Danilo udovicki selb (52 resultados)

paperback. Condición: As New. Never read, no marks or highlighting in the book. Our copy is paperback showing light shelf-wear.

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Paperback. Condición: New. Soviet Architectural Avant-Gardes challenges conventional readings of the history of Soviet art and architecture, in which utopian modernism was practically prohibited by 1932 under Stalin's totalitarianism. Radically redefining the historiography of the period, it reveals how the relationship between the Party and practicing architects was much more complex than previously believed, and shows, in contrast to the conventional narratives, how the architectural avant-garde was able to persist at a time when it was widely considered to have been driven underground. In doing so, this book provides an essential new perspective on how to analyze, evaluate, and "reimagine" the global history of modernist expression, and offers a new understanding of the ways in which 20th-century social revolutions and their totalitarian sequels inflected the discourse of both modernity and modernism.Exploring iconic Soviet architecture including the Palace of Soviets and the Soviet Pavilion at the Paris 1937 World Exposition, and revealing many remarkable works that until now have been neglected by architectural historians inside and outside Russia, Soviet Architectural Avant-Gardes provides a revealing new account of the 'hidden' modernism which persisted through Stalinism. In a fascinating final chapter, it also reveals for the first time the details of Frank Lloyd Wright's triumphant welcome in Moscow in 1937, at the height of Stalin's Terror.…

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Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2022. NIP. Paperback. . . . . .

Paperback. Condición: New. Soviet Architectural Avant-Gardes challenges conventional readings of the history of Soviet art and architecture, in which utopian modernism was practically prohibited by 1932 under Stalin's totalitarianism. Radically redefining the historiography of the period, it reveals how the relationship between the Party and practicing architects was much more complex than previously believed, and shows, in contrast to the conventional narratives, how the architectural avant-garde was able to persist at a time when it was widely considered to have been driven underground. In doing so, this book provides an essential new perspective on how to analyze, evaluate, and "reimagine" the global history of modernist expression, and offers a new understanding of the ways in which 20th-century social revolutions and their totalitarian sequels inflected the discourse of both modernity and modernism.Exploring iconic Soviet architecture including the Palace of Soviets and the Soviet Pavilion at the Paris 1937 World Exposition, and revealing many remarkable works that until now have been neglected by architectural historians inside and outside Russia, Soviet Architectural Avant-Gardes provides a revealing new account of the 'hidden' modernism which persisted through Stalinism. In a fascinating final chapter, it also reveals for the first time the details of Frank Lloyd Wright's triumphant welcome in Moscow in 1937, at the height of Stalin's Terror.…

Paperback. Condición: new. Paperback. Soviet Architectural Avant-Gardes challenges conventional readings of the history of Soviet art and architecture, in which utopian modernism was practically prohibited by 1932 under Stalins totalitarianism. Radically redefining the historiography of the period, it reveals how the relationship between the Party and practicing architects was much more complex than previously believed, and shows, in contrast to the conventional narratives, how the architectural avant-garde was able to persist at a time when it was widely considered to have been driven underground. In doing so, this book provides an essential new perspective on how to analyze, evaluate, and reimagine the global history of modernist expression, and offers a new understanding of the ways in which 20th-century social revolutions and their totalitarian sequels inflected the discourse of both modernity and modernism.Exploring iconic Soviet architecture including the Palace of Soviets and the Soviet Pavilion at the Paris 1937 World Exposition, and revealing many remarkable works that until now have been neglected by architectural historians inside and outside Russia, Soviet Architectural Avant-Gardes provides a revealing new account of the hidden modernism which persisted through Stalinism. In a fascinating final chapter, it also reveals for the first time the details of Frank Lloyd Wrights triumphant welcome in Moscow in 1937, at the height of Stalins Terror. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback or Softback. Condición: New. Soviet Architectural Avant-Gardes: Architecture and Stalin's Revolution from Above, 1928-1938. Book.

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Paperback. Condición: New.

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Condición: New. 2022. NIP. Paperback. . . . . . Books ship from the US and Ireland.

Condición: New. In English.

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Condición: Wie Neu. Zustandsbeschreibung: leichte Lagerspuren/near mint. Moscow 1928-1930. Moisej J. Ginzburg, Ignatij F. Milinis. Edited by Danilo Udovicki-Selb. In historischen und neueren Fotografien (vor der Restaurierung), Zeichnungen und Modellen dokumentiert der Band mit dem Narkomfin-Kommunehaus eines der bedeutendsten Bauwerke des Konstruktivismus. Neun englischsprachige Beiträge beleuchten einzelne historische und architektonische Aspekte. With contributions by Vladimir Papemy, Wilried Wang, Tijana Vujosevic, Alla G. Vronskaya, Dmitry Khmelnitsky, Yury Volchok, and Danilo Udovicki-Selb. Intended for the working class, these industrialized dwelling types sought ways to raise numbers without sacrificing quality. Widely transcending the confines of Soviet architectural practice itself, the Narkomfin anticipated by twenty years Le Corbusier's own experimental housing block in Marseille, which resulted directly from his visit to Moscow in 1928. 191 Seiten mit 80 Farb- und 145 s/w-Abb., Querformat 22 cm x 30 cm, broschiert (O'NFM_6 - The O'Neil Ford Monograph Series; Vol. 6/Center for American Architecture and Design/Shchusev State Museum of Architecture MuAr/O'Neil Ford Chair in Architecture, University of Texas at Austin/Wasmuth Verlag 2016). Früher EUR 29,80. Gewicht: 800 g - Softcover/Taschenbuch.…

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Paperback. Condición: New.

