Nele van wieringen (21 resultados)
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Librería: DogStar Books, Lancaster, PA, Estados Unidos de AmericaDogStar Books
Contactar con el vendedorVendedor de 5 estrellasMiembro de asociación: IOBA
Condición: Usado - Muy bueno
EUR 18,42
Envío por EUR 5,50Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponible
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: No Dust Jacket As Issued. Color Photgraphs; 4to 11" - 13" tall; 144 pages; 2019 Arnodsche Verlagsanstalt. Oversized HC in galzed pictorial paper covered boards. Tightly bound and fresh; no marks. . Profusely illustrated with color photographs. Text in German and English. Feels and appears unread and about as new. NF . Oversize book may require additional charges for expedited or international shipping.…

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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 30,44
Gastos de envío gratisSe envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 11 disponibles
Paperback. Condición: New. The moving life of Jan Bontjes van Beek (1899-1969) is closely associated with 20th-century German history. A "strikingly blonde sailor who could dance and play the violin," he joined the Worpswede artist's colony in 1919 and later found a home with the Breling family in Fischerhude, who introduced him to ceramics. With the support of his second wife, the architect Rahel Weißbach, he moved to Berlin in 1933, where his studio became a well-known meeting place for artists. Despite having been arrested by the National Socialists and his daughter Cato executed, he could not endure the GDR's Socialist Unity Party regime either and stepped down from a teaching post at the East Berlin Weißensee art school in 1950. He broke into teaching in West Berlin and, finally, in Hamburg continued his ceramic work, which provided the free thinker with a firm footing. Like no other, he emphasised materiality in form and dynamism in colour. During tumultuous times, he sought out the perfect balance for his vessels, and ultimately for himself.Text in English and German.…

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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 41,04
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponible
Paperback. Condición: new. Paperback. The moving life of Jan Bontjes van Beek (1899-1969) is closely associated with 20th-century German history. A 'strikingly blonde sailor who could dance and play the violin', he joined the Worpswede artist's colony in 1919 and later found a home with the Breling family in Fischerhude, who introduced him to ceramics. With the support of his second wife, the architect Rahel Weissbach, he moved to Berlin in 1933, where his studio became a well-known meeting place for artists. Despite having been arrested by the National Socialists and his daughter Cato executed, he could not endure the GDR's Socialist Unity Party regime either and stepped down from a teaching post at the East Berlin Weissensee art school in 1950. He broke into teaching in West Berlin and, finally, in Hamburg continued his ceramic work, which provided the free thinker with a firm footing. Like no other, he emphasised materiality in form and dynamism in colour. During tumultuous times, he sought out the perfect balance for his vessels, and ultimately for himself. Text in English and German. Jan Bontjes van Beek (1899-1969) lived a life intertwined with 20th-century German history. His ceramics, marked by materiality and colour dynamism, reflected his search for balance amid turbulent times. Text in English and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Como Nuevo
EUR 41,26
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: As New. Unread copy in mint condition.

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Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 41,36
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. Brand New.

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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 41,81
Envío por EUR 2,36Se envía dentro de Estados Unidos de AmericaCantidad disponible: 11 disponibles
Condición: New.

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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Como Nuevo
EUR 49,61
Envío por EUR 2,36Se envía dentro de Estados Unidos de AmericaCantidad disponible: 11 disponibles
Condición: As New. Unread book in perfect condition.

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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 57,23
Gastos de envío gratisSe envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponible
Hardback. Condición: New. When words are bereft of their power and meaning, art is able to communicate in its stead. It has its own means of visualising multiplicity, commenting on events, or connecting thoughts. This is evidenced in a variety of ways in the 2024 ceramic work honoured with the Westerwald Prize and exhibited as part of the award ceremony. Whereas Irina Razumovskaya (b. 1990, First Prize) illustrates pain and complexity through her emotive surface designs, the sculptural objects by Nora Arrieta (b. 1989, Second Prize) bring forth fairy-tale-like or even apocalyptic visual worlds. Bodil Manz (b. 1943) dominated salt-glaze pottery with her clear, geometric style, winning the Town of Höhr-Grenzhausen Prize, while Beate Gatschelhofer (b. 1994) was awarded the New Talent Prize for her bold, colourful take on ceramics.Text in English and German.…

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Librería: Basi6 International, Irving, TX, Estados Unidos de AmericaBasi6 International
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 59,14
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 3 disponibles
Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 50,34
Envío por EUR 14,95Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponible
Hardcover. Condición: Brand New. 144 pages. 8.26x11.01x11.14 inches. In Stock.

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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 48,75
Envío por EUR 17,95Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 11 disponibles
Condición: New.

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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 38,00
Envío por EUR 35,00Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Buch. Condición: Neu. Neuware - When words are bereft of their power and meaning, art is able to communicate in its stead. This is evidenced in the 2024 ceramic work honoured with the Westerwald Prize. Text in English and German.When words are bereft of their power and meaning, art is able to communicate in its stead. It has its own means of visualizing multiplicity, commenting on events, or connecting thoughts. This is evidenced in a variety of ways in the 2024 ceramic work honored with the Westerwald Prize and exhibited as part of the award ceremony. Whereas Irina Razumovskaya (b. 1990, First Prize) illustrates pain and complexity through her emotive surface designs, the sculptural objects by Nora Arrieta (b. 1989, Second Prize) bring forth fairy-tale-like or even apocalyptic visual worlds. Bodil Manz (b. 1943) dominated salt-glaze pottery with her clear, geometric style, winning the Town of Höhr-Grenzhausen Prize, while Beate Gatschelhofer (b. 1994) was awarded the New Talent Prize for her bold, colorful take on ceramics. Text in English and German.…

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Librería: moluna, Greven, Alemaniamoluna
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 38,00
Envío por EUR 48,99Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 3 disponibles
Condición: New.

