Isbn: 9781941366875 - erin shirreff /anglais (18 resultados)

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  • Idioma: Inglés

    Editorial: Gregory R. Miller & Company 5/26/2026, 2026

    1941366872 / 9781941366875

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    Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de AmericaBargainBookStores

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    Hardback or Cased Book. Condición: New. Erin Shirreff. Book.

  • Idioma: Inglés

    Editorial: Gregory R. Miller & Co., 2026

    1941366872 / 9781941366875

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    Librería: California Books, Miami, FL, Estados Unidos de AmericaCalifornia Books

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  • Idioma: Inglés

    Editorial: Gregory R Miller & Company, New York, 2026

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    Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail

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    Hardcover. Condición: new. Hardcover. "If photography is about light and sculpture about material, Shirreff's work makes an unresolvable knot of the two that's as beautiful as it is puzzling." Murray White, Boston GlobeA feeling of suspended animation haunts the work of Canadian artist Erin Shirreff (born 1975), melding historical reference and the present tense of live encounter. Shirreff favors the stark geometries of mid-20th-century abstraction, and often engages works of artDonald Judd's concrete buildings, Tony Smith's monolithsto ask broader questions about the act of looking. Contemplating what is lost and gained when art is filtered through the camera's eye, Shirreff's spare, evocative works compel new forms of attention. This is the first comprehensive monograph to capture the breadth of her studio practice, richly illustrated and featuring new scholarship by art historians Megan R. Luke, Kate Nesin, Taylor Walsh and Jeffrey Weiss, and an original text on Shirreff's experiments with cyanotype by author Rivka Galchen. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Idioma: Inglés

    Editorial: Gregory R Miller and Company, US, 2026

    1941366872 / 9781941366875

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    Librería: Rarewaves USA, HEBRON, KY, Estados Unidos de AmericaRarewaves USA

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    Hardback. Condición: New. "If photography is about light and sculpture about material, Shirreff's work makes an unresolvable knot of the two that's as beautiful as it is puzzling." -Murray White, Boston GlobeA feeling of suspended animation haunts the work of Canadian artist Erin Shirreff (born 1975), melding historical reference and the present tense of live encounter. Shirreff favors the stark geometries of mid-20th-century abstraction, and often engages works of art-Donald Judd's concrete buildings, Tony Smith's monoliths-to ask broader questions about the act of looking. Contemplating what is lost and gained when art is filtered through the camera's eye, Shirreff's spare, evocative works compel new forms of attention. This is the first comprehensive monograph to capture the breadth of her studio practice, richly illustrated and featuring new scholarship by art historians Megan R. Luke, Kate Nesin, Taylor Walsh and Jeffrey Weiss, and an original text on Shirreff's experiments with cyanotype by author Rivka Galchen.…

  • Idioma: Inglés

    Editorial: Gregory R. Miller and Company, 2026

    1941366872 / 9781941366875

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    Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK

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    HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

  • Idioma: Inglés

    Editorial: Gregory R. Miller, 2026

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    Librería: FIRENZELIBRI SRL, Reggello, FI, ItaliaFIRENZELIBRI SRL

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    Condición: Usado - Como Nuevo

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    Condición: COME NUOVO. Gregory R. Miller cm.16x33, pp.240, illustrato legatura editoriale cartonata , copertina figurata. A feeling of suspended animation haunts the work of Canadian artist Erin Shirreff (born 1975), melding historical reference and the present tense of live encounter. Shirreff favors the stark geometries of mid-20th-century abstraction, and often engages works of art?Donald Judd's concrete buildings, Tony Smith's monoliths?to ask broader questions about the act of looking. Contemplating what is lost and gained when art is filtered through the camera's eye, Shirreff's spare, evocative works compel new forms of attention. This is the first comprehensive monograph to capture the breadth of her studio practice, richly illustrated and featuring new scholarship by art historians Megan R. Luke, Kate Nesin, Taylor Walsh and Jeffrey Weiss, and an original text on Shirreff's experiments with cyanotype by author Rivka Galchen.…

  • Idioma: Inglés

    Editorial: Gregory R. Miller & Co., 2026

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    Librería: Russell Books, Victoria, BC, CanadaRussell Books

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    hardcover. Condición: New. Special order direct from the distributor.

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    Idioma: Inglés

    Editorial: Gregory R Miller and Company, US, 2026

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    Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA

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    Hardback. Condición: New. "If photography is about light and sculpture about material, Shirreff's work makes an unresolvable knot of the two that's as beautiful as it is puzzling." -Murray White, Boston GlobeA feeling of suspended animation haunts the work of Canadian artist Erin Shirreff (born 1975), melding historical reference and the present tense of live encounter. Shirreff favors the stark geometries of mid-20th-century abstraction, and often engages works of art-Donald Judd's concrete buildings, Tony Smith's monoliths-to ask broader questions about the act of looking. Contemplating what is lost and gained when art is filtered through the camera's eye, Shirreff's spare, evocative works compel new forms of attention. This is the first comprehensive monograph to capture the breadth of her studio practice, richly illustrated and featuring new scholarship by art historians Megan R. Luke, Kate Nesin, Taylor Walsh and Jeffrey Weiss, and an original text on Shirreff's experiments with cyanotype by author Rivka Galchen.…

  • Idioma: Inglés

    Editorial: Gregory R. Miller & Co., 2026

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    Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books

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    Hardcover. Condición: Brand New. 240 pages. 9.75x2.00x12.75 inches. In Stock.

  • Idioma: Inglés

    Editorial: Gregory R. Miller & Co., 2026

    1941366872 / 9781941366875

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    Librería: Speedyhen, Hertfordshire, Reino UnidoSpeedyhen

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    Condición: NEW.

