Alizadeh farideh (5 resultados)

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Librería: California Books, Miami, FL, Estados Unidos de AmericaCalifornia Books
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EUR 50,34
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Condición: New.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 58,66
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Paperback. Condición: Brand New. 134 pages. 6.00x0.31x9.00 inches. In Stock.

Idioma: Inglés
Editorial: CreateSpace Independent Publishing Platform, 2016
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Librería: California Books, Miami, FL, Estados Unidos de AmericaCalifornia Books
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EUR 80,16
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Condición: New. Print on Demand.

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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 80,68
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Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In the final scenes of Jean Genet's The Balcony, a revolution collapses into farce: the brothel's clients step into the ruined city and are received, without irony, as the very bishop, judge, and general the revolution had just deposed. Costume becomes office; rehearsal becomes government. This book asks how that reversal works, and what it costs. Taking The Balcony as its central case-with The Blacks and The Screens as points of comparison-it argues that Genet's theatre achieves what it calls aesthetic politics: a mode of political effect that operates through the sensory organization of the stage itself, prior to and independent of anything the play says. Drawing on Deleuze and Guattari, Baudrillard, Rancière, and Mouffe, the book traces this mechanism across five sensory categories-identity, time, space, sight, and sound-before asking what its limits are, and what 'emancipation' can mean for a theatre that redistributes perception without ever resolving conflict. A study for scholars and students of modern drama, political aesthetics, and performance theory.…

Idioma: Inglés
Editorial: Createspace Independent Publishing Platform, 2016
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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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EUR 93,10
Envío por EUR 44,30Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponible
Paperback. Condición: new. Paperback. This present book proposes Eclecticism and analyses a kind of Eclectic Theatre in Iran which finds based on Ta'ziyeh. In general, Eclecticism describes a combination of a variety of influences, mainly of elements from different historical styles in architecture, painting, the graphic and decorative arts, as well as music in a single work. Eclecticism as a theatrical form was developed particularly by two directors: Max Reinhart, and Yevgeny Vakhtangov. 'Orghast', 'Conference of the birds' and 'Mahabharata' by Peter Brook are some examples of eclectic theatre in the West. Eclectic Theatre is a kind of new theory in postmodern theatre studies which can be manifested in connection with theatre activities of Iran. Based on our research, Eclectic Theatre found in Iran with 'Iranian Kings Resurrection Opera' (Rastakhiz Salatin Iran Opera). This Opera is an early example by Yahya Aranpour who reveals that Mirzadeh Eshghi merged western opera with Iranian theatre and brought out a new style of opera, and classified as Eclectic Theatre based on theatrical forms. In addition, 'Firdausi's memorial' which includes three stories from 'Shahnameh Firdausi' (the epic and legendary history of Iran by Firdausi). Moreover, some Iranian directors and playwrights have been derived from elements of Iranian traditional forms and merged them with western elements theatre. Therefore, they created new works of art which made based on their aesthetic principle. Subsequently, since the 1980s (AH 1360s) some Iranian dramatists have applied the 'form' and 'content' of Ta'ziyeh in their dramas. To name a few, for instance: Fath-Nameh Kalat in 1984, the cinematographic Mosaferan (Passengers) and the plays Parde-khane by Bahram Beyzaie in 1993 have taken from tragedy Ta'ziyeh. 'The Tragedy of Siavush' by Tahmoures in 2009 which dramatic structure involved with the elements of the 'Ta'ziyeh of Imam Hussain's Martyrdom'. Therewithal, Ghadamshad the Minstrel's Martyrdom-Playing in Tehran by in 2006 and Ashaghe (Story of Love) in 2007 by Mohamad Rahmanian are taken from subsequently tragedy and joyful Ta'ziyeh such as 'feminine Ta'ziyeh'. For the purpose of this study, the author will analyse some plays, based on Eclectic Theatre, as clear examples of Ta'ziyeh-influenced theatre as eclectic theatre in Iran. To this purpose, the author has made some classifications and criteria determined by watching plays, based on techniques and methods of Ta'ziyeh, and analysed those plays through eclecticism as an alternative form in postmodern theatre. This method has proved favourable for comparative studies on one part, while the Iranian theatrical forms have been more clear and researchable, on the other. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …