Joseph anderton (28 resultados)

Modernism and the Anthropocene : Material Ecologies of Twentieth-century Literature
Hegglund, Jon (EDT); McIntyre, John (EDT); Anderton, Joseph (CON); Chester, Emily (CON); Christie, Stuart (CON)
Idioma: Inglés
Editorial: Lexington Books, 2023
Serie: Ecocritical Theory and Practice, Libro 76 de 88. Libro 76 de 88 - Ecocritical Theory and Practice
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Modernism and the Anthropocene : Material Ecologies of Twentieth-century Literature
Hegglund, Jon (EDT); McIntyre, John (EDT); Anderton, Joseph (CON); Chester, Emily (CON); Christie, Stuart (CON)
Idioma: Inglés
Editorial: Lexington Books, 2023
Serie: Ecocritical Theory and Practice, Libro 76 de 88. Libro 76 de 88 - Ecocritical Theory and Practice
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 46,09
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Condición: As New. Unread book in perfect condition.

Modernism and the Anthropocene : Material Ecologies of Twentieth-century Literature
Hegglund, Jon (EDT); McIntyre, John (EDT); Anderton, Joseph (CON); Chester, Emily (CON); Christie, Stuart (CON)
Idioma: Inglés
Editorial: Lexington Books, 2023
Serie: Ecocritical Theory and Practice, Libro 76 de 88. Libro 76 de 88 - Ecocritical Theory and Practice
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 45,39
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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EUR 50,36
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Modernism and the Anthropocene : Material Ecologies of Twentieth-century Literature
Hegglund, Jon (EDT); McIntyre, John (EDT); Anderton, Joseph (CON); Chester, Emily (CON); Christie, Stuart (CON)
Idioma: Inglés
Editorial: Lexington Books, 2023
Serie: Ecocritical Theory and Practice, Libro 76 de 88. Libro 76 de 88 - Ecocritical Theory and Practice
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 49,31
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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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EUR 72,99
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Condición: New. pp. 266 Reprint edition NO-PA16APR2015-KAP.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 77,51
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Paperback. Condición: Brand New. reprint edition. 252 pages. 8.50x5.50x0.75 inches. In Stock.

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Librería: moluna, Greven, Alemaniamoluna
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EUR 56,96
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Condición: New. KlappentextrnrnThe art of failure after the Holocaust. The first full-length study into Beckett s evocations of the creature as a literary figuration and creaturely life as a biopolitical product.

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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 68,66
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Taschenbuch. Condición: Neu. Neuware - The art of failure after the Holocaust. The first full-length study into Beckett's evocations of the 'creature' as a literary figuration and 'creaturely life' as a biopolitical product.

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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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EUR 166,95
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 184,36
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Condición: New. Num Pages: 264 pages, black & white illustrations. BIC Classification: 2AB; 2ADF; DSBH; DSG; DSK. Category: (U) Tertiary Education (US: College). Dimension: 216 x 138 x 16. Weight in Grams: 461. . 2016. hardcover. . . . .

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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 234,71
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Condición: New. Num Pages: 264 pages, black & white illustrations. BIC Classification: 2AB; 2ADF; DSBH; DSG; DSK. Category: (U) Tertiary Education (US: College). Dimension: 216 x 138 x 16. Weight in Grams: 461. . 2016. hardcover. . . . . Books ship from the US and Ireland.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 269,34
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Hardcover. Condición: Brand New. 252 pages. 8.50x5.50x0.75 inches. In Stock.

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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 246,93
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Buch. Condición: Neu. Neuware.
Editorial: London Eyre and Spottiswood published at the Great Seal Patent Office c, 1852
- Primera edición
Librería: M.A. Stroh., London, Reino UnidoM.A. Stroh.
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EUR 121,11
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no binding. Condición: good. First Edition. Original Printed patent disbound with printed front blue wrapper present but not the back wrapper (both often lacking in early patents) About 27cm by 18cm some wear and tear due to the disbinding.

