Brooks david allen (15 resultados)

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condición: Very Good.

Paperback. Condición: Good.

DVD. Condición: Used - Good.

dvd. Condición: Used - Acceptable. Sticker from previous owner on cover.

Soft cover. Condición: Near Fine. No Jacket. Literary journal, with stories about "Unhappy Families"; tributes to John Updike; reviews; essays on John Conrad and Franz Kafka. 502 pages. Interior pages clean and tight, light blue wraps very faintly faded at spine, otherwise fine.

Soft cover. Condición: Fine. 1st Edition. Fine condition color illustrated heavy oversized (folio - 12 inches tall) softcover wraps. Includes Dedication; Contributors; A Note from Robert A. Wilson; A Note from Don Carty; Preface; Bibliography; Photo Credits; Acknowledgments; and Index. Profusely illustrated with color photographs, black-and-white photographs, drawings, etc. The rear lower left corner cover has a 4 inch crease. (see photographs). Highlights from American Greats (from the rear outer cover): "It remains what it was, the greatest of bridges, the Brooklyn Bridge, made in America, its appeal defying time, a symbol now no less than ever of brave work nobly done." - David McCullough on the Brooklyn Bridge. "There is only one Chez Panisse. In this age of multiple restaurants it has no clones in London, Las Vegas, or Tokyo. Because Alice Waters has more than money on her mind." - Ruth Reichl on Chez Panisse. "Duke Ellington liked to claim he won his job at the Cotton Club, in December 1927, because he showed up three hours late for the audition, as did the owner, who heard only Ellington and non of his rivals." - Gary Giddins on the Duke Ellington Orchestra. "They [the editors] had uncanny ears for a false note; they sometimes surprised you by accepting a daring or experimental piece; they manifested a cloistered virtue, in a fallen, hustling world, that made appearing anywhere else feel like a dangerous trespass." - John Updike on The New Yorker. "Our original goal was simple, and only in retrospect, revolutionary: to use television to help children learn. We knew young children watched a great deal of television in the years before they went to school. We also knew they liked cartoons, game shows, and situation comedies; that they responded to slapstick humor, music with a beat, and above all - sadly - fast-paced, oft-repeated commercials." - Joan Ganz Cooney on Sesame Street. "So here I was, my anxiety over the flight spilling all over Danny DeVito, my fears at the time very real. Danny responded, 'Look there's no way you're going to crash because I am the LUCKIEST MAN ALIVE, and since I need you to do this work with me when you come back, there is no way you don't make it back.' 'Great,' I said. 'I can just picture it; the plane is on fire and as we crash I'm screaming, "Ha, ha Danny. Your luck has run out.' " - James L. Brooks on television situation comedy. "What made the Wright brothers' successful early experiments so remarkable is that neither had any academic education in physics. They were entirely self-taught. The difference between them and other small town entrepreneurs was they had a genius for learning, and for identifying new problems to solve." - John Keegan on the Wright Brothers. "West Point has always seemed to me to be unusually close to Main Street in Middle America; it is a place without glitz, which without consciously trying, reflects both the norm, the center, and the diversity of America. Again and again it turns out good people of significant personal modesty and a powerful sense of obligation." - David Halberstam on West Point.…

Wrappers. Condición: Near Fine. 288 pages 186 illustrations 120 in color. Minor rubbing and wear to the paper covers and edge. Some foxing to the edge. Minor creasing to the paper spine. Edited by Colin B. Bailey and Stephanie Buck. Bibliography. Book.

Condición: Very Good. Bon état. 13 76x1 48x18 03cm. 2009. dvd. Very Good.

Condición: New. Print on Demand.

Paperback. Condición: Brand New. 268 pages. 9.00x6.00x0.63 inches. In Stock.

Condición: New. Print on Demand.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First printing. 104pp. Stapled paper wraps with handwritten price at lower left corner ($1.00), likely as issued. Rubbed, rear wrap detached, first few pages chipped at one corner and crease at two corners, about very good. A literary magazine packed with luminaries of the New York poetry scene and Warhol's Factory. This issue features a poem by Andy Warhol and Gerard Malanga ("Date in Tunis"); an eight-page excerpt from *Tarzan of the Flicks* by Theatre of the Ridiculous co-founder, Ronald Tavel; an essay from avant-garde film expert Jonas Mekas; a three-page interview with Pete Seeger; a three-page profile of painter Ben Shahn; a two-page interview with Edward Albee. Additional contributor include Ed Sanders, Ted Berrigan, Tuli Kupferberg, Joan Baez, Diane Wakoski, The Fugs, Jules Feiffer, Kirby Congden, Paul Krassner, Roland Stone, Les Peer, David Henderson, Allen Katzman, Eric Von Schmidt, Erik Viviat, Gerald Dooher, Sotere Torregian, Mari Parcell, Danny Boyarin, Mordecai, Barney McCaffrey, Cohn, Jeff Broadbent, Winstan Brooks, Gari Youree, Joan Gilbert, Norman, Ken Weaver, John Wilcock, Elaine Statman, Dov Seeger, Calvin Herton, John Cornillon, Calvin Forbes, Ronnie Billet, Jack Smith and John Keys. A very scare magazine with five copies listed in *OCLC*.…

Softcover. Condición: Near Fine. Magazine. 104pp. Stapled paper wrappers with handwritten price at lower left corner ($1.00), likely as issued, and numbered #163 on the front flap. Tiny closed tear on the front wrap, small chip on rear wrap that has pulled at the staples and toning to the pages, near fine. A literary magazine produced by luminaries of the New York Sixties avant-garde movement and Warhol's Factory scene. This issue features a poem by Andy Warhol and Gerard Malanga ("Date in Tunis"); an eight-page excerpt from *Tarzan of the Flicks* by Theatre of the Ridiculous co-founder, Ronald Tavel; an essay from avant-garde film expert Jonas Mekas; a three-page interview with Pete Seeger; a three-page profile of painter Ben Shahn; a two-page interview with Edward Albee. Additional contributors include Ed Sanders, Ted Berrigan, Tuli Kuferberg, The Fugs, Joan Baez, Diane Wakoski, Jules Feiffer, Kirby Congden, Paul Krassner, Roland Stone, Les Peer, David Henderson, Allen Katzman, Eric Von Schmidt, Erik Viviat, Gerald Dooher, Sotere Torregian, Mari Parcell, Danny Boyarin, Mordecai, Barney McCaffrey, Cohn, Jeff Broadbent, Winstan Brooks, Gari Youree, Joan Gilbert, Norman, Ken Weaver, John Wilcock, Elaine Statman, Dov Seeger, Calvin Herton, John Cornillon, Calvin Forbes, Ronnie Billet, Jack Smith and John Keys. Scarce. *OCLC* locates five copies. …