brooks helen e m (35 resultados)

Soft cover. Condición: New.

Paperback or Softback. Condición: New. The Cambridge Companion to British Theatre of the First World War. Book.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: Brand New. 300 pages. 9.00x6.00x0.63 inches. In Stock.

Condición: New.

Paperback. Condición: New. Stage Mothers explores the connections between motherhood and the theater both on and off stage throughout the long eighteenth century. Although the realities of eighteenth-century motherhood and representations of maternity have recently been investigated in relation to the novel, social history, and political economy, the idea of motherhood and its connection to the theatre as a professional, material, literary, and cultural site has received little critical attention. The essays in this volume, spanning the period from the Restoration to Regency, address these forgotten maternal narratives, focusing on: the representation of motherhood as the defining female role; the interplay between an actress's celebrity persona and her chosen roles; the performative balance between the cults of maternity and that of the "passionate" actress; and tensions between sex and maternity and/or maternity and public authority. In examining the overlaps and disconnections between representations and realities of maternity in the long eighteenth century, and by looking at written, received, visual, and performed records of motherhood, Stage Mothers makes an important contribution to debates central to eighteenth-century cultural history.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: As New. Estado de la sobrecubierta: Like New. The dust jacket, black cloth boards and book's interior in fine condition. All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011.

Condición: New.

Condición: New.

Condición: New.

Taschenbuch. Condición: Neu. Neuware - This is the first comprehensive guide to British theatre's engagement with the First World War over the last century, from 1900 to the Armistice Day centenary in 2018. Considering theatre as both an industry and literary-cultural artform, it provides a contextual grounding in the prelude to the conflict and coverage of post-war plays as well as wartime performances. Lively chapters from leading scholars explore diverse genres and practices, from Shakespeare to melodrama, while focusing on topics including regionality, national identity, propaganda, commemoration, gender, censorship and international influences. Presenting original scholarship in an accessible and engaging manner, this Companion establishes theatre as a vital means of understanding wartime experiences, and a central feature in commemoration and remembrance.

Paperback. Condición: Brand New. reprint edition. 274 pages. 8.75x6.00x1.00 inches. In Stock.

Condición: New.

Hardcover. Condición: Brand New. 300 pages. 9.00x6.00x0.69 inches. In Stock.

Paperback. Condición: New. Stage Mothers explores the connections between motherhood and the theater both on and off stage throughout the long eighteenth century. Although the realities of eighteenth-century motherhood and representations of maternity have recently been investigated in relation to the novel, social history, and political economy, the idea of motherhood and its connection to the theatre as a professional, material, literary, and cultural site has received little critical attention. The essays in this volume, spanning the period from the Restoration to Regency, address these forgotten maternal narratives, focusing on: the representation of motherhood as the defining female role; the interplay between an actress's celebrity persona and her chosen roles; the performative balance between the cults of maternity and that of the "passionate" actress; and tensions between sex and maternity and/or maternity and public authority. In examining the overlaps and disconnections between representations and realities of maternity in the long eighteenth century, and by looking at written, received, visual, and performed records of motherhood, Stage Mothers makes an important contribution to debates central to eighteenth-century cultural history.

Condición: New.

Buch. Condición: Neu. Neuware - This is the first comprehensive guide to British theatre's engagement with the First World War over the last century, from 1900 to the Armistice Day centenary in 2018. Considering theatre as both an industry and literary-cultural artform, it provides a contextual grounding in the prelude to the conflict and coverage of post-war plays as well as wartime performances. Lively chapters from leading scholars explore diverse genres and practices, from Shakespeare to melodrama, while focusing on topics including regionality, national identity, propaganda, commemoration, gender, censorship and international influences. Presenting original scholarship in an accessible and engaging manner, this Companion establishes theatre as a vital means of understanding wartime experiences, and a central feature in commemoration and remembrance.