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Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US
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EUR 52,69
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PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Editorial: Bloomsbury Academic Methuen, 2016
Librería: moluna, Greven, Alemaniamoluna
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EUR 180,98
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Condición: New.

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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 50,84
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PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 65,19
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Paperback. Condición: new. Paperback. In the shadow of the Holocaust, Samuel Beckett captures humanity in ruins through his debased beings and a decomposing mode of writing that strives to 'fail better'. But what might it mean to be a 'creature' or 'creaturely' in Beckett's world? In the first full-length study of the concept of… the creature in Beckett's prose and drama, this book traces the suspended lives and melancholic existences of Beckett's ignorant and impotent creatures to assess the extent to which political value marks the divide between human and inhuman.Through close readings of Becketts prose and drama, particularly texts from the middle period, including Molloy, Malone Dies, The Unnamable, Waiting for Godot and Endgame, Anderton explicates four arenas of creaturely life in Beckett. Each chapter attends to a particular theme testimony, power, humour and survival to analyse a range of pressures and impositions that precipitate the creaturely state of suspension.Drawing on the writings of Adorno, Agamben, Benjamin, Deleuze and Derrida to explore the overlaps between artistic and political structures of creation, the creature emerges as an in-between figure that bespeaks the provisional nature of the human. The result is a provocative examination of the indirect relationship between art and history through Beckett's treatment of testimony, power, humour and survival, which each attest to the destabilisation of meaning after Auschwitz. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 57,07
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Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 72,13
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Condición: New. Print on Demand pp. 266.

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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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EUR 73,25
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Condición: New. PRINT ON DEMAND pp. 266.

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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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EUR 55,70
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Paperback. Condición: new. Paperback. In the shadow of the Holocaust, Samuel Beckett captures humanity in ruins through his debased beings and a decomposing mode of writing that strives to 'fail better'. But what might it mean to be a 'creature' or 'creaturely' in Beckett's world? In the first full-length study of the concept of… the creature in Beckett's prose and drama, this book traces the suspended lives and melancholic existences of Beckett's ignorant and impotent creatures to assess the extent to which political value marks the divide between human and inhuman.Through close readings of Becketts prose and drama, particularly texts from the middle period, including Molloy, Malone Dies, The Unnamable, Waiting for Godot and Endgame, Anderton explicates four arenas of creaturely life in Beckett. Each chapter attends to a particular theme testimony, power, humour and survival to analyse a range of pressures and impositions that precipitate the creaturely state of suspension.Drawing on the writings of Adorno, Agamben, Benjamin, Deleuze and Derrida to explore the overlaps between artistic and political structures of creation, the creature emerges as an in-between figure that bespeaks the provisional nature of the human. The result is a provocative examination of the indirect relationship between art and history through Beckett's treatment of testimony, power, humour and survival, which each attest to the destabilisation of meaning after Auschwitz. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 169,82
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HRD. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

