Shirreff erin (20 resultados)

Hardcover. Condición: Very Good. No Dust Jacket. Very Good with moderate wear to covers and no marks to text. No dustjacket as issued, small bump to bottom corner of front board. 36 pages, 19 color plates, 9 1/4 x 11 3/4 inches long. ART/C1; 4to - over 9¾" - 12" tall; 36 pages.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback or Cased Book. Condición: New. Erin Shirreff. Book.

Hardcover. Condición: Very Good. 1st Edition. 78 pp colour plates, decorative endpapers, quarter brown paper with silver title, silver covers with illustration and black titles. The silver covers have become a little rubbed and scratched over time otherwise clean and sound. Artists include Andreas Gursky, Wade Guyton, Eberhard Havekost, Damien Hirst, Gary Hume, Sergej Jensen, Jacob Kassay, Brice Marden, Gabriel Orozco, Eileen Quinlan, Sterling Ruby, Robert Ryman, Erin Shirreff, Hiroshi Sugimoto, Jeff Wall (ilustrador).…

Hardcover. Condición: new. Hardcover. "If photography is about light and sculpture about material, Shirreff's work makes an unresolvable knot of the two that's as beautiful as it is puzzling." Murray White, Boston GlobeA feeling of suspended animation haunts the work of Canadian artist Erin Shirreff (born 1975), melding historical reference and the present tense of live encounter. Shirreff favors the stark geometries of mid-20th-century abstraction, and often engages works of artDonald Judd's concrete buildings, Tony Smith's monolithsto ask broader questions about the act of looking. Contemplating what is lost and gained when art is filtered through the camera's eye, Shirreff's spare, evocative works compel new forms of attention. This is the first comprehensive monograph to capture the breadth of her studio practice, richly illustrated and featuring new scholarship by art historians Megan R. Luke, Kate Nesin, Taylor Walsh and Jeffrey Weiss, and an original text on Shirreff's experiments with cyanotype by author Rivka Galchen. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condición: New. "If photography is about light and sculpture about material, Shirreff's work makes an unresolvable knot of the two that's as beautiful as it is puzzling." -Murray White, Boston GlobeA feeling of suspended animation haunts the work of Canadian artist Erin Shirreff (born 1975), melding historical reference and the present tense of live encounter. Shirreff favors the stark geometries of mid-20th-century abstraction, and often engages works of art-Donald Judd's concrete buildings, Tony Smith's monoliths-to ask broader questions about the act of looking. Contemplating what is lost and gained when art is filtered through the camera's eye, Shirreff's spare, evocative works compel new forms of attention. This is the first comprehensive monograph to capture the breadth of her studio practice, richly illustrated and featuring new scholarship by art historians Megan R. Luke, Kate Nesin, Taylor Walsh and Jeffrey Weiss, and an original text on Shirreff's experiments with cyanotype by author Rivka Galchen.…

Condición: COME NUOVO. Gregory R. Miller cm.16x33, pp.240, illustrato legatura editoriale cartonata , copertina figurata. A feeling of suspended animation haunts the work of Canadian artist Erin Shirreff (born 1975), melding historical reference and the present tense of live encounter. Shirreff favors the stark geometries of mid-20th-century abstraction, and often engages works of art?Donald Judd's concrete buildings, Tony Smith's monoliths?to ask broader questions about the act of looking. Contemplating what is lost and gained when art is filtered through the camera's eye, Shirreff's spare, evocative works compel new forms of attention. This is the first comprehensive monograph to capture the breadth of her studio practice, richly illustrated and featuring new scholarship by art historians Megan R. Luke, Kate Nesin, Taylor Walsh and Jeffrey Weiss, and an original text on Shirreff's experiments with cyanotype by author Rivka Galchen.…

hardcover. Condición: New. Special order direct from the distributor.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardback. Condición: New. "If photography is about light and sculpture about material, Shirreff's work makes an unresolvable knot of the two that's as beautiful as it is puzzling." -Murray White, Boston GlobeA feeling of suspended animation haunts the work of Canadian artist Erin Shirreff (born 1975), melding historical reference and the present tense of live encounter. Shirreff favors the stark geometries of mid-20th-century abstraction, and often engages works of art-Donald Judd's concrete buildings, Tony Smith's monoliths-to ask broader questions about the act of looking. Contemplating what is lost and gained when art is filtered through the camera's eye, Shirreff's spare, evocative works compel new forms of attention. This is the first comprehensive monograph to capture the breadth of her studio practice, richly illustrated and featuring new scholarship by art historians Megan R. Luke, Kate Nesin, Taylor Walsh and Jeffrey Weiss, and an original text on Shirreff's experiments with cyanotype by author Rivka Galchen.…

Condición: NEW.