hardcover. Condición: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condición: Good. [184] p. : ill. (1 col.) ; 26 cm. "Good stories for mothers to read at bed time "-- Cover ; Stories originally published in John Martin's book, a magazine for children ; LCCN 32015193 OCLC 15051041 LC PZ5.J613 Te ; green and black cloth with designs ; spine shaken ; Contents: Snoozles and the babies -- The Alphabet man -- The King of all the birds -- The Birds' Christmas tree -- Little brown Ben -- Funny Questions, Silly jokes -- Nonsense for some little folks -- Peter's friends the animals -- The white dove, and Ark story -- Tommy elephant discovers the railroad -- The stranger thing -- How the woodpecker came -- Tommy elephant and the ants -- Mary's little teeth -- Come play -- The lady who smiled -- Seeds and flowers -- Catchy questions can you guess? -- When to get ready -- The Pilgrim fathers -- Our Pilgrim fathers -- The juggling jumbos -- The discontented cat -- Catskin -- The little girl who kissed her elbow -- Riddles 4 U My [Deer] -- When Mozart was a boy -- Our country's ancestor -- Saint George and the dragon -- The race between Peter and Patsy -- More riddles -- Bucephalus, the story of a famous horse -- How the corn got his ear -- Peeny Pen Pone -- The first dandelions, -- The magic apple -- The story of King Alfred -- Daniel the fearless -- The story of the wild rose -- Jack Junior, a railroad story -- The dog that swallowed a fairy -- The Bulldog -- Chippy Chipmunk -- The way to live, a little thought to think -- The Easter hare -- The sabre-cut of Saadi, the reward of truth -- The simple truth -- A Spring prayer -- Our bird neighbors, a true story for all the year around -- The days of the week -- How the days got their names -- How the dove of peace came to the tribe -- The great deed -- Saint Francis and the robbers -- A magic -- Riddles -- A story of the months -- St. Martin's mitten, or how the first cat came -- The story of Daniel Boone -- Jack Frost's gift -- St. Francis and the wolf -- Mr. Snail, a story of his life ; signature on the half-title of a very young of Edward William Girard (1930-2020), a Boeing engineer and Rockwell Missile Systems Division operational analysis manager that served in the Navy during the Korean War. He was instrumental in proposing national re-emphasis on maritime strategy in the wake of the Israeli Six-Day War in 1967 and earlier, in 1961, the use of war games to function as pseudo-experiments, producing data for analysis ; scarce, pages brittle, repair to spine, else G. Book.

hardback illus cover, fine condition,201pp.

Paperback. Condición: new. Paperback. This is the first comprehensive guide to British theatre's engagement with the First World War over the last century, from 1900 to the Armistice Day centenary in 2018. Considering theatre as both an industry and literary-cultural artform, it provides a contextual grounding in the prelude to the conflict and coverage of post-war plays as well as wartime performances. Lively chapters from leading scholars explore diverse genres and practices, from Shakespeare to melodrama, while focusing on topics including regionality, national identity, propaganda, commemoration, gender, censorship and international influences. Presenting original scholarship in an accessible and engaging manner, this Companion establishes theatre as a vital means of understanding wartime experiences, and a central feature in commemoration and remembrance. The first comprehensive guide to British theatre's engagement with the First World War over the last century, providing accessible and lively coverage of theatre's role in the representation and remembrance of events, focusing on topics including regionality, politics, popular performance, Shakespeare, class, race and gender. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: Brand New. 300 pages. 9.00x6.00x0.63 inches. In Stock. This item is printed on demand.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condición: New. Print on Demand.

Condición: New. PRINT ON DEMAND.

Paperback. Condición: new. Paperback. This is the first comprehensive guide to British theatre's engagement with the First World War over the last century, from 1900 to the Armistice Day centenary in 2018. Considering theatre as both an industry and literary-cultural artform, it provides a contextual grounding in the prelude to the conflict and coverage of post-war plays as well as wartime performances. Lively chapters from leading scholars explore diverse genres and practices, from Shakespeare to melodrama, while focusing on topics including regionality, national identity, propaganda, commemoration, gender, censorship and international influences. Presenting original scholarship in an accessible and engaging manner, this Companion establishes theatre as a vital means of understanding wartime experiences, and a central feature in commemoration and remembrance. The first comprehensive guide to British theatre's engagement with the First World War over the last century, providing accessible and lively coverage of theatre's role in the representation and remembrance of events, focusing on topics including regionality, politics, popular performance, Shakespeare, class, race and gender. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condición: new. Hardcover. This is the first comprehensive guide to British theatre's engagement with the First World War over the last century, from 1900 to the Armistice Day centenary in 2018. Considering theatre as both an industry and literary-cultural artform, it provides a contextual grounding in the prelude to the conflict and coverage of post-war plays as well as wartime performances. Lively chapters from leading scholars explore diverse genres and practices, from Shakespeare to melodrama, while focusing on topics including regionality, national identity, propaganda, commemoration, gender, censorship and international influences. Presenting original scholarship in an accessible and engaging manner, this Companion establishes theatre as a vital means of understanding wartime experiences, and a central feature in commemoration and remembrance. The first comprehensive guide to British theatre's engagement with the First World War over the last century, providing accessible and lively coverage of theatre's role in the representation and remembrance of events, focusing on topics including regionality, politics, popular performance, Shakespeare, class, race and gender. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.