julia may boddewyn (28 resultados)

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages. hardcover.

Hardcover. Condición: Very Good Plus. First Edition. 400 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Good to very good dust jacket. Please Note: The dust jacket has one 1" closed edge tear and shows light shelf rubbing. A joint publication of Whitney Museum of American Art and Yale University Press. First Edition / First Printing. 10,9,8,7,6,5,4,3,2,1. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.

Hard Cover. First Edition, First printing. "1" in full number row. FINE IN FINE DUST JACKET.

Softcover. Color-illustrated softcover with white lettering; French flaps. 400 pp., color and bw illustrations. Issued in conjunction with a series of 2006-2007 exhibitions. Many American artists throughout the twentieth century designated Pablo Picasso as the central figure of the modern movement and defined their own artistic achievements through their absorption, critique, or rejection of his example. [This book] is a groundbreaking publication juxtaposing works by Picasso with the paintings, sculptures, and drawings created in response by an extremely diverse group of his contemporaries and successors, including Max Weber, Stuart Davis, Arshile Gorky, John Graham, Willem de Kooning, Jackson Pollock, David Smith, Roy Lichtenstein, and Jasper Johns. Based on extensive research, Michael FitzGerald's text provides valuable new information on the fundamental role that Picasso played in the development of modern American art -- both through his friendships with individual artists and through the dissemination of his evolving work. This book also documents, for the first time, the accessibility of Picasso's work in the United States between 1911 and 1957 in exhibitions, collections, and publications through a comprehensive chronology. This unique book is essential for anyone interested in either Picasso or American art of the 20th century." (dj). G+ (minor shelf wear, some smudging on textblock, otherwise all pages clear and intact).

Condición: Bueno. 24x30 294pp. Ilustraciones en color.

Spiral Bound. Condición: Very Good. Unmarked. Illustrated. Explores some of the primary materials (Graphite, conte crayon, charcoal, pastel, watercolor, etc.) artists choose when working on paper, with sections on conservation and framing as well. 48p. Measures 5.5x8.25 inches.

Hardcover. Condición: As new. In shrinkwrap. Quarto. Hardcover. Navy stamped cloth, crimson & color illus. dust jacket, illus. flyleaves, 399 pp., 150 color illus., 150 BW illus. Issued in conjunction with a series of 2006-2007 exhibitions. Many American artists throughout the twentieth century designated Pablo Picasso as the central figure of the modern movement and defined their own artistic achievements through their absorption, critique, or rejection of his example. [This book] is a groundbreaking publication juxtaposing works by Picasso with the paintings, sculptures, and drawings created in response by an extremely diverse group of his contemporaries and successors, including Max Weber, Stuart Davis, Arshile Gorky, John Graham, Willem de Kooning, Jackson Pollock, David Smith, Roy Lichtenstein, and Jasper Johns. Based on extensive research, Michael FitzGerald's text provides valuable new information on the fundamental role that Picasso played in the development of modern American art -- both through his friendships with individual artists and through the dissemination of his evolving work. This book also documents, for the first time, the accessibility of Picasso's work in the United States between 1911 and 1957 in exhibitions, collections, and publications through a comprehensive chronology. This unique book is essential for anyone interested in either Picasso or American art of the 20th century." (dj).

Oversized Hardcover. Condición: Good.

Hardcover. Condición: Book fine, Dust jacket fine. Estado de la sobrecubierta: dj. 1st. Published in association with the Whitney Museum of American Art, New York. Bound in publisher's original blue cloth with the front cover and spine stamped in blind.

Encuadernación de tapa blanda. Condición: Casi nuevo. 2004. Catálogo de la exposición celebrada en la Fundación Botín (Santander) en Julio - Septiembre de 2004. 294 pp. Excelentes reproducciones en color de las obras expuestas. Idiomas: Español e inglés. LIB 5F.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Second printing. Quarto. 400pp. Fine in fine dustwrapper. Exhibition catalogue.