Hardcover. Condición: new. Hardcover. "If photography is about light and sculpture about material, Shirreff's work makes an unresolvable knot of the two that's as beautiful as it is puzzling." Murray White, Boston GlobeA feeling of suspended animation haunts the work of Canadian artist Erin Shirreff (born 1975), melding historical reference and the present tense of live encounter. Shirreff favors the stark geometries of mid-20th-century abstraction, and often engages works of artDonald Judd's concrete buildings, Tony Smith's monolithsto ask broader questions about the act of looking. Contemplating what is lost and gained when art is filtered through the camera's eye, Shirreff's spare, evocative works compel new forms of attention. This is the first comprehensive monograph to capture the breadth of her studio practice, richly illustrated and featuring new scholarship by art historians Megan R. Luke, Kate Nesin, Taylor Walsh and Jeffrey Weiss, and an original text on Shirreff's experiments with cyanotype by author Rivka Galchen. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardback. Condición: New. "If photography is about light and sculpture about material, Shirreff's work makes an unresolvable knot of the two that's as beautiful as it is puzzling." -Murray White, Boston GlobeA feeling of suspended animation haunts the work of Canadian artist Erin Shirreff (born 1975), melding historical reference and the present tense of live encounter. Shirreff favors the stark geometries of mid-20th-century abstraction, and often engages works of art-Donald Judd's concrete buildings, Tony Smith's monoliths-to ask broader questions about the act of looking. Contemplating what is lost and gained when art is filtered through the camera's eye, Shirreff's spare, evocative works compel new forms of attention. This is the first comprehensive monograph to capture the breadth of her studio practice, richly illustrated and featuring new scholarship by art historians Megan R. Luke, Kate Nesin, Taylor Walsh and Jeffrey Weiss, and an original text on Shirreff's experiments with cyanotype by author Rivka Galchen.…

Hardcover. Condición: Brand New. 240 pages. 9.75x2.00x12.75 inches. In Stock.

Hardcover. Condición: Brand New. 240 pages. 9.75x2.00x12.75 inches. In Stock.

Hardcover. Condición: new. Hardcover. "If photography is about light and sculpture about material, Shirreff's work makes an unresolvable knot of the two that's as beautiful as it is puzzling." Murray White, Boston GlobeA feeling of suspended animation haunts the work of Canadian artist Erin Shirreff (born 1975), melding historical reference and the present tense of live encounter. Shirreff favors the stark geometries of mid-20th-century abstraction, and often engages works of artDonald Judd's concrete buildings, Tony Smith's monolithsto ask broader questions about the act of looking. Contemplating what is lost and gained when art is filtered through the camera's eye, Shirreff's spare, evocative works compel new forms of attention. This is the first comprehensive monograph to capture the breadth of her studio practice, richly illustrated and featuring new scholarship by art historians Megan R. Luke, Kate Nesin, Taylor Walsh and Jeffrey Weiss, and an original text on Shirreff's experiments with cyanotype by author Rivka Galchen. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condición: New. "If photography is about light and sculpture about material, Shirreff's work makes an unresolvable knot of the two that's as beautiful as it is puzzling." -Murray White, Boston GlobeA feeling of suspended animation haunts the work of Canadian artist Erin Shirreff (born 1975), melding historical reference and the present tense of live encounter. Shirreff favors the stark geometries of mid-20th-century abstraction, and often engages works of art-Donald Judd's concrete buildings, Tony Smith's monoliths-to ask broader questions about the act of looking. Contemplating what is lost and gained when art is filtered through the camera's eye, Shirreff's spare, evocative works compel new forms of attention. This is the first comprehensive monograph to capture the breadth of her studio practice, richly illustrated and featuring new scholarship by art historians Megan R. Luke, Kate Nesin, Taylor Walsh and Jeffrey Weiss, and an original text on Shirreff's experiments with cyanotype by author Rivka Galchen.…

Paperback. Condición: New.

Paperback. Condición: New.

Staple Bound. Condición: Fine. Exhibition catalog for a show held at the publisher's gallery in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. French folds on heavy paper with illustrated covers, 14 pages within with full size full color photos of the artist's work: exteriors and interiors for a show from April 1 - May 28 2000. Contains artist's statement and intro by Louis Grachos and Erin Shirreff Keywords: Womb, Organic Forms, Goop, Snowing, Snowing, Snowing, Fingerprints, Exhibit, Soft Sculpture, Abstract, Neo-Concrete, Sex, Nylon, Organic Bodies.…