rimase fino alla sua morte. Nelle sue collezioni troviamo una ricca selezione di opere d'arte classica, reperti egizi, oggetti di arte islamica, dipinti del Rinascimento italiano e fiammingo, quadri dei maggiori maestri del Seicento olandese, tra cui spiccano alcuni splendidi Rembrandt, arti decorative e dipinti del Settecento francese, gli immancabili impressionisti e una squisita selezione di manufatti di René Lalique di cui fu sincero ammiratore. Al gusto raffinato di Calouste Gulbenkian si deve anche la scelta di acquistare, tra 1907 e 1921, ben 19 dipinti di Francesco Guardi (Venezia, 1712-1793). Si tratta probabilmente della più importante raccolta al mondo di dipinti realizzati dal grande maestro. Nel volume I Guardi di Calouste Gulbenkian sono pubblicate le opere in mostra a Ca' Rezzonico, Museo del Settecento Veneziano (07 marzo - 08 giugno 2026): dipinti della collezione del Museo Calouste Gulbenkian e disegni provenienti dal Gabinetto dei disegni e delle stampe della Fondazione Musei Civici di Venezia che, a sua volta, conserva il nucleo più numeroso di disegni di Guardi, e che consentono di ripercorrere il percorso creativo del pittore e di seguire l'evoluzione del suo personalissimo stile. Libro.…

Paperback. Condición: new. Paperback. In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting. Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition. This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display. Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century. The second part consists of 34 catalogue entries written by Luisa Sampaio, the curator of the exhibition. Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable. AUTHOR: Luisa Sampaio is currently in charge of Collections Management at the Calouste Gulbenkian Museum. As a curator, she takes care of the departments of Painting, Sculpture and the works of Rene Lalique in the Collection. In this capacity, she has curated various international exhibitions devoted to artists including Turner, Fantin-Latour, Carpeaux and Rodin. She recently curated the exhibition Rene Lalique and the Age of Glass (2020). She is the author of the Calouste Gulbenkian Museum's painting catalogue (2009). SELLING POINTS: . The Calouste Gulbenkian Museum and the Museo Thyssen-Bornemisza are joined forces once again to promote an encounter between the works of their respective collections. This project took as its theme Venetian painting from the 18th century, of which both institutions possess significant works that are a natural complement to one another . Renowned painters such as Canaletto, Guardi, Bellotto and Tiepolo, creators of some of the most brilliant compositions of their time, are brought together with other artists selected for the exhibition . The Gulbenkian Museum Collection thus possesses 19 of the Guardi's finest paintings, acquired between 1907 and 1921, comprising what is arguably one of the most important groups of his work in the world 140 colour, 4 b/w illustrations The collection of artworks featured here testifies to the attraction the city held for visitors, as enthusiastically echoed by two great 20th century collectors: Calouste Sarkis Gulbenkian and Hans Heinrich Thyssen-Bornemisza. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Hardcover. Condición: New. Qto., 192 pages, illustrated. A New copy. Book.

Brossura. Condición: new. Venezia, Ca' Rezzonico, Museo del Settecento Veneziano, 15 febbraio - 18 maggio 2020.Trento, 2020; br., pp. 136, ill. b/n e col., cm 23x28.(Studi e Ricerche). Le collezioni del Gabinetto dei disegni e delle stampe sono uno dei tesori della Fondazione Musei Civici di Venezia. La consistenza è imponente: 50.000 stampe e 15.000 disegni. Con tali numeri anche questa semplice attività di manutenzione e verifica diventa un onere enorme. Gran parte delle opere su carta è giunta nelle nostre raccolte durante l'Ottocento attraverso 'ondate': i fondi Correr, Molin, Gherro, solo per citare alcuni dei più significativi. Il suo ordinamento è frutto quindi del gusto coevo. Al loro arrivo i fogli erano inventariati con precisione ma in molti casi venivano rifilati, incollati su ulteriori supporti, rilegati in album secondo tecniche o scuole. Gli antichi quaderni venivano così smembrati e i disegni o le stampe erano selezionate in base alla loro presunta importanza. Il gusto del tempo diventava un metro di giudizio insindacabile che portava all'attenzione una parte e relegava all'oblio l'altra, con le conseguenze che ciò comportava. In ogni caso, tale impegno ha permesso, ormai a quasi 200 anni dalla nascita dei Musei Civici, di tramandare un patrimonio che si presenta quasi quasi intatto, pur avendo attraversato calamità naturali ed eventi bellici. Libro.…

