Hashim mohd nasir (40 resultados)

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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Research Paper (undergraduate) from the year 2005 in the subject Musicology - Miscellaneous, The University of Malaya (Music Department), course: Scholarly Research Paper, language: English, abstract: In the early days of the pop industry, roles were more clearly defined. Songs were composed by songwriters, vocal and orchestral performances were extracted by producers, and the results recorded and mastered by audio engineers. The arranger's task was to translate the chords and melodies into an orchestral score, which could then be performed in one take by a team of musicians. Today, of course, the modern palette of sounds is no longer limited to classical instruments, and arranging is often an integral part of the songwriting and production process. An incredible array of synthesisers, samplers and other tools is now available to aid the creative process, and digital technology allows us to shuffle the entire sections of music around until a perfect format is achieved. In pop music, above all, the role of an arranger has merged with those of a musician, programmer, producer and writer, to become a vital part of the creative process. For me, arranging is primarily about creating moods. A good arrangement should hook the listener from the introduction, and hold their attention through the song as the parts and melodies develop. Sounds and chord structures should work together to surround the vocal and evoke the appropriate emotions. Everyone has their own way of achieving this, and there can never be an 'ultimate' arrangement for any track - experimentation is the key. Songs can evolve from a wide range of starting points. You may be working from a demo, with many of the parts already defined, or you may have just a title. Either way, it's good to start by taking an objective step back. Imagine how the song might sound on your car radio or your old radio at home. What sounds would grab your attention, and make you turn the radio up As the music continues, which melodies fill your mind and keep you enthralled Try to translate your ideas into reality as quickly as possible. The more you work on a song, the less objective you become, and your first impressions are often correct. You might listen to a track thousands of times as you work on it, but the general public will be lucky to hear it a couple of times on the radio before it drops from the playlist.…

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Taschenbuch. Condición: Neu. Essays on World Music and its Preservation | UM Book Series on Research in Musicology 5 | Loo Fung Chiat (u. a.) | Taschenbuch | 116 S. | Englisch | 2013 | LAP LAMBERT Academic Publishing | EAN 9783659223013 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. …

Taschenbuch. Condición: Neu. Essays on Issues in Music and its Function | UM Book Series on Research in Musicology 4 | Loo Fung Ying (u. a.) | Taschenbuch | 120 S. | Englisch | 2012 | LAP LAMBERT Academic Publishing | EAN 9783659201639 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. …

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Research Paper (undergraduate) from the year 2005 in the subject Musicology - Miscellaneous, The University of Malaya (Music Department), course: Scholarly Research Paper, language: English, abstract: In the early days of the pop industry, roles were more clearly defined. Songs were composed by songwriters, vocal and orchestral performances were extracted by producers, and the results recorded and mastered by audio engineers. The arranger's task was to translate the chords and melodies into an orchestral score, which could then be performed in one take by a team of musicians. Today, of course, the modern palette of sounds is no longer limited to classical instruments, and arranging is often an integral part of the songwriting and production process. An incredible array of synthesisers, samplers and other tools is now available to aid the creative process, and digital technology allows us to shuffle the entire sections of music around until a perfect format is achieved. In pop music, above all, the role of an arranger has merged with those of a musician, programmer, producer and writer, to become a vital part of the creative process. For me, arranging is primarily about creating moods. A good arrangement should hook the listener from the introduction, and hold their attention through the song as the parts and melodies develop. Sounds and chord structures should work together to surround the vocal and evoke the appropriate emotions. Everyone has their own way of achieving this, and there can never be an 'ultimate' arrangement for any track - experimentation is the key. Songs can evolve from a wide range of starting points. You may be working from a demo, with many of the parts already defined, or you may have just a title. Either way, it's good to start by taking an objective step back. Imagine how the song might sound on your car radio or your old radio at home. What sounds would grab your attention, and make you turn the radio up As the music continues, which melodies fill your mind and keep you enthralled Try to translate your ideas into reality as quickly as possible. The more you work on a song, the less objective you become, and your first impressions are often correct. You might listen to a track thousands of times as you work on it, but the general public will be lucky to hear it a couple of times on the radio before it drops from the playlist. 20 pp. Englisch. …

