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Añadir al carritoPaperback. Condición: new. Paperback. The resistance by partisan women in Yugoslavia and Carinthia (Austria), and particularly their artistic production, have not been acknowledged in the historical accounts of World War II. Their art was both a form of resistance and a culturally subversive practice, ranging from avant-garde aesthetics to traditional forms of folk art and handicraft. The cultural production by and subsequently about the Yugoslav and Carinthian women partisans includes literature, visual arts, film, photography, comics, textiles, press, theater, dance, and monument architecture. The contributors to this volume present this groundbreaking research to mark eighty years since the victory over Nazism and Fascism in Europe. Cultural production by and about Yugoslav and Carinthian women partisans during WWII: an unparalleled example of engaged art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Añadir al carritoPaperback. Condición: new. Paperback. The resistance by partisan women in Yugoslavia and Carinthia (Austria), and particularly their artistic production, have not been acknowledged in the historical accounts of World War II. Their art was both a form of resistance and a culturally subversive practice, ranging from avant-garde aesthetics to traditional forms of folk art and handicraft. The cultural production by and subsequently about the Yugoslav and Carinthian women partisans includes literature, visual arts, film, photography, comics, textiles, press, theater, dance, and monument architecture. The contributors to this volume present this groundbreaking research to mark eighty years since the victory over Nazism and Fascism in Europe. Cultural production by and about Yugoslav and Carinthian women partisans during WWII: an unparalleled example of engaged art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Añadir al carritoPaperback. Condición: New. The resistance by partisan women in Yugoslavia and Carinthia (Austria), and particularly their artistic production, have not been acknowledged in the historical accounts of World War II. Their art was both a form of resistance and a culturally subversive practice, ranging from avant-garde aesthetics to traditional forms of folk art and handicraft. The cultural production by and subsequently about the Yugoslav and Carinthian women partisans includes literature, visual arts, film, photography, comics, textiles, press, theater, dance, and monument architecture. The contributors to this volume present this groundbreaking research to mark eighty years since the victory over Nazism and Fascism in Europe.
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Añadir al carritoPaperback. Condición: New. The resistance by partisan women in Yugoslavia and Carinthia (Austria), and particularly their artistic production, have not been acknowledged in the historical accounts of World War II. Their art was both a form of resistance and a culturally subversive practice, ranging from avant-garde aesthetics to traditional forms of folk art and handicraft. The cultural production by and subsequently about the Yugoslav and Carinthian women partisans includes literature, visual arts, film, photography, comics, textiles, press, theater, dance, and monument architecture. The contributors to this volume present this groundbreaking research to mark eighty years since the victory over Nazism and Fascism in Europe.
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Añadir al carritoTaschenbuch. Condición: Neu. Women and Partisan Art | Aesthetics and Practices of Resistance in Yugoslavia and Carinthia | Elena Messner (u. a.) | Taschenbuch | Großformatiges Paperback. Klappenbroschur | 392 S. | Englisch | 2025 | transcript | EAN 9783837677287 | Verantwortliche Person für die EU: transcript Verlag, Gero Wierichs, Hermannstr. 26, 33602 Bielefeld, live[at]transcript-verlag[dot]de | Anbieter: preigu.
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Añadir al carritoTaschenbuch. Condición: Neu. Neuware - The resistance by partisan women in Yugoslavia and Carinthia (Austria), and particularly their artistic production, have not been acknowledged in the historical accounts of World War II. Their art was both a form of resistance and a culturally subversive practice, ranging from avant-garde aesthetics to traditional forms of folk art and handicraft. The cultural production by and subsequently about the Yugoslav and Carinthian women partisans includes literature, visual arts, film, photography, comics, textiles, press, theater, dance, and monument architecture. The contributors to this volume present this groundbreaking research to mark eighty years since the victory over Nazism and Fascism in Europe.
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Añadir al carritoPaperback. Condición: new. Paperback. The resistance by partisan women in Yugoslavia and Carinthia (Austria), and particularly their artistic production, have not been acknowledged in the historical accounts of World War II. Their art was both a form of resistance and a culturally subversive practice, ranging from avant-garde aesthetics to traditional forms of folk art and handicraft. The cultural production by and subsequently about the Yugoslav and Carinthian women partisans includes literature, visual arts, film, photography, comics, textiles, press, theater, dance, and monument architecture. The contributors to this volume present this groundbreaking research to mark eighty years since the victory over Nazism and Fascism in Europe. Cultural production by and about Yugoslav and Carinthian women partisans during WWII: an unparalleled example of engaged art. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.