Alexandra tommasini (19 resultados)

Paperback. Condición: new. Paperback. During the mid-1980s, Riley introduced a new pictorial device, the rhomboid, to her then predominantly vertical stripes, developing her exploration of interplaying tones of green, yellow and orange. This allowed the artist to construct new visual relationships between divergent colours and forms, creating what she terms a 'harmony of contrasts' that animates the entire visual field. Tracking a transitional period in Riley's career, the works on paper in this volume studies produced between 1984 and 1995 shift from a focus on the vertical stripe to increasingly complex diagonal compositions. Illustrated in full colour, the works are accompanied by a historic interview with the artist by Robert Kudielka and a text by Riley's archivists Natalia Naish and Alexandra Tommasini, situating these studies in relation to major paintings produced during this period. AUTHORS: Natalia Naish has worked as an Archivist for Bridget Riley since 2012 and is a writer. Alexandra Tommasini has been an Archivist for Bridget Riley since 2012, having previously worked at museums in the UK, USA and Italy. Robert Kudielka is Professor Emeritus of Aesthetics and Philosophy of Art at the Hochschule der Kuenste in Berlin and a curator. He is a noted scholar of the works of Bridget Riley and has published numerous books on, and with, the artist. Bridget Riley CH CBE (b.1931 London) was celebrated early in her career as a pioneer of Op art, and her early works in the early 1960s featured highly geometric black-and-white patterns. She has worked with colour since the mid-1960s. Though her work is thoroughly abstract, Riley was hugely influenced by the work of the Pointillist artist Georges Seurat. This is often visible in the colour palette of her works, though her palettes often took inspiration from her travels (eg to Egypt, Italy). She has also written about artists (Old Masters and modern/contemporary artists alike) and curated exhibitions at London's Hayward Gallery and National Gallery. Her work is widely collected by the world's greatest museums (eg MoMA, Tate, MFA Boston, Museum Boijmans Van Beuningen) and others across the UK and USA, as well as the UK's Government Art Collection. Now 90, she is still working as a painter and printmaker. SELLING POINTS: . Bridget Riley CH CBE (b.1931, London) was celebrated early in her career as a pioneer of Op art, and her early works (early 1960s) featured highly geometric black-and-white patterns. She worked with colour from the mid-1960s . Tracks a transitional period in the artist's career, from using vertical stripes to the introduction of rhomboid shapes and diagonals. This resulted in more visually complex compositions of contrasting colours and forms . Focuses on a seminal series of works on paper, the so-called 'rhomboid paintings', which are now held in collections including the Tate . Reproduces an interview with the artist by Robert Kudielka, a longtime friend of the artist as well as a noted scholar of her work 34 colour illustrations Tracking a transitional period of Bridget Riley's career, the drawings in this volume move from the vertical stripe to increasingly complex diagonal compositions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. During the mid-1980s, Riley introduced a new pictorial device, the rhomboid, to her then predominantly vertical stripes, developing her exploration of interplaying tones of green, yellow and orange. This allowed the artist to construct new visual relationships between divergent colours and forms, creating what she terms a 'harmony of contrasts' that animates the entire visual field. Tracking a transitional period in Riley's career, the works on paper in this volume - studies produced between 1984 and 1995 - shift from a focus on the vertical stripe to increasingly complex diagonal compositions. Illustrated in full colour, the works are accompanied by a historic interview with the artist by Robert Kudielka and a text by Riley's archivists Natalia Naish and Alexandra Tommasini, situating these studies in relation to major paintings produced during this period.…

Softcover, 72 pages; as new condition, clean and crisp, no internal marks. Foreign shipping may be extra.

Paperback. Condición: Brand New. 72 pages. 9.13x7.63x0.73 inches. In Stock.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: new.

Taschenbuch. Condición: Neu. Neuware - Tracking a transitional period of Bridget Riley's career, the works on paper in this volume move from the vertical stripe to increasingly complex diagonal compositions. During the mid-1980s, Riley introduced a new pictorial device - the rhomboid - to the then predominantly vertical stripes, developing her exploration of interplaying tones of green, yellow and orange. Riley constructs new visual relationships between divergent colours and forms within these works, creating what the artist terms a 'harmony of contrasts' that animates the entire visual field. Illustrated in full colour, the works are accompanied by a historic interview with the artist by Robert Kudielka and a text by Natalia Naish and Alexandra Tommasini, which situate these studies with major paintings during this period.…