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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -University of Malaya Book Series on Research in Musicology is a collection of peer-reviewed papers by local and international scholars. This book aims to disseminate current research to both academicians and tertiary music students. Articles ranging from historical musicology, music technology, performance practice, music education, composition, ethnomusicology, music psychology and so forth grace the pages of our book series. In this series, our contributors are Mohd Nasir Hashim, Chan Cheong Jan, Shahanum Mohd. Shah, Zaharul Lailiddin Saidon, Sergio Camacho, Loo Fung Chiat, and Loo Fung Ying, who are local and international researchers. UM BOOK SERIES ON RESEARCH IN MUSICOLOGY 4: 1.Variation of Malay Asli Music 2.Issues of Folk Genres on Stage 3.Developing Malaysian High School Marching Bands 4.Empowering Student Experience through Social Media 5.Issues in the Music and Choreography of Rhythmic Gymnastics. 120 pp. Englisch.…

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -University of Malaya Book Series on Research in Musicology is a collection of peer-reviewed papers by local and international scholars. This book aims to disseminate current research to both academicians and tertiary music students. Articles ranging from historical musicology, music technology, performance practice, music education, composition, ethnomusicology, music psychology and so forth grace the pages of our book series. In this series, our contributors are Emily Joy Rothchild, Ian S. Baxter, Agnes Ku Chun Moi, Jinky Jane Simeon, Andrew Poninting, Ahmad Faudzi Musib, Koo Siaw Sing, and Gisa Jähnichen, who are local and international researchers. Five articles featured in this series are in the field of ethnomusicology, music analysis and music technology: 1. This sounds so exotic! Teaching about the Representation of the Exotic through South Pacific. 2. An Analysis of Orang Sungai Music at Bukit Garam, Sandakan. 3. Back to Reality Complex Preservation Methods of Sound Production and its Environment in the Digital Era. 4. The History of Chinese Piano Music. 5. How Much World is World Music 116 pp. Englisch.…

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Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - University of Malaya Book Series on Research in Musicology is a collection of peer-reviewed papers by local and international scholars. This book aims to disseminate current research to both academicians and tertiary music students. Articles ranging from historical musicology, music technology, performance practice, music education, composition, ethnomusicology, music psychology and so forth grace the pages of our book series. In this series, our contributors are Mohd Nasir Hashim, Chan Cheong Jan, Shahanum Mohd. Shah, Zaharul Lailiddin Saidon, Sergio Camacho, Loo Fung Chiat, and Loo Fung Ying, who are local and international researchers. UM BOOK SERIES ON RESEARCH IN MUSICOLOGY 4: 1.Variation of Malay Asli Music 2.Issues of Folk Genres on Stage 3.Developing Malaysian High School Marching Bands 4.Empowering Student Experience through Social Media 5.Issues in the Music and Choreography of Rhythmic Gymnastics.…

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - University of Malaya Book Series on Research in Musicology is a collection of peer-reviewed papers by local and international scholars. This book aims to disseminate current research to both academicians and tertiary music students. Articles ranging from historical musicology, music technology, performance practice, music education, composition, ethnomusicology, music psychology and so forth grace the pages of our book series. In this series, our contributors are Emily Joy Rothchild, Ian S. Baxter, Agnes Ku Chun Moi, Jinky Jane Simeon, Andrew Poninting, Ahmad Faudzi Musib, Koo Siaw Sing, and Gisa Jähnichen, who are local and international researchers. Five articles featured in this series are in the field of ethnomusicology, music analysis and music technology: 1. This sounds so exotic! Teaching about the Representation of the Exotic through South Pacific. 2. An Analysis of Orang Sungai Music at Bukit Garam, Sandakan. 3. Back to Reality Complex Preservation Methods of Sound Production and its Environment in the Digital Era. 4. The History of Chinese Piano Music. 5. How Much World is World Music.…

Condición: New. Print on Demand pp. 100 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Condición: New. Print on Demand.