Brossura. Condición: new. A cura di E. Marchetti, Craievich A. e Granziero R. Trento, 2025; br., pp. 216, ill. col., cm 24x6. (Studi e Ricerche). Il Gabinetto dei Disegni e delle Stampe della Fondazione Musei Civici di Venezia conserva una straordinaria testimonianza dell'arte e della cultura neoclassica in Italia. Si tratta dell'Album Cicognara, che prende il nome dal suo proprietario, il conte Leopoldo Cicognara, una delle personalità più affascinanti della sua epoca. Fu per lunghi anni presidente dell'Accademia di Belle Arti a Venezia, che contribuì a formare, e autore di due opere celebri: "Storia della scultura" e "Le fabbriche più cospicue di Venezia". Della stretta amicizia con gli artisti del suo tempo è testimonianza proprio questo album, una sorta di «liber amicorum» composto da 80 fogli e da una sontuosa legatura decorata. Vi troviamo tutti i nomi del Neoclassicismo italiano: Vincenzo Camuccini, Andrea Appiani, Giuseppe Bossi, il giovane Francesco Hayez; ma anche artisti francesi come François-Marius Granet, Lancelot-Théodore Turpin de Crissé e Louis Léopold Robert. Ben sei disegni appartengono all'amico di una vita: Antonio Canova, di cui Cicognara fu ammiratore appassionato. Questo prezioso volume viene per la prima volta esposto al pubblico dopo un accurato restauro promosso dalla Venice Foundation. Libro.…

Taschenbuch. Condición: Neu. Splendour in Venice | From Canaletto to Guardi | Alberto Craievich (u. a.) | Taschenbuch | Englisch | 2025 | Fundacao Calouste Gulbenkian, Plano de Edicoes | EAN 9789899119208 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

Paperback. Condición: New. In October 2024 The Calouste Gulbenkian Museum, in collaboration with the Museo Thyssen-Bornemisza, in Madrid, presented the exhibition Splendour in Venice. From Canaletto to Guardi, devoted to 18th century Venetian painting.Painters such as Canaletto, Francesco Guardi, Bernardo Bellotto, and Giambattista Tiepolo, authors of some of the most brilliant compositions of their time and undeniable highlights in the collections of both Iberian museums, are among the artists selected for this exhibition.This publication, released on the occasion of the exhibition, is divided into two parts: the first dedicated to three essays, and the second comprising catalogue entries related to the works of art on display.Mar Borobia, Chief Curator of Old Master Painting at the Museo Thyssen-Bornemisza, opens the first part with an essay on the history of the collection of 18th century Venetian painting belonging to the Madrid museum. Next, Vera Mariz, curator at the Calouste Gulbenkian Museum, reflects on Gulbenkian's admiration for the work of Francesco Guardi, which led him to purchase 19 paintings by the Italian master for his collection. Finally, Alberto Craievich, director of Ca' Rezzonico, Museo del Settecento Veneziano, explores the artistic context of the city of Venice during the 18th century.The second part consists of 34 catalogue entries written by Luísa Sampaio, the curator of the exhibition.Alongside the written content, the publication is illustrated by a large number of images of the artworks on display, allowing readers to observe the exquisite details for which they are notable. …

Condición: Sehr gut. Erstauflage. Bll. + 192 S. mit duotone u. farbig. Abbildungen der Werke von versch. Künstlern um Zanetti. * Anton Maria Zanetti (16801757), venezianischer Kunstsammler und Kupferstecher. Sprache: Deutsch Gewicht in Gramm: 1245 4°, OIll.-GanzKarton (Gebunden/Fadenheftung) mit Weinrotfarbig.-Leinenrücken mit weißgepr.-Rückentitel. Sehr gut erhalten.…

Condición: NEW.

Paperback. Condición: VG. Forest green and color-illustrated wraps with yellow lettering. 399 pp. Mainly color illustrations. Text in Italian. Catalogue of an exhibition from February 23 to June 9, 2019.

Condición: Buone. italiano Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Buone.

Brossura. Condición: nuovo. Estado de la sobrecubierta: nuovo. prima edizione. Rosalba Carriera. Miniature Su Avorio. Ediz. Illustrata Unknown Author Editore: Scripta, 2023 ISBN 13: 9791280581747 LIBRO Nuovo - Brossura Condizione: Nuovo EUR 22,00 Quantità: 1 Condizione: Nuovo. Dettagli Libro: 9791280581747Titolo: Rosalba Carriera. Miniature Su Avorio. Editore: Verona ScriptaAnno: 2023 Pagine: 159 Formato: BrossuraSe i pastelli di Rosalba Carriera hanno sempre incontrato il favore del grande pubblico, le sue miniature sono rimaste in secondo piano: opere destinate a una ristretta cerchia di iniziati in grado di riconoscere quel vero e proprio prodigio tecnico sotteso alla loro realizzazione. Eppure, l'osservatore che affonda lo sguardo in questi piccoli capolavori non può che rimanere catturato dalla vitalit?? dei personaggi raffigurati, dal virtuosismo tecnico con cui sono definiti i pizzi, le stoffe dei loro abiti oppure i bouquet floreali annodati fra i capelli o tenuti in grembo dalle dame. Nonostante i vincoli dati dalla minuscola superficie dell'ovale e dal taglio compositivo a mezzo busto, Rosalba riesce a non cadere mai nella tipizzazione. Imposta minute differenze di posa, coglie i tra.Language : Italian Text Coll. Bibl.Jardin. …