Isbn: 9783897907522 - body, scale, color /anglais/allemand (23 resultados)

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Paperback. Condición: New. The moving life of Jan Bontjes van Beek (1899-1969) is closely associated with 20th-century German history. A "strikingly blonde sailor who could dance and play the violin," he joined the Worpswede artist's colony in 1919 and later found a home with the Breling family in Fischerhude, who introduced him to ceramics. With the support of his second wife, the architect Rahel Weißbach, he moved to Berlin in 1933, where his studio became a well-known meeting place for artists. Despite having been arrested by the National Socialists and his daughter Cato executed, he could not endure the GDR's Socialist Unity Party regime either and stepped down from a teaching post at the East Berlin Weißensee art school in 1950. He broke into teaching in West Berlin and, finally, in Hamburg continued his ceramic work, which provided the free thinker with a firm footing. Like no other, he emphasised materiality in form and dynamism in colour. During tumultuous times, he sought out the perfect balance for his vessels, and ultimately for himself.Text in English and German.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Condición: New. Brand New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. The moving life of Jan Bontjes van Beek (1899-1969) is closely associated with 20th-century German history. A 'strikingly blonde sailor who could dance and play the violin', he joined the Worpswede artist's colony in 1919 and later found a home with the Breling family in Fischerhude, who introduced him to ceramics. With the support of his second wife, the architect Rahel Weissbach, he moved to Berlin in 1933, where his studio became a well-known meeting place for artists. Despite having been arrested by the National Socialists and his daughter Cato executed, he could not endure the GDR's Socialist Unity Party regime either and stepped down from a teaching post at the East Berlin Weissensee art school in 1950. He broke into teaching in West Berlin and, finally, in Hamburg continued his ceramic work, which provided the free thinker with a firm footing. Like no other, he emphasised materiality in form and dynamism in colour. During tumultuous times, he sought out the perfect balance for his vessels, and ultimately for himself. Text in English and German. Jan Bontjes van Beek (1899-1969) lived a life intertwined with 20th-century German history. His ceramics, marked by materiality and colour dynamism, reflected his search for balance amid turbulent times. Text in English and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: Brand New. 80 pages. 9.64x6.69x6.69 inches. In Stock.

Condición: New.

Buch. Condición: Neu. Neuware -Jan Bontjes van Beek (18991969) lived a life intertwined with 20th-century German history. His ceramics, marked by materiality and color dynamism, reflected his search for balance amid turbulent times. Text in English and German.The moving life of Jan Bontjes van Beek (18991969) is closely associated with 20th-century German history. A "strikingly blond sailor who could dance and play the violin," he joined the Worpswede artist's colony in 1919 and later found a home with the Breling family in Fischerhude, who introduced him to ceramics. With the support of his second wife, the architect Rahel Weißbach, he moved to Berlin in 1933, where his studio became a well-known meeting place for artists. Despite having been arrested by the National Socialists and his daughter Cato executed, he could not endure the GDR's Socialist Unity Party regime either and stepped down from a teaching post at the East Berlin Weißensee art school in 1950. He broke into teaching in West Berlin and, finally, in Hamburg and continued his ceramic work, which provided the free thinker with a firm footing. Like no other, he emphasized materiality in form and dynamism in color. During tumultuous times, he sought out the perfect balance for his vessels, and ultimately for himself. Text in English and German. 80 pp. Englisch, Deutsch.…

Buch. Condición: Neu. Neuware -Jan Bontjes van Beek (18991969) lived a life intertwined with 20th-century German history. His ceramics, marked by materiality and color dynamism, reflected his search for balance amid turbulent times. Text in English and German.The moving life of Jan Bontjes van Beek (18991969) is closely associated with 20th-century German history. A "strikingly blond sailor who could dance and play the violin," he joined the Worpswede artist's colony in 1919 and later found a home with the Breling family in Fischerhude, who introduced him to ceramics. With the support of his second wife, the architect Rahel Weißbach, he moved to Berlin in 1933, where his studio became a well-known meeting place for artists. Despite having been arrested by the National Socialists and his daughter Cato executed, he could not endure the GDR's Socialist Unity Party regime either and stepped down from a teaching post at the East Berlin Weißensee art school in 1950. He broke into teaching in West Berlin and, finally, in Hamburg and continued his ceramic work, which provided the free thinker with a firm footing. Like no other, he emphasized materiality in form and dynamism in color. During tumultuous times, he sought out the perfect balance for his vessels, and ultimately for himself. Text in English and German. 80 pp. Englisch, Deutsch.…

