Padiyar satish (81 resultados)

Soft cover. Condición: Very Good. 144 pages. Illustrated. Valerie Lind Hedquist "The Real Presence of Christ and the Penitent Mary Magdalen in the 'Allegory of Faith' by Johannes Vermeer" / Satish Padiyar "Sade / David" / Ed Lilley "Lost Works of Art: the problem and a case study" / Neil Cox "La Mort posthume: Maurice Heine and the poetics of decay" (BT#23).…

Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Wrappers. Condición: Near Fine. 288 pages 186 illustrations 120 in color. Minor rubbing and wear to the paper covers and edge. Some foxing to the edge. Minor creasing to the paper spine. Edited by Colin B. Bailey and Stephanie Buck. Bibliography. Book.

Condición: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

First Edition. Review copy. Fine cloth copy in an equally fine dust-wrapper, now mylar-sleeved. Particularly well-preserved overall; tight, bright, clean and strong. Physical description: 248 pages : illustrations (chiefly color) ; 26 cm. Notes: Includes bibliographical references and index. Satish Padiyar is Honorary Research Fellow at The Courtauld Institute of Art. Contents: Introduction -- Secrets -- Surprise -- Dreams. Subjects: Fragonard, Jean-Honore? 1732-1806 Criticism and interpretation; Fragonard, Jean-Honore? 1732-1806; Fragonard, Jean-Honore? 1732-1806 Themes, motives; Criticism, interpretation, etc.; Painting, French 18th century. 1 Kg.…

Condición: New.

Condición: new.

Hardback. Condición: New. At the time of his death in 1806, the Rococo artist Jean-Honoré Fragonard had not painted for two decades. Following a period of huge public success, the painter's reputation fell. Personally secretive, Fragonard created revealing images that undermined a normal sense of space and time. Satish Padiyar investigates the life and work of the last of the libertine painters of the ancien régime, a contemporary of Denis Diderot and Jean-Jacques Rousseau, and presents dramatic new perspectives on works such as The Progress of Love, painted for Madame du Barry, the infamous The Bolt and the ever-popular The Swing.…

Condición: New. 2020. Hardcover. . . . . .

First Edition. Review copy. Fine cloth copy in an equally fine dust-wrapper, now mylar-sleeved. Particularly well-preserved overall; tight, bright, clean and strong. Physical description: 248 pages : illustrations (chiefly color) ; 26 cm. Notes: Includes bibliographical references and index. Satish Padiyar is Honorary Research Fellow at The Courtauld Institute of Art. Contents: Introduction -- Secrets -- Surprise -- Dreams. Subjects: Fragonard, Jean-Honoré 1732-1806 Criticism and interpretation; Fragonard, Jean-Honoré 1732-1806; Fragonard, Jean-Honoré 1732-1806 Themes, motives; Criticism, interpretation, etc.; Painting, French 18th century. 1 Kg.…

Paperback. Condición: Very good in wraps. First Edition. 18 x 25cm 252pp very good paperback with black and white reproductions. Individually and collectively, the essays in this cross-disciplinary collection explore the impact of the revolutionary and Napoleonic Wars on European visual culture, from the outbreak of the pan-European conflict with France in 1792 to the aftermath of the Battle of Waterloo in 1815. Through consideration of a range of media, from academic painting to prints, drawings and printed ephemera, this book offers fresh understanding of the rich variety of ways in which warfare was mediated in visual cultures in Britain and continental Europe.The fourteen essays in the collection are grouped thematically into three sections, each focusing on a specific type of visual communication. …

Hardcover. Condición: new. Hardcover. At the time of his death in 1806, the rococo artist Jean-Honore Fragonard had not painted for two decades. Following a period of huge public success, the painter's reputation fell. Fragonard: Painting Out of Time takes this prolonged artistic silence as a point of departure to investigate the maverick personality of Fragonard within the lively society of eighteenth-century France. Personally secretive, Fragonard nevertheless created revealing images that undermined a normal sense of space and time. Satish Padiyar investigates the life and work of the last of the libertine painters of the ancien regime, a contemporary of Denis Diderot and Jean-Jacques Rousseau, and presents dramatic new perspectives on works such as The Progress of Love, painted for Madame du Barry, the infamous The Bolt, and the ever-popular The Swing.'A brilliant new account of Fragonard's art that reveals some of its most intriguing secrets.' - Ewa Lajer-Burcharth, William Dorr Boardman Professor of Fine Arts, Harvard University, and author of The Painter's Touch: Boucher, Chardin, Fragonard'Deeply erudite.Fragonard might be taken to embody brilliantly gifted eccentricity, but the author deploys that singularity in ways that illuminate the whole field of later eighteenth-century art.' - Thomas Crow, Rosalie Solow Professor of Modern Art, New York University At the time of his death in 1806, the rococo artist Jean-Honore Fragonard had not painted for two decades. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Hardcover. Condición: Brand New. 248 pages. 9.75x7.75x1.25 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. At the time of his death in 1806, the Rococo artist Jean-Honoré Fragonard had not painted for two decades. Following a period of huge public success, the painter's reputation fell. Personally secretive, Fragonard created revealing images that undermined a normal sense of space and time. Satish Padiyar investigates the life and work of the last of the libertine painters of the ancien régime, a contemporary of Denis Diderot and Jean-Jacques Rousseau, and presents dramatic new perspectives on works such as The Progress of Love, painted for Madame du Barry, the infamous The Bolt and the ever-popular The Swing.…

Hardback. Condición: Fine. ~Robust packaging. All UK orders trackable, others on request. Used books are exempt from USA tariffs. Hardback. Size: xi, 252pp. 17.5 x 25cm. No dustwrapper.

Hardcover. Condición: New.

Condición: New. In English.

Condición: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. Individually and collectively, the essays in this cross-disciplinary collection explore the impact of the revolutionary and Napoleonic Wars on European visual culture, from the outbreak of the pan-European conflict with France in 1792 to the aftermath of the Battle of Waterloo in 1815. Through consideration of a range of media, from academic painting to prints, drawings and printed ephemera, this book offers fresh understanding of the rich variety of ways in which warfare was mediated in visual cultures in Britain and continental Europe. The fourteen essays in the collection are grouped thematically into three sections, each focusing on a specific type of visual communication. Thus, Part One engages with historically specific ways of transmitting messages about war and conflict, including maps, prints, silhouette imagery and war games produced in France and Germany; Part Two considers popular and elite imagining of war between 1793 and 1815, encompassing readings of paintings by Turner, Girodet and Goya, Portuguese anti-French drawings and British satirical book illustrations; while Part Three concentrates on visual cultures of commemoration, addressing British theatrical reenactments and museum collections, and British and Dutch paintings of the Battle of Waterloo. As such, the volume uncovers fascinating new visual material and throws fresh light on some of the more canonical visual representations of conflict during the first Total War. Individually and collectively, the essays in this cross-disciplinary collection explore the impact of the revolutionary and Napoleonic Wars on European visual culture, from the outbreak of the pan-European conflict with France in 1792 to the aftermath of the Battle of Waterloo in 1815. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…