Paperback. Condición: new. Paperback. During the mid-1980s, Riley introduced a new pictorial device, the rhomboid, to her then predominantly vertical stripes, developing her exploration of interplaying tones of green, yellow and orange. This allowed the artist to construct new visual relationships between divergent colours and forms, creating what she terms a 'harmony of contrasts' that animates the entire visual field. Tracking a transitional period in Riley's career, the works on paper in this volume studies produced between 1984 and 1995 shift from a focus on the vertical stripe to increasingly complex diagonal compositions. Illustrated in full colour, the works are accompanied by a historic interview with the artist by Robert Kudielka and a text by Riley's archivists Natalia Naish and Alexandra Tommasini, situating these studies in relation to major paintings produced during this period. AUTHORS: Natalia Naish has worked as an Archivist for Bridget Riley since 2012 and is a writer. Alexandra Tommasini has been an Archivist for Bridget Riley since 2012, having previously worked at museums in the UK, USA and Italy. Robert Kudielka is Professor Emeritus of Aesthetics and Philosophy of Art at the Hochschule der Kuenste in Berlin and a curator. He is a noted scholar of the works of Bridget Riley and has published numerous books on, and with, the artist. Bridget Riley CH CBE (b.1931 London) was celebrated early in her career as a pioneer of Op art, and her early works in the early 1960s featured highly geometric black-and-white patterns. She has worked with colour since the mid-1960s. Though her work is thoroughly abstract, Riley was hugely influenced by the work of the Pointillist artist Georges Seurat. This is often visible in the colour palette of her works, though her palettes often took inspiration from her travels (eg to Egypt, Italy). She has also written about artists (Old Masters and modern/contemporary artists alike) and curated exhibitions at London's Hayward Gallery and National Gallery. Her work is widely collected by the world's greatest museums (eg MoMA, Tate, MFA Boston, Museum Boijmans Van Beuningen) and others across the UK and USA, as well as the UK's Government Art Collection. Now 90, she is still working as a painter and printmaker. SELLING POINTS: . Bridget Riley CH CBE (b.1931, London) was celebrated early in her career as a pioneer of Op art, and her early works (early 1960s) featured highly geometric black-and-white patterns. She worked with colour from the mid-1960s . Tracks a transitional period in the artist's career, from using vertical stripes to the introduction of rhomboid shapes and diagonals. This resulted in more visually complex compositions of contrasting colours and forms . Focuses on a seminal series of works on paper, the so-called 'rhomboid paintings', which are now held in collections including the Tate . Reproduces an interview with the artist by Robert Kudielka, a longtime friend of the artist as well as a noted scholar of her work 34 colour illustrations Tracking a transitional period of Bridget Riley's career, the drawings in this volume move from the vertical stripe to increasingly complex diagonal compositions. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condición: New. Tracking a transitional period of Bridget Riley s career, the drawings in this volume move from the vertical stripe to increasingly complex diagonal compositions.

Paperback. Condición: New. During the mid-1980s, Riley introduced a new pictorial device, the rhomboid, to her then predominantly vertical stripes, developing her exploration of interplaying tones of green, yellow and orange. This allowed the artist to construct new visual relationships between divergent colours and forms, creating what she terms a 'harmony of contrasts' that animates the entire visual field. Tracking a transitional period in Riley's career, the works on paper in this volume - studies produced between 1984 and 1995 - shift from a focus on the vertical stripe to increasingly complex diagonal compositions. Illustrated in full colour, the works are accompanied by a historic interview with the artist by Robert Kudielka and a text by Riley's archivists Natalia Naish and Alexandra Tommasini, situating these studies in relation to major paintings produced during this period.…

Hardcover. Condición: Brand New. 295 pages. 11.00x10.85x1.20 inches. In Stock.

Erste Auflage. 5 Bände. 33,5 x 26,6 cm. 1846 S. OLeinenbände in leinenkaschiertem, illustriertem OPappschuber mit Innenschubern. Schuber an zwei Stoßkanten etwas gestaucht. Innenschuber mit minimalstem Abklatsch der Leinenfärbung. Sonst sehr gutes, frisches Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Texte in englischer Sprache. Opulentes Werkverzeichnis der Gemälde der britischen Künstlerin Bridget Riley (*1931) mit 639 Einträgen, alle abgebildet.…

Hardcover. Condición: gut. 2018. The Complete Paintings. Volume 1. 1959 - 1973 Volume 2. 1974 - 1997 Volume 3. 1998 - 2009 Volume 4. 2009 - 2017 Volume 5. Early Paintings 1946 - 1958. Appendix. Designed by Tim Harvey. eb pages.

Condición: New.