  • Idioma: Inglés

    Editorial: Gregory R. Miller & Co., 2026

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    Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books

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    Hardcover. Condición: Brand New. 240 pages. 9.75x2.00x12.75 inches. In Stock.

  • Idioma: Inglés

    Editorial: Gregory R Miller & Company, New York, 2026

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    Hardcover. Condición: new. Hardcover. "If photography is about light and sculpture about material, Shirreff's work makes an unresolvable knot of the two that's as beautiful as it is puzzling." Murray White, Boston GlobeA feeling of suspended animation haunts the work of Canadian artist Erin Shirreff (born 1975), melding historical reference and the present tense of live encounter. Shirreff favors the stark geometries of mid-20th-century abstraction, and often engages works of artDonald Judd's concrete buildings, Tony Smith's monolithsto ask broader questions about the act of looking. Contemplating what is lost and gained when art is filtered through the camera's eye, Shirreff's spare, evocative works compel new forms of attention. This is the first comprehensive monograph to capture the breadth of her studio practice, richly illustrated and featuring new scholarship by art historians Megan R. Luke, Kate Nesin, Taylor Walsh and Jeffrey Weiss, and an original text on Shirreff's experiments with cyanotype by author Rivka Galchen. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

  • Idioma: Inglés

    Editorial: Gregory R Miller and Company, US, 2026

    1941366872 / 9781941366875

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    Librería: Rarewaves USA United, HEBRON, KY, Estados Unidos de AmericaRarewaves USA United

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    Hardback. Condición: New. "If photography is about light and sculpture about material, Shirreff's work makes an unresolvable knot of the two that's as beautiful as it is puzzling." -Murray White, Boston GlobeA feeling of suspended animation haunts the work of Canadian artist Erin Shirreff (born 1975), melding historical reference and the present tense of live encounter. Shirreff favors the stark geometries of mid-20th-century abstraction, and often engages works of art-Donald Judd's concrete buildings, Tony Smith's monoliths-to ask broader questions about the act of looking. Contemplating what is lost and gained when art is filtered through the camera's eye, Shirreff's spare, evocative works compel new forms of attention. This is the first comprehensive monograph to capture the breadth of her studio practice, richly illustrated and featuring new scholarship by art historians Megan R. Luke, Kate Nesin, Taylor Walsh and Jeffrey Weiss, and an original text on Shirreff's experiments with cyanotype by author Rivka Galchen.…

  • Idioma: Inglés

    Editorial: Gregory R Miller & Company, New York, 2026

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    Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller

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    Hardcover. Condición: new. Hardcover. "If photography is about light and sculpture about material, Shirreff's work makes an unresolvable knot of the two that's as beautiful as it is puzzling." Murray White, Boston GlobeA feeling of suspended animation haunts the work of Canadian artist Erin Shirreff (born 1975), melding historical reference and the present tense of live encounter. Shirreff favors the stark geometries of mid-20th-century abstraction, and often engages works of artDonald Judd's concrete buildings, Tony Smith's monolithsto ask broader questions about the act of looking. Contemplating what is lost and gained when art is filtered through the camera's eye, Shirreff's spare, evocative works compel new forms of attention. This is the first comprehensive monograph to capture the breadth of her studio practice, richly illustrated and featuring new scholarship by art historians Megan R. Luke, Kate Nesin, Taylor Walsh and Jeffrey Weiss, and an original text on Shirreff's experiments with cyanotype by author Rivka Galchen. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

  • Idioma: Inglés

    Editorial: Gregory R. Miller & Co., 2026

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    Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore

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    Condición: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

  • Idioma: Inglés

    Editorial: Gregory R Miller & Company Jun 2026, 2026

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    Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH

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    Buch. Condición: Neu. Neuware - 'If photography is about light and sculpture about material, Shirreff's work makes an unresolvable knot of the two that's as beautiful as it is puzzling.' --Murray White, Boston GlobeA feeling of suspended animation haunts the work of Canadian artist Erin Shirreff (born 1975), melding historical reference and the present tense of live encounter. Shirreff favors the stark geometries of mid-20th-century abstraction, and often engages works of art--Donald Judd's concrete buildings, Tony Smith's monoliths--to ask broader questions about the act of looking. Contemplating what is lost and gained when art is filtered through the camera's eye, Shirreff's spare, evocative works compel new forms of attention. This is the first comprehensive monograph to capture the breadth of her studio practice, richly illustrated and featuring new scholarship by art historians Megan R. Luke, Kate Nesin, Taylor Walsh and Jeffrey Weiss, and an original text on Shirreff's experiments with cyanotype by author Rivka Galchen.…

  • Idioma: Inglés

    Editorial: Gregory R. Miller & Co., 2026

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    Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.

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    Condición: New. 2026. hardcover. . . . . .

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    Idioma: Inglés

    Editorial: Gregory R Miller and Company, US, 2026

    1941366872 / 9781941366875

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    Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK

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    Hardback. Condición: New. "If photography is about light and sculpture about material, Shirreff's work makes an unresolvable knot of the two that's as beautiful as it is puzzling." -Murray White, Boston GlobeA feeling of suspended animation haunts the work of Canadian artist Erin Shirreff (born 1975), melding historical reference and the present tense of live encounter. Shirreff favors the stark geometries of mid-20th-century abstraction, and often engages works of art-Donald Judd's concrete buildings, Tony Smith's monoliths-to ask broader questions about the act of looking. Contemplating what is lost and gained when art is filtered through the camera's eye, Shirreff's spare, evocative works compel new forms of attention. This is the first comprehensive monograph to capture the breadth of her studio practice, richly illustrated and featuring new scholarship by art historians Megan R. Luke, Kate Nesin, Taylor Walsh and Jeffrey Weiss, and an original text on Shirreff's experiments with cyanotype by author Rivka Galchen.…