Condición: new.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. This is the first book to examine the key role played by New York gallerist and dealer Valentine Dudensing (1892-1967) in shaping the canon of modern art in the United States.It reveals how Dudensing developed relationships with the country's leading art collectors, establishing the market and bringing some of modernism's most celebrated artists to American consciousness in the process. Many of the paintings that he imported from Europe are now the cornerstones of US museum collections.Before the Museum of Modern Art opened in 1929, there were few places in New York to see contemporary art from Paris - the Valentine Gallery was one of them. In the intimate and elegant rooms of the gallery's townhouse premises on 57th Street, the public witnessed the first solo US shows of Giorgio de Chirico and Joan Miró, the first retrospective of Henri Matisse, and Piet Mondrian's only lifetime solo exhibition. In 1939, Pablo Picasso's masterpiece Guernica made its US debut there. Despite its preeminent reputation as a leading centre for modern art for over two decades, the Valentine Gallery name has been lost to history. Dudensing quietly closed the gallery in May 1947 and seemingly disappeared. His death two decades later went unreported in the press.Drawing on a wealth of primary source materials, including the gallery's long-lost sales records, The Valentine Gallery unearths the story of this preeminent forum for modern art, revealing how a pioneering gallerist brought the School of Paris to eminence in the US, and ultimately changed the country's artistic taste forever.

Hardcover. Condición: new. Hardcover. This is the first book to examine the key role played by New York gallerist and dealer Valentine Dudensing (1892-1967) in shaping the canon of modern art in the United States.It reveals how Dudensing developed relationships with the countrys leading art collectors, establishing the market and bringing some of modernisms most celebrated artists to American consciousness in the process. Many of the paintings that he imported from Europe are now the cornerstones of US museum collections.Before the Museum of Modern Art opened in 1929, there were few places in New York to see contemporary art from Paris the Valentine Gallery was one of them. In the intimate and elegant rooms of the gallery's townhouse premises on 57th Street, the public witnessed the first solo US shows of Giorgio de Chirico and Joan Miro, the first retrospective of Henri Matisse, and Piet Mondrian's only lifetime solo exhibition. In 1939, Pablo Picasso's masterpiece Guernica made its US debut there. Despite its preeminent reputation as a leading centre for modern art for over two decades, the Valentine Gallery name has been lost to history. Dudensing quietly closed the gallery in May 1947 and seemingly disappeared. His death two decades later went unreported in the press.Drawing on a wealth of primary source materials, including the gallery's long-lost sales records, The Valentine Gallery unearths the story of this preeminent forum for modern art, revealing how a pioneering gallerist brought the School of Paris to eminence in the US, and ultimately changed the country's artistic taste forever. The first book to examine the key role played by art dealer Valentine Dudensing in shaping the canon of modern art in the United States and presents an overview of his life while exploring the wider context of the New York art market of the time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Hardcover. Condición: Brand New. 288 pages. 9.22x6.14x1.01 inches. In Stock.

Condición: New.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condición: new. Hardcover. This is the first book to examine the key role played by New York gallerist and dealer Valentine Dudensing (1892-1967) in shaping the canon of modern art in the United States.It reveals how Dudensing developed relationships with the countrys leading art collectors, establishing the market and bringing some of modernisms most celebrated artists to American consciousness in the process. Many of the paintings that he imported from Europe are now the cornerstones of US museum collections.Before the Museum of Modern Art opened in 1929, there were few places in New York to see contemporary art from Paris the Valentine Gallery was one of them. In the intimate and elegant rooms of the gallery's townhouse premises on 57th Street, the public witnessed the first solo US shows of Giorgio de Chirico and Joan Miro, the first retrospective of Henri Matisse, and Piet Mondrian's only lifetime solo exhibition. In 1939, Pablo Picasso's masterpiece Guernica made its US debut there. Despite its preeminent reputation as a leading centre for modern art for over two decades, the Valentine Gallery name has been lost to history. Dudensing quietly closed the gallery in May 1947 and seemingly disappeared. His death two decades later went unreported in the press.Drawing on a wealth of primary source materials, including the gallery's long-lost sales records, The Valentine Gallery unearths the story of this preeminent forum for modern art, revealing how a pioneering gallerist brought the School of Paris to eminence in the US, and ultimately changed the country's artistic taste forever. The first book to examine the key role played by art dealer Valentine Dudensing in shaping the canon of modern art in the United States and presents an overview of his life while exploring the wider context of the New York art market of the time. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condición: New. This is the first book to examine the key role played by New York gallerist and dealer Valentine Dudensing (1892-1967) in shaping the canon of modern art in the United States.It reveals how Dudensing developed relationships with the country's leading art collectors, establishing the market and bringing some of modernism's most celebrated artists to American consciousness in the process. Many of the paintings that he imported from Europe are now the cornerstones of US museum collections.Before the Museum of Modern Art opened in 1929, there were few places in New York to see contemporary art from Paris - the Valentine Gallery was one of them. In the intimate and elegant rooms of the gallery's townhouse premises on 57th Street, the public witnessed the first solo US shows of Giorgio de Chirico and Joan Miró, the first retrospective of Henri Matisse, and Piet Mondrian's only lifetime solo exhibition. In 1939, Pablo Picasso's masterpiece Guernica made its US debut there. Despite its preeminent reputation as a leading centre for modern art for over two decades, the Valentine Gallery name has been lost to history. Dudensing quietly closed the gallery in May 1947 and seemingly disappeared. His death two decades later went unreported in the press.Drawing on a wealth of primary source materials, including the gallery's long-lost sales records, The Valentine Gallery unearths the story of this preeminent forum for modern art, revealing how a pioneering gallerist brought the School of Paris to eminence in the US, and ultimately changed the country's artistic taste forever.