Buch. Condición: Neu. Neuware -Jan Bontjes van Beek (18991969) lived a life intertwined with 20th-century German history. His ceramics, marked by materiality and color dynamism, reflected his search for balance amid turbulent times. Text in English and German.The moving life of Jan Bontjes van Beek (18991969) is closely associated with 20th-century German history. A "strikingly blond sailor who could dance and play the violin," he joined the Worpswede artist's colony in 1919 and later found a home with the Breling family in Fischerhude, who introduced him to ceramics. With the support of his second wife, the architect Rahel Weißbach, he moved to Berlin in 1933, where his studio became a well-known meeting place for artists. Despite having been arrested by the National Socialists and his daughter Cato executed, he could not endure the GDR's Socialist Unity Party regime either and stepped down from a teaching post at the East Berlin Weißensee art school in 1950. He broke into teaching in West Berlin and, finally, in Hamburg and continued his ceramic work, which provided the free thinker with a firm footing. Like no other, he emphasized materiality in form and dynamism in color. During tumultuous times, he sought out the perfect balance for his vessels, and ultimately for himself. Text in English and German.…

Condición: New.

Buch. Condición: Neu. Neuware - Jan Bontjes van Beek (18991969) lived a life intertwined with 20th-century German history. His ceramics, marked by materiality and color dynamism, reflected his search for balance amid turbulent times. Text in English and German.The moving life of Jan Bontjes van Beek (18991969) is closely associated with 20th-century German history. A "strikingly blond sailor who could dance and play the violin," he joined the Worpswede artist's colony in 1919 and later found a home with the Breling family in Fischerhude, who introduced him to ceramics. With the support of his second wife, the architect Rahel Weißbach, he moved to Berlin in 1933, where his studio became a well-known meeting place for artists. Despite having been arrested by the National Socialists and his daughter Cato executed, he could not endure the GDR's Socialist Unity Party regime either and stepped down from a teaching post at the East Berlin Weißensee art school in 1950. He broke into teaching in West Berlin and, finally, in Hamburg and continued his ceramic work, which provided the free thinker with a firm footing. Like no other, he emphasized materiality in form and dynamism in color. During tumultuous times, he sought out the perfect balance for his vessels, and ultimately for himself. Text in English and German.…

Buch. Condición: Neu. Neuware -Jan Bontjes van Beek (18991969) lived a life intertwined with 20th-century German history. His ceramics, marked by materiality and color dynamism, reflected his search for balance amid turbulent times. Text in English and German.The moving life of Jan Bontjes van Beek (18991969) is closely associated with 20th-century German history. A "strikingly blond sailor who could dance and play the violin," he joined the Worpswede artist's colony in 1919 and later found a home with the Breling family in Fischerhude, who introduced him to ceramics. With the support of his second wife, the architect Rahel Weißbach, he moved to Berlin in 1933, where his studio became a well-known meeting place for artists. Despite having been arrested by the National Socialists and his daughter Cato executed, he could not endure the GDR's Socialist Unity Party regime either and stepped down from a teaching post at the East Berlin Weißensee art school in 1950. He broke into teaching in West Berlin and, finally, in Hamburg and continued his ceramic work, which provided the free thinker with a firm footing. Like no other, he emphasized materiality in form and dynamism in color. During tumultuous times, he sought out the perfect balance for his vessels, and ultimately for himself. Text in English and German.Arnoldsche Art Publishers, Olgastraße 137, 70180 Stuttgart 80 pp. Englisch, Deutsch.…

Paperback. Condición: new. Paperback. The moving life of Jan Bontjes van Beek (1899-1969) is closely associated with 20th-century German history. A 'strikingly blonde sailor who could dance and play the violin', he joined the Worpswede artist's colony in 1919 and later found a home with the Breling family in Fischerhude, who introduced him to ceramics. With the support of his second wife, the architect Rahel Weissbach, he moved to Berlin in 1933, where his studio became a well-known meeting place for artists. Despite having been arrested by the National Socialists and his daughter Cato executed, he could not endure the GDR's Socialist Unity Party regime either and stepped down from a teaching post at the East Berlin Weissensee art school in 1950. He broke into teaching in West Berlin and, finally, in Hamburg continued his ceramic work, which provided the free thinker with a firm footing. Like no other, he emphasised materiality in form and dynamism in colour. During tumultuous times, he sought out the perfect balance for his vessels, and ultimately for himself. Text in English and German. Jan Bontjes van Beek (1899-1969) lived a life intertwined with 20th-century German history. His ceramics, marked by materiality and colour dynamism, reflected his search for balance amid turbulent times. Text in English and German. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condición: As New. Unread book in perfect condition.