Paperback. Condición: Brand New. 191 pages. 8.50x11.50x0.75 inches. In Stock.

Taschenbuch. Condición: Neu. Neuware - Soviet Architectural Avant-Gardes challenges conventional readings of the history of Soviet art and architecture, in which utopian modernism was practically prohibited by 1932 under Stalin's totalitarianism. Radically redefining the historiography of the period, it reveals how the relationship between the Party and practicing architects was much more complex than previously believed, and shows, in contrast to the conventional narratives, how the architectural avant-garde was able to persist at a time when it was widely considered to have been driven underground. In doing so, this book provides an essential new perspective on how to analyze, evaluate, and 'reimagine' the global history of modernist expression, and offers a new understanding of the ways in which 20th-century social revolutions and their totalitarian sequels inflected the discourse of both modernity and modernism.Exploring iconic Soviet architecture including the Palace of Soviets and the Soviet Pavilion at the Paris 1937 World Exposition, and revealing many remarkable works that until now have been neglected by architectural historians inside and outside Russia, Soviet Architectural Avant-Gardes provides a revealing new account of the 'hidden' modernism which persisted through Stalinism. In a fascinating final chapter, it also reveals for the first time the details of Frank Lloyd Wright's triumphant welcome in Moscow in 1937, at the height of Stalin's Terror.…

Condición: NEW.

Paperback. Condición: Brand New. 264 pages. 9.21x6.14x1.00 inches. In Stock.

Paperback. Condición: new. Paperback. Soviet Architectural Avant-Gardes challenges conventional readings of the history of Soviet art and architecture, in which utopian modernism was practically prohibited by 1932 under Stalins totalitarianism. Radically redefining the historiography of the period, it reveals how the relationship between the Party and practicing architects was much more complex than previously believed, and shows, in contrast to the conventional narratives, how the architectural avant-garde was able to persist at a time when it was widely considered to have been driven underground. In doing so, this book provides an essential new perspective on how to analyze, evaluate, and reimagine the global history of modernist expression, and offers a new understanding of the ways in which 20th-century social revolutions and their totalitarian sequels inflected the discourse of both modernity and modernism.Exploring iconic Soviet architecture including the Palace of Soviets and the Soviet Pavilion at the Paris 1937 World Exposition, and revealing many remarkable works that until now have been neglected by architectural historians inside and outside Russia, Soviet Architectural Avant-Gardes provides a revealing new account of the hidden modernism which persisted through Stalinism. In a fascinating final chapter, it also reveals for the first time the details of Frank Lloyd Wrights triumphant welcome in Moscow in 1937, at the height of Stalins Terror. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Hardcover. Condición: Good. Estado de la sobrecubierta: Very Good. 1997 MIT Press hardcover edition. Light reading wear, a little wear to edge of dustjacket, stickers to endpaper else very good condition.

Condición: New. InhaltsverzeichnisDedication Comparative Chronology Acknowledgments Introduction 1. A Call for the Party to Defend Modern Architecture:Stalin s Cultural Revolution and the Aporia Of Proletarian Architec.

Paperback. Condición: New. Soviet Architectural Avant-Gardes challenges conventional readings of the history of Soviet art and architecture, in which utopian modernism was practically prohibited by 1932 under Stalin's totalitarianism. Radically redefining the historiography of the period, it reveals how the relationship between the Party and practicing architects was much more complex than previously believed, and shows, in contrast to the conventional narratives, how the architectural avant-garde was able to persist at a time when it was widely considered to have been driven underground. In doing so, this book provides an essential new perspective on how to analyze, evaluate, and "reimagine" the global history of modernist expression, and offers a new understanding of the ways in which 20th-century social revolutions and their totalitarian sequels inflected the discourse of both modernity and modernism.Exploring iconic Soviet architecture including the Palace of Soviets and the Soviet Pavilion at the Paris 1937 World Exposition, and revealing many remarkable works that until now have been neglected by architectural historians inside and outside Russia, Soviet Architectural Avant-Gardes provides a revealing new account of the 'hidden' modernism which persisted through Stalinism. In a fascinating final chapter, it also reveals for the first time the details of Frank Lloyd Wright's triumphant welcome in Moscow in 1937, at the height of Stalin's Terror.…