Isbn: 9781917273350 - norman rockwell: at home in vermont (27 resultados)

Hardback. Condición: Very Good. In these works, Rockwell offered a nation battered by the Great Depression and World War II a reassuring image of American life: orderly, self-reliant, and picturesque. Through paintings and illustrations, Rockwell captured not simply scenes of New England life, but a deeply rooted ethos-one in which democratic community, moral clarity, and quiet individualism flourished. This book, and the accompanying exhibition, situates Rockwell's Vermont years within a broader creative milieu, highlighting the Arlington artist circle that included John Atherton (1900-1952), and Gene Pelham (1909-2004)- all informally enticed to Arlington, Vermont. Together, they helped define a cultural moment in which Vermont was mythologized as democracy's granite-strong refuge. Even Rockwell's orchestrated friendship with Anna Mary "Grandma" Moses (1860-1961) was part of a wider crafting of New England as both authentic and marketable-where artists and audiences alike found a form of moral anchorage. Featuring two newly acquired Rockwell paintings to Shelburne Museum celebrating Vermont's granite industry-long regarded as the state's "backbone"-Norman Rockwell: At Home in Vermont examines not only the imagery but the careful mythmaking that made Vermont central to Rockwell's enduring vision of America. Today, Rockwell's work is housed in major museums across the country, a testament to his profound influence as an artist.…

Hardback. Condición: Very Good. In these works, Rockwell offered a nation battered by the Great Depression and World War II a reassuring image of American life: orderly, self-reliant, and picturesque. Through paintings and illustrations, Rockwell captured not simply scenes of New England life, but a deeply rooted ethos-one in which democratic community, moral clarity, and quiet individualism flourished. This book, and the accompanying exhibition, situates Rockwell's Vermont years within a broader creative milieu, highlighting the Arlington artist circle that included John Atherton (1900-1952), and Gene Pelham (1909-2004)- all informally enticed to Arlington, Vermont. Together, they helped define a cultural moment in which Vermont was mythologized as democracy's granite-strong refuge. Even Rockwell's orchestrated friendship with Anna Mary "Grandma" Moses (1860-1961) was part of a wider crafting of New England as both authentic and marketable-where artists and audiences alike found a form of moral anchorage. Featuring two newly acquired Rockwell paintings to Shelburne Museum celebrating Vermont's granite industry-long regarded as the state's "backbone"-Norman Rockwell: At Home in Vermont examines not only the imagery but the careful mythmaking that made Vermont central to Rockwell's enduring vision of America. Today, Rockwell's work is housed in major museums across the country, a testament to his profound influence as an artist.…

Hardcover. Condición: new. Hardcover. Norman Rockwell: At Home in Vermont explores how America's beloved illustrator Norman Rockwell (18941978) crafted an idealized vision of Vermont-nostalgic, resilient, and mythic-during his most prolific years in Arlington (19391953). In these works, Rockwell offered a nation battered by the Great Depression and World War II a reassuring image of American life: orderly, self-reliant, and picturesque. Through paintings and illustrations, Rockwell captured not simply scenes of New England life, but a