Buch. Condición: Neu. Jan Bontjes van Beek | Body Scale Color / Körper Maß Farbe | Nele van Wieringen (u. a.) | Buch | 80 S. | Deutsch | 2026 | Arnoldsche Art Publishers | EAN 9783897907522 | Verantwortliche Person für die EU: arnoldsche Art Publishers, Olgastr. 137, 70180 Stuttgart, art[at]arnoldsche[dot]com | Anbieter: preigu. …

Paperback. Condición: New. The moving life of Jan Bontjes van Beek (1899-1969) is closely associated with 20th-century German history. A "strikingly blonde sailor who could dance and play the violin," he joined the Worpswede artist's colony in 1919 and later found a home with the Breling family in Fischerhude, who introduced him to ceramics. With the support of his second wife, the architect Rahel Weißbach, he moved to Berlin in 1933, where his studio became a well-known meeting place for artists. Despite having been arrested by the National Socialists and his daughter Cato executed, he could not endure the GDR's Socialist Unity Party regime either and stepped down from a teaching post at the East Berlin Weißensee art school in 1950. He broke into teaching in West Berlin and, finally, in Hamburg continued his ceramic work, which provided the free thinker with a firm footing. Like no other, he emphasised materiality in form and dynamism in colour. During tumultuous times, he sought out the perfect balance for his vessels, and ultimately for himself.Text in English and German.…

Condición: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9783897907522.

Buch. Condición: Neu. Neuware -Jan Bontjes van Beek (18991969) lived a life intertwined with 20th-century German history. His ceramics, marked by materiality and color dynamism, reflected his search for balance amid turbulent times. Text in English and German.The moving life of Jan Bontjes van Beek (18991969) is closely associated with 20th-century German history. A "strikingly blond sailor who could dance and play the violin," he joined the Worpswede artist's colony in 1919 and later found a home with the Breling family in Fischerhude, who introduced him to ceramics. With the support of his second wife, the architect Rahel Weißbach, he moved to Berlin in 1933, where his studio became a well-known meeting place for artists. Despite having been arrested by the National Socialists and his daughter Cato executed, he could not endure the GDR's Socialist Unity Party regime either and stepped down from a teaching post at the East Berlin Weißensee art school in 1950. He broke into teaching in West Berlin and, finally, in Hamburg and continued his ceramic work, which provided the free thinker with a firm footing. Like no other, he emphasized materiality in form and dynamism in color. During tumultuous times, he sought out the perfect balance for his vessels, and ultimately for himself. Text in English and German. 80 pp. Englisch, Deutsch.…

Paperback. Condición: new. Paperback. The moving life of Jan Bontjes van Beek (1899-1969) is closely associated with 20th-century German history. A 'strikingly blonde sailor who could dance and play the violin', he joined the Worpswede artist's colony in 1919 and later found a home with the Breling family in Fischerhude, who introduced him to ceramics. With the support of his second wife, the architect Rahel Weissbach, he moved to Berlin in 1933, where his studio became a well-known meeting place for artists. Despite having been arrested by the National Socialists and his daughter Cato executed, he could not endure the GDR's Socialist Unity Party regime either and stepped down from a teaching post at the East Berlin Weissensee art school in 1950. He broke into teaching in West Berlin and, finally, in Hamburg continued his ceramic work, which provided the free thinker with a firm footing. Like no other, he emphasised materiality in form and dynamism in colour. During tumultuous times, he sought out the perfect balance for his vessels, and ultimately for himself. Text in English and German. Jan Bontjes van Beek (1899-1969) lived a life intertwined with 20th-century German history. His ceramics, marked by materiality and colour dynamism, reflected his search for balance amid turbulent times. Text in English and German. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…