Gebunden. Condición: New. &Uumlber den AutorrnrnRobert Kudielka is Professor of Aesthetics and Philosophy of Art at therHochschule der Kuenste, Berlin. Among his many other publications isrBridget Riley: Dialogues on Art.KlappentextrnrnA stunn.

Condición: New.

Hardcover. Condición: Brand New. box edition. 1848 pages. 12.00x12.00x14.00 inches. In Stock.

Hardcover. Condición: Fine. 1st Edition. A fine UK first edition, first printing hardback set in a fine slipcase (very slight bumping to one corner) - Bridget Riley is one of the most important British painters of our time. Since the early 1960s, when she first gained recognition with her powerful black and white paintings, the artist has continued to explore the principles of abstraction in startling and original ways. Through her systematic engagement with colour, tone, form and structure, Riley pushes the boundaries of perception, challenging us to look at the world anew. This landmark publication brings together for the first time all of Bridget Riley's known paintings, including well over 650 works ranging from the late 1940s to 2017. Each painting is illustrated with a full-page colour image, many of which have been sourced from the artist's extensive archive and rarely published. Drawing on archival research and expert knowledge, the publication includes an introductory essay, explanation of materials and methods, extended exhibition history, biographical information and explanatory notes. The publication benefits from the remarkable input of Bridget Riley herself, who has been present at every stage of the project and has provided first-hand information about her work and exhibition and sales history. Bridget Riley: The Complete Paintings is a seminal visual resource and provides the most comprehensive overview of the artist's paintings to date - All my books are always securely packed with plenty of bubblewrap in professional boxes and promptly dispatched (within 2-3 days) - SIGNED BY BRIDGET RILEY - Pictures of the book are available upon request - THIS IS AN EXTREMELLY HEAVY SET AND EXTRA POSTAGE COSTS WILL BE REQUIRED. Signed by Author(s).…

Paperback. Condición: new. Paperback. During the mid-1980s, Riley introduced a new pictorial device, the rhomboid, to her then predominantly vertical stripes, developing her exploration of interplaying tones of green, yellow and orange. This allowed the artist to construct new visual relationships between divergent colours and forms, creating what she terms a 'harmony of contrasts' that animates the entire visual field. Tracking a transitional period in Riley's career, the works on paper in this volume studies produced between 1984 and 1995 shift from a focus on the vertical stripe to increasingly complex diagonal compositions. Illustrated in full colour, the works are accompanied by a historic interview with the artist by Robert Kudielka and a text by Riley's archivists Natalia Naish and Alexandra Tommasini, situating these studies in relation to major paintings produced during this period. AUTHORS: Natalia Naish has worked as an Archivist for Bridget Riley since 2012 and is a writer. Alexandra Tommasini has been an Archivist for Bridget Riley since 2012, having previously worked at museums in the UK, USA and Italy. Robert Kudielka is Professor Emeritus of Aesthetics and Philosophy of Art at the Hochschule der Kuenste in Berlin and a curator. He is a noted scholar of the works of Bridget Riley and has published numerous books on, and with, the artist. Bridget Riley CH CBE (b.1931 London) was celebrated early in her career as a pioneer of Op art, and her early works in the early 1960s featured highly geometric black-and-white patterns. She has worked with colour since the mid-1960s. Though her work is thoroughly abstract, Riley was hugely influenced by the work of the Pointillist artist Georges Seurat. This is often visible in the colour palette of her works, though her palettes often took inspiration from her travels (eg to Egypt, Italy). She has also written about artists (Old Masters and modern/contemporary artists alike) and curated exhibitions at London's Hayward Gallery and National Gallery. Her work is widely collected by the world's greatest museums (eg MoMA, Tate, MFA Boston, Museum Boijmans Van Beuningen) and others across the UK and USA, as well as the UK's Government Art Collection. Now 90, she is still working as a painter and printmaker. SELLING POINTS: . Bridget Riley CH CBE (b.1931, London) was celebrated early in her career as a pioneer of Op art, and her early works (early 1960s) featured highly geometric black-and-white patterns. She worked with colour from the mid-1960s . Tracks a transitional period in the artist's career, from using vertical stripes to the introduction of rhomboid shapes and diagonals. This resulted in more visually complex compositions of contrasting colours and forms . Focuses on a seminal series of works on paper, the so-called 'rhomboid paintings', which are now held in collections including the Tate . Reproduces an interview with the artist by Robert Kudielka, a longtime friend of the artist as well as a noted scholar of her work 34 colour illustrations Tracking a transitional period of Bridget Riley's career, the drawings in this volume move from the vertical stripe to increasingly complex diagonal compositions. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…