Goss jared (42 resultados)

Hardcover. Condición: New.

hardcover. Condición: Very Good. The Metropolitan Museum of Art (Yale University Press); New York (New Haven), 2014. Hardcover. A Very Good, grey cloth binding with silver lettering on spine, binding sturdy and intact, trace handling marks, mild shelf wear, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, ISBN barcode sticker bottom rear panel, Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 270pp., bibliography, index, credits, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.…

Hardcover. Condición: Brand New. 256 pages. 12.00x9.50x12.25 inches. In Stock.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Stated first printing. Quarto (4to). 270pp. Near fine in like jacket. Grey cloth with silver titling to spine. Lavishly illustrated throughout with 319 colour and black & white illustrations. Bright and clean throughout. Smart, unclipped jacket. A very tight and attractive copy. Securely shipped in a well-packed box. As this is a very heavy book, extra shipping may be requested if necessary.…

Hardcover. Condición: New.

Hardcover. Condición: Brand New. 256 pages. 12.00x9.50x12.25 inches. In Stock.

Hardcover. Condición: New.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: Like New. As his starting point for the aesthetic we have come to love as Art Deco, French furniture and interior designer E.-J. Ruhlmann's pavilion at the 1925 Exposition Internationale des Arts Decoratifs et Industriels Modernes presented the fair's most celebrated displays and thereby began our enduring appreciation for the international design idiom.…

Condición: New.

Condición: New.

Hardcover. Condición: new. Hardcover. As his starting point for the aesthetic we have come to love as Art Deco, French furniture and interior designer E.-J. Ruhlmanns pavilion at the 1925 Exposition Internationale des Arts Decoratifs et Industriels Modernes presented the fairs most celebrated displays and thereby began our enduring appreciation for the international design idiom.This book celebrates the 1925 Paris Expositionat its centenarya landmark event that shaped twentieth-century design and gave its name to Art Deco. The exposition dazzled over sixteen million visitors during its run, showcasing the pinnacle of French luxury goods and design innovation. Renowned as the preeminent exponent of French Art Deco, Ruhlmann (18791933) was recognized for the aesthetic refinement, luxurious materials, and impeccable craftsmanship of his creations. Inspired by eighteenth-century pleasure pavilions, Ruhlmanns pavilion, LHotel du Collectionneur (The Town House of the Collector), was one of the most admired exhibits at the fair. Conceived as a modern-day Trianon, it was filled with his own sumptuous furnishings together with a meticulous selection of objets dart by his contemporaries, including Edgar Brandt, Jean Dunand, and Jean Puiforcat.Central to this publication is a facsimile of the original catalogue documenting the pavilion. The book offers a detailed examination of the pavilions architecture and interiors, revealing how Ruhlmanns vision set standards for luxury and taste in the interwar period. Although the pavilion existed for only six months, it left a lasting legacy as one of the most refined examples of Art Deco, embodying both the opulence and the innovative spirit of the era. As his starting point for the aesthetic we have come to love as Art Deco, French furniture and interior designer E.-J. Ruhlmann's pavilion at the 1925 Exposition Internationale des Arts Decoratifs et Industriels Modernes presented the fair's most celebrated displays and thereby began our enduring appreciation for the international design idiom. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condición: New. As his starting point for the aesthetic we have come to love as Art Deco, French furniture and interior designer E.-J. Ruhlmann's pavilion at the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes presented the fair's most celebrated displays and thereby began our enduring appreciation for the international design idiom.This book celebrates the 1925?Paris Exposition-at its centenary-a landmark event that shaped twentieth-century design and gave its name to Art Deco. The exposition dazzled over sixteen million visitors during its run, showcasing the pinnacle of French luxury goods and design innovation.  Renowned as the preeminent exponent of French Art Deco, Ruhlmann (1879-1933) was recognized for the aesthetic refinement, luxurious materials, and impeccable craftsmanship of his creations. Inspired by eighteenth-century pleasure pavilions, Ruhlmann's pavilion, L'Hôtel du Collectionneur (The Town House of the Collector), was one of the most admired exhibits at the fair. Conceived as a modern-day Trianon, it was filled with his own sumptuous furnishings together with a meticulous selection of objets d'art by his contemporaries, including Edgar Brandt, Jean Dunand, and Jean Puiforcat.Central to this publication is a facsimile of the original catalogue documenting the pavilion. The book offers a detailed examination of the pavilion's architecture and interiors, revealing how Ruhlmann's vision set standards for luxury and taste in the interwar period. Although the pavilion existed for only six months, it left a lasting legacy as one of the most refined examples of Art Deco, embodying both the opulence and the innovative spirit of the era.…

Hardback. Condición: Like New. As his starting point for the aesthetic we have come to love as Art Deco, French furniture and interior designer E.-J. Ruhlmann's pavilion at the 1925 Exposition Internationale des Arts Decoratifs et Industriels Modernes presented the fair's most celebrated displays and thereby began our enduring appreciation for the international design idiom.…

Condición: New. pp. 144.