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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 62,81
Envío por EUR 33,09Se envía de Australia a Estados Unidos de AmericaCantidad disponible: 1 disponible
Paperback. Condición: new. Paperback. The moving life of Jan Bontjes van Beek (1899-1969) is closely associated with 20th-century German history. A 'strikingly blonde sailor who could dance and play the violin', he joined the Worpswede artist's colony in 1919 and later found a home with the Breling family in Fischerhude, who introduced him to ceramics. With the support of his second wife, the architect Rahel Weissbach, he moved to Berlin in 1933, where his studio became a well-known meeting place for artists. Despite having been arrested by the National Socialists and his daughter Cato executed, he could not endure the GDR's Socialist Unity Party regime either and stepped down from a teaching post at the East Berlin Weissensee art school in 1950. He broke into teaching in West Berlin and, finally, in Hamburg continued his ceramic work, which provided the free thinker with a firm footing. Like no other, he emphasised materiality in form and dynamism in colour. During tumultuous times, he sought out the perfect balance for his vessels, and ultimately for himself. Text in English and German. Jan Bontjes van Beek (1899-1969) lived a life intertwined with 20th-century German history. His ceramics, marked by materiality and colour dynamism, reflected his search for balance amid turbulent times. Text in English and German. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 28,66
Envío por EUR 77,76Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 10 disponibles
Paperback. Condición: New. The moving life of Jan Bontjes van Beek (1899-1969) is closely associated with 20th-century German history. A "strikingly blonde sailor who could dance and play the violin," he joined the Worpswede artist's colony in 1919 and later found a home with the Breling family in Fischerhude, who introduced him to ceramics. With the support of his second wife, the architect Rahel Weißbach, he moved to Berlin in 1933, where his studio became a well-known meeting place for artists. Despite having been arrested by the National Socialists and his daughter Cato executed, he could not endure the GDR's Socialist Unity Party regime either and stepped down from a teaching post at the East Berlin Weißensee art school in 1950. He broke into teaching in West Berlin and, finally, in Hamburg continued his ceramic work, which provided the free thinker with a firm footing. Like no other, he emphasised materiality in form and dynamism in colour. During tumultuous times, he sought out the perfect balance for his vessels, and ultimately for himself.Text in English and German.…

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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Como Nuevo
EUR 98,01
Envío por EUR 17,95Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 11 disponibles
Condición: As New. Unread book in perfect condition.

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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 55,31
Envío por EUR 77,76Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponible
Hardback. Condición: New. When words are bereft of their power and meaning, art is able to communicate in its stead. It has its own means of visualising multiplicity, commenting on events, or connecting thoughts. This is evidenced in a variety of ways in the 2024 ceramic work honoured with the Westerwald Prize and exhibited as part of the award ceremony. Whereas Irina Razumovskaya (b. 1990, First Prize) illustrates pain and complexity through her emotive surface designs, the sculptural objects by Nora Arrieta (b. 1989, Second Prize) bring forth fairy-tale-like or even apocalyptic visual worlds. Bodil Manz (b. 1943) dominated salt-glaze pottery with her clear, geometric style, winning the Town of Höhr-Grenzhausen Prize, while Beate Gatschelhofer (b. 1994) was awarded the New Talent Prize for her bold, colourful take on ceramics.Text in English and German.…

Editorial: Arnoldsche Verlagsanstalt Okt 2019, 2019
Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 34,00
Envío por EUR 35,00Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Buch. Condición: Neu. Neuware.

Editorial: Arnoldsche Verlagsanstalt, 2019
Librería: moluna, Greven, Alemaniamoluna
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 34,00
Envío por EUR 48,99Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. The Westerwald Prize is awarded to outstanding ceramic works in a competition. As in previous years, the 74 works selected from 425 submissions, which are now presented in the publication, demonstrate the high aesthetic and artistic standards of ceramic wor.

Editorial: Arnoldsche Verlagsanstalt
Librería: BOOKIT!, Genève, SuizaBOOKIT!
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Como Nuevo
EUR 76,32
Envío por EUR 53,50Se envía de Suiza a Estados Unidos de AmericaCantidad disponible: 1 disponible
Condición: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9783897907317.

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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 41,88
Envío por EUR 44,26Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponible
Paperback. Condición: new. Paperback. The moving life of Jan Bontjes van Beek (1899-1969) is closely associated with 20th-century German history. A 'strikingly blonde sailor who could dance and play the violin', he joined the Worpswede artist's colony in 1919 and later found a home with the Breling family in Fischerhude, who introduced him to ceramics. With the support of his second wife, the architect Rahel Weissbach, he moved to Berlin in 1933, where his studio became a well-known meeting place for artists. Despite having been arrested by the National Socialists and his daughter Cato executed, he could not endure the GDR's Socialist Unity Party regime either and stepped down from a teaching post at the East Berlin Weissensee art school in 1950. He broke into teaching in West Berlin and, finally, in Hamburg continued his ceramic work, which provided the free thinker with a firm footing. Like no other, he emphasised materiality in form and dynamism in colour. During tumultuous times, he sought out the perfect balance for his vessels, and ultimately for himself. Text in English and German. Jan Bontjes van Beek (1899-1969) lived a life intertwined with 20th-century German history. His ceramics, marked by materiality and colour dynamism, reflected his search for balance amid turbulent times. Text in English and German. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…