Buch. Condición: Neu. Neuware - This is the first book to examine the key role played by New York gallerist and dealer Valentine Dudensing (1892-1967) in shaping the canon of modern art in the United States.It reveals how Dudensing developed relationships with the country's leading art collectors, establishing the market and bringing some of modernism's most celebrated artists to American consciousness in the process. Many of the paintings that he imported from Europe are now the cornerstones of US museum collections.Before the Museum of Modern Art opened in 1929, there were few places in New York to see contemporary art from Paris - the Valentine Gallery was one of them. In the intimate and elegant rooms of the gallery's townhouse premises on 57th Street, the public witnessed the first solo US shows of Giorgio de Chirico and Joan Miró, the first retrospective of Henri Matisse, and Piet Mondrian's only lifetime solo exhibition. In 1939, Pablo Picasso's masterpiece Guernica made its US debut there. Despite its preeminent reputation as a leading centre for modern art for over two decades, the Valentine Gallery name has been lost to history. Dudensing quietly closed the gallery in May 1947 and seemingly disappeared. His death two decades later went unreported in the press.Drawing on a wealth of primary source materials, including the gallery's long-lost sales records, The Valentine Gallery unearths the story of this preeminent forum for modern art, revealing how a pioneering gallerist brought the School of Paris to eminence in the US, and ultimately changed the country's artistic taste forever.

Condición: New. 2026. hardcover. . . . . .

Hardcover. Condición: new. Hardcover. This is the first book to examine the key role played by New York gallerist and dealer Valentine Dudensing (1892-1967) in shaping the canon of modern art in the United States.It reveals how Dudensing developed relationships with the countrys leading art collectors, establishing the market and bringing some of modernisms most celebrated artists to American consciousness in the process. Many of the paintings that he imported from Europe are now the cornerstones of US museum collections.Before the Museum of Modern Art opened in 1929, there were few places in New York to see contemporary art from Paris the Valentine Gallery was one of them. In the intimate and elegant rooms of the gallery's townhouse premises on 57th Street, the public witnessed the first solo US shows of Giorgio de Chirico and Joan Miro, the first retrospective of Henri Matisse, and Piet Mondrian's only lifetime solo exhibition. In 1939, Pablo Picasso's masterpiece Guernica made its US debut there. Despite its preeminent reputation as a leading centre for modern art for over two decades, the Valentine Gallery name has been lost to history. Dudensing quietly closed the gallery in May 1947 and seemingly disappeared. His death two decades later went unreported in the press.Drawing on a wealth of primary source materials, including the gallery's long-lost sales records, The Valentine Gallery unearths the story of this preeminent forum for modern art, revealing how a pioneering gallerist brought the School of Paris to eminence in the US, and ultimately changed the country's artistic taste forever. The first book to examine the key role played by art dealer Valentine Dudensing in shaping the canon of modern art in the United States and presents an overview of his life while exploring the wider context of the New York art market of the time. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condición: New.