Condición: New.

Hardcover. Condición: New.

Condición: New. 2025. Hardcover. . . . . .

hardcover. Condición: New. Special order direct from the distributor.

Encuadernación de tapa dura. Condición: Muy bien.

Hardback. Condición: New. As his starting point for the aesthetic we have come to love as Art Deco, French furniture and interior designer E.-J. Ruhlmann's pavilion at the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes presented the fair's most celebrated displays and thereby began our enduring appreciation for the international design idiom.This book celebrates the 1925?Paris Exposition-at its centenary-a landmark event that shaped twentieth-century design and gave its name to Art Deco. The exposition dazzled over sixteen million visitors during its run, showcasing the pinnacle of French luxury goods and design innovation.  Renowned as the preeminent exponent of French Art Deco, Ruhlmann (1879-1933) was recognized for the aesthetic refinement, luxurious materials, and impeccable craftsmanship of his creations. Inspired by eighteenth-century pleasure pavilions, Ruhlmann's pavilion, L'Hôtel du Collectionneur (The Town House of the Collector), was one of the most admired exhibits at the fair. Conceived as a modern-day Trianon, it was filled with his own sumptuous furnishings together with a meticulous selection of objets d'art by his contemporaries, including Edgar Brandt, Jean Dunand, and Jean Puiforcat.Central to this publication is a facsimile of the original catalogue documenting the pavilion. The book offers a detailed examination of the pavilion's architecture and interiors, revealing how Ruhlmann's vision set standards for luxury and taste in the interwar period. Although the pavilion existed for only six months, it left a lasting legacy as one of the most refined examples of Art Deco, embodying both the opulence and the innovative spirit of the era.…

Condición: New. pp. 144.

Hardcover. Condición: new. Hardcover. As his starting point for the aesthetic we have come to love as Art Deco, French furniture and interior designer E.-J. Ruhlmanns pavilion at the 1925 Exposition Internationale des Arts Decoratifs et Industriels Modernes presented the fairs most celebrated displays and thereby began our enduring appreciation for the international design idiom.This book celebrates the 1925 Paris Expositionat its centenarya landmark event that shaped twentieth-century design and gave its name to Art Deco. The exposition dazzled over sixteen million visitors during its run, showcasing the pinnacle of French luxury goods and design innovation. Renowned as the preeminent exponent of French Art Deco, Ruhlmann (18791933) was recognized for the aesthetic refinement, luxurious materials, and impeccable craftsmanship of his creations. Inspired by eighteenth-century pleasure pavilions, Ruhlmanns pavilion, LHotel du Collectionneur (The Town House of the Collector), was one of the most admired exhibits at the fair. Conceived as a modern-day Trianon, it was filled with his own sumptuous furnishings together with a meticulous selection of objets dart by his contemporaries, including Edgar Brandt, Jean Dunand, and Jean Puiforcat.Central to this publication is a facsimile of the original catalogue documenting the pavilion. The book offers a detailed examination of the pavilions architecture and interiors, revealing how Ruhlmanns vision set standards for luxury and taste in the interwar period. Although the pavilion existed for only six months, it left a lasting legacy as one of the most refined examples of Art Deco, embodying both the opulence and the innovative spirit of the era. As his starting point for the aesthetic we have come to love as Art Deco, French furniture and interior designer E.-J. Ruhlmann's pavilion at the 1925 Exposition Internationale des Arts Decoratifs et Industriels Modernes presented the fair's most celebrated displays and thereby began our enduring appreciation for the international design idiom. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardback. Condición: New. As his starting point for the aesthetic we have come to love as Art Deco, French furniture and interior designer E.-J. Ruhlmann's pavilion at the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes presented the fair's most celebrated displays and thereby began our enduring appreciation for the international design idiom.This book celebrates the 1925?Paris Exposition-at its centenary-a landmark event that shaped twentieth-century design and gave its name to Art Deco. The exposition dazzled over sixteen million visitors during its run, showcasing the pinnacle of French luxury goods and design innovation.  Renowned as the preeminent exponent of French Art Deco, Ruhlmann (1879-1933) was recognized for the aesthetic refinement, luxurious materials, and impeccable craftsmanship of his creations. Inspired by eighteenth-century pleasure pavilions, Ruhlmann's pavilion, L'Hôtel du Collectionneur (The Town House of the Collector), was one of the most admired exhibits at the fair. Conceived as a modern-day Trianon, it was filled with his own sumptuous furnishings together with a meticulous selection of objets d'art by his contemporaries, including Edgar Brandt, Jean Dunand, and Jean Puiforcat.Central to this publication is a facsimile of the original catalogue documenting the pavilion. The book offers a detailed examination of the pavilion's architecture and interiors, revealing how Ruhlmann's vision set standards for luxury and taste in the interwar period. Although the pavilion existed for only six months, it left a lasting legacy as one of the most refined examples of Art Deco, embodying both the opulence and the innovative spirit of the era.…