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Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US
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EUR 173,96
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HRD. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 218,92
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Hardcover. Condición: new. Hardcover. In the shadow of the Holocaust, Samuel Beckett captures humanity in ruins through his debased beings and a decomposing mode of writing that strives to 'fail better'. But what might it mean to be a 'creature' or 'creaturely' in Beckett's world? In the first full-length study of the concept of… the creature in Beckett's prose and drama, this book traces the suspended lives and melancholic existences of Beckett's ignorant and impotent creatures to assess the extent to which political value marks the divide between human and inhuman.Through close readings of Becketts prose and drama, particularly texts from the middle period, including Molloy, Malone Dies, The Unnamable, Waiting for Godot and Endgame, Anderton explicates four arenas of creaturely life in Beckett. Each chapter attends to a particular theme testimony, power, humour and survival to analyse a range of pressures and impositions that precipitate the creaturely state of suspension.Drawing on the writings of Adorno, Agamben, Benjamin, Deleuze and Derrida to explore the overlaps between artistic and political structures of creation, the creature emerges as an in-between figure that bespeaks the provisional nature of the human. The result is a provocative examination of the indirect relationship between art and history through Beckett's treatment of testimony, power, humour and survival, which each attest to the destabilisation of meaning after Auschwitz. "In the shadow of the Holocaust, Samuel Beckett captures humanity in ruins through his debased beings and a decomposing mode of writing that strives to 'fail better'. But what might it mean to be a 'creature' or 'creaturely' in Beckett's world? In the first full-length study of the concept of the creature in Beckett's prose and drama, this book traces the suspended lives and melancholic existences of Beckett's ignorant and impotent creatures to assess the extent to which political value marks the divide between human and inhuman. Through close readings of Beckett's prose and drama, particularly texts from the middle period, including Molloy, Malone Dies, The Unnamable, Waiting for Godot and Endgame, Anderton explicates four arenas of creaturely life in Beckett. Each chapter attends to a particular theme, testimony, power, humour and survival to analyse a range of pressures and impositions that precipitate the creaturely state of suspension. Drawing on the writings of Adorno, Agamben, Benjamin, Deleuze and Derrida to explore the overlaps between artistic and political structures of creation, the creature emerges as an in-between figure that bespeaks the provisional nature of the human. The result is a provocative examination of the indirect relationship between art and history through Beckett's treatment of testimony, power, humour and survival, which each attest to the destabilisation of meaning after Auschwitz"-- This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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EUR 178,62
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Hardcover. Condición: new. Hardcover. In the shadow of the Holocaust, Samuel Beckett captures humanity in ruins through his debased beings and a decomposing mode of writing that strives to 'fail better'. But what might it mean to be a 'creature' or 'creaturely' in Beckett's world? In the first full-length study of the concept of… the creature in Beckett's prose and drama, this book traces the suspended lives and melancholic existences of Beckett's ignorant and impotent creatures to assess the extent to which political value marks the divide between human and inhuman.Through close readings of Becketts prose and drama, particularly texts from the middle period, including Molloy, Malone Dies, The Unnamable, Waiting for Godot and Endgame, Anderton explicates four arenas of creaturely life in Beckett. Each chapter attends to a particular theme testimony, power, humour and survival to analyse a range of pressures and impositions that precipitate the creaturely state of suspension.Drawing on the writings of Adorno, Agamben, Benjamin, Deleuze and Derrida to explore the overlaps between artistic and political structures of creation, the creature emerges as an in-between figure that bespeaks the provisional nature of the human. The result is a provocative examination of the indirect relationship between art and history through Beckett's treatment of testimony, power, humour and survival, which each attest to the destabilisation of meaning after Auschwitz. "In the shadow of the Holocaust, Samuel Beckett captures humanity in ruins through his debased beings and a decomposing mode of writing that strives to 'fail better'. But what might it mean to be a 'creature' or 'creaturely' in Beckett's world? In the first full-length study of the concept of the creature in Beckett's prose and drama, this book traces the suspended lives and melancholic existences of Beckett's ignorant and impotent creatures to assess the extent to which political value marks the divide between human and inhuman. Through close readings of Beckett's prose and drama, particularly texts from the middle period, including Molloy, Malone Dies, The Unnamable, Waiting for Godot and Endgame, Anderton explicates four arenas of creaturely life in Beckett. Each chapter attends to a particular theme, testimony, power, humour and survival to analyse a range of pressures and impositions that precipitate the creaturely state of suspension. Drawing on the writings of Adorno, Agamben, Benjamin, Deleuze and Derrida to explore the overlaps between artistic and political structures of creation, the creature emerges as an in-between figure that bespeaks the provisional nature of the human. The result is a provocative examination of the indirect relationship between art and history through Beckett's treatment of testimony, power, humour and survival, which each attest to the destabilisation of meaning after Auschwitz"-- This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 233,14
Envío por EUR 18,17Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Hardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.