Chima osakwe (37 resultados)

Condición: New.

Paperback or Softback. Condición: New. When Your Angel Arrives. Book.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback or Softback. Condición: New. Postcolonial Reconstruction of History in African Drama: Soyinka, Ng?g? With Mugo, Hussein, and Johnson. Book.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: new.

Paperback. Condición: Brand New. 75 pages. 6.00x0.16x9.00 inches. In Stock.

Condición: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PF. Condición: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New. 2026. paperback. . . . . .

Taschenbuch. Condición: Neu. Neuware - This Element investigates how selected postcolonial African writers have adapted or rather reshaped historical sources for dramatic compositions. The writers and works the author focuses on are: Wole Soyinka (Death and the King's Horseman, 1975), Ng¿g¿ wa Thiong'o with Micere Githae Mugo (The Trial of Dedan Kimathi, 1976), Ebrahim Hussein (Kinjeketile, 1970), and Effiong Johnson (Not Without Bones, 2000.) Their reading of the plays emphasizes their status as postcolonial texts and not just works of African literature. In doing so, the Element is mindful of the fact that postcolonialism has inevitably involved the conceptualization of non-Western modes of thought as a means of challenging the West. The author's central argument is that the selected postcolonial African authors use artistic licence to rewrite colonial history from below, transforming historical trauma into counter¿narratives that restore agency, dignity, and futurity to the oppressed.…

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condición: New. Print on Demand pp. 84 20:B&W 5 x 8 in or 203 x 127 mm Perfect Bound on White w/Gloss Lam.

Condición: NEW.

Paperback. Condición: new. Paperback. This Element investigates how selected postcolonial African writers have adapted or rather reshaped historical sources for dramatic compositions. The writers and works the author focuses on are: Wole Soyinka (Death and the King's Horseman, 1975), Ngugi wa Thiong'o with Micere Githae Mugo (The Trial of Dedan Kimathi, 1976), Ebrahim Hussein (Kinjeketile, 1970), and Effiong Johnson (Not Without Bones, 2000.) Their reading of the plays emphasizes their status as postcolonial texts and not just works of African literature. In doing so, the Element is mindful of the fact that postcolonialism has inevitably involved the conceptualization of non-Western modes of thought as a means of challenging the West. The author's central argument is that the selected postcolonial African authors use artistic licence to rewrite colonial history from below, transforming historical trauma into counternarratives that restore agency, dignity, and futurity to the oppressed. Investigates how selected postcolonial African writers have adapted historical sources for dramatic compositions. The writers and works focused on are: Wole Soyinka (Death and the King's Horseman), Ngugi wa Thiong'o with Micere Githae Mugo (The Trial of Dedan Kimathi), Ebrahim Hussein (Kinjeketile), and Effiong Johnson (Not Without Bones). Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condición: New. Print on Demand pp. 84.

Condición: New. PRINT ON DEMAND pp. 84.

Paperback. Condición: New. This Element investigates how selected postcolonial African writers have adapted or rather reshaped historical sources for dramatic compositions. The writers and works the author focuses on are: Wole Soyinka (Death and the King's Horseman, 1975), Ngugi wa Thiong'o with Micere Githae Mugo (The Trial of Dedan Kimathi, 1976), Ebrahim Hussein (Kinjeketile, 1970), and Effiong Johnson (Not Without Bones, 2000.) Their reading of the plays emphasizes their status as postcolonial texts and not just works of African literature. In doing so, the Element is mindful of the fact that postcolonialism has inevitably involved the conceptualization of non-Western modes of thought as a means of challenging the West. The author's central argument is that the selected postcolonial African authors use artistic licence to rewrite colonial history from below, transforming historical trauma into counter-narratives that restore agency, dignity, and futurity to the oppressed.…

Hardcover. Condición: Brand New. 75 pages. 6.00x0.25x9.00 inches. In Stock.

Condición: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 123.

Hardcover. Condición: Brand New. 1st edition. 105 pages. 8.39x5.91x0.43 inches. In Stock.

Condición: New. 2026. hardcover. . . . . .

Paperback. Condición: new. Paperback. This Element investigates how selected postcolonial African writers have adapted or rather reshaped historical sources for dramatic compositions. The writers and works the author focuses on are: Wole Soyinka (Death and the King's Horseman, 1975), Ngugi wa Thiong'o with Micere Githae Mugo (The Trial of Dedan Kimathi, 1976), Ebrahim Hussein (Kinjeketile, 1970), and Effiong Johnson (Not Without Bones, 2000.) Their reading of the plays emphasizes their status as postcolonial texts and not just works of African literature. In doing so, the Element is mindful of the fact that postcolonialism has inevitably involved the conceptualization of non-Western modes of thought as a means of challenging the West. The author's central argument is that the selected postcolonial African authors use artistic licence to rewrite colonial history from below, transforming historical trauma into counternarratives that restore agency, dignity, and futurity to the oppressed. Investigates how selected postcolonial African writers have adapted historical sources for dramatic compositions. The writers and works focused on are: Wole Soyinka (Death and the King's Horseman), Ngugi wa Thiong'o with Micere Githae Mugo (The Trial of Dedan Kimathi), Ebrahim Hussein (Kinjeketile), and Effiong Johnson (Not Without Bones). This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: Brand New. 75 pages. 6.00x0.16x9.00 inches. In Stock. This item is printed on demand.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - When Your Angel Arrives is a play about the immigrant experience particularly in the Western world. Plotted around a black African immigrant who is under pressure from his visiting mother to cast off his Caucasian wife, the play deals with the challenges faced by immigrants and equally touches on cross-cultural marriage and black on black betrayal.…