Condición: As New. Unread book in perfect condition.

Condición: New. 2025. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: Brand New. slp edition. 143 pages. 13.75x10.75x1.00 inches. In Stock.

hardcover. Condición: new.

Hardcover. Condición: new. Hardcover. As his starting point for the aesthetic we have come to love as Art Deco, French furniture and interior designer E.-J. Ruhlmanns pavilion at the 1925 Exposition Internationale des Arts Decoratifs et Industriels Modernes presented the fairs most celebrated displays and thereby began our enduring appreciation for the international design idiom.This book celebrates the 1925 Paris Expositionat its centenarya landmark event that shaped twentieth-century design and gave its name to Art Deco. The exposition dazzled over sixteen million visitors during its run, showcasing the pinnacle of French luxury goods and design innovation. Renowned as the preeminent exponent of French Art Deco, Ruhlmann (18791933) was recognized for the aesthetic refinement, luxurious materials, and impeccable craftsmanship of his creations. Inspired by eighteenth-century pleasure pavilions, Ruhlmanns pavilion, LHotel du Collectionneur (The Town House of the Collector), was one of the most admired exhibits at the fair. Conceived as a modern-day Trianon, it was filled with his own sumptuous furnishings together with a meticulous selection of objets dart by his contemporaries, including Edgar Brandt, Jean Dunand, and Jean Puiforcat.Central to this publication is a facsimile of the original catalogue documenting the pavilion. The book offers a detailed examination of the pavilions architecture and interiors, revealing how Ruhlmanns vision set standards for luxury and taste in the interwar period. Although the pavilion existed for only six months, it left a lasting legacy as one of the most refined examples of Art Deco, embodying both the opulence and the innovative spirit of the era. As his starting point for the aesthetic we have come to love as Art Deco, French furniture and interior designer E.-J. Ruhlmann's pavilion at the 1925 Exposition Internationale des Arts Decoratifs et Industriels Modernes presented the fair's most celebrated displays and thereby began our enduring appreciation for the international design idiom. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Condición: Neu. Neuware - As his starting point for the aesthetic we have come to love as Art Deco, French furniture and interior designer E.-J. Ruhlmann's pavilion at the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes presented the fair's most celebrated displays and thereby began our enduring appreciation for the international design idiom.This book celebrates the 1925?Paris Expositionat its centenarya landmark event that shaped twentieth-century design and gave its name to Art Deco. The exposition dazzled over sixteen million visitors during its run, showcasing the pinnacle of French luxury goods and design innovation. Renowned as the preeminent exponent of French Art Deco, Ruhlmann (18791933) was recognized for the aesthetic refinement, luxurious materials, and impeccable craftsmanship of his creations. Inspired by eighteenth-century pleasure pavilions, Ruhlmann's pavilion, L'Hôtel du Collectionneur (The Town House of the Collector), was one of the most admired exhibits at the fair. Conceived as a modern-day Trianon, it was filled with his own sumptuous furnishings together with a meticulous selection of objets d'art by his contemporaries, including Edgar Brandt, Jean Dunand, and Jean Puiforcat.Central to this publication is a facsimile of the original catalogue documenting the pavilion. The book offers a detailed examination of the pavilion's architecture and interiors, revealing how Ruhlmann's vision set standards for luxury and taste in the interwar period. Although the pavilion existed for only six months, it left a lasting legacy as one of the most refined examples of Art Deco, embodying both the opulence and the innovative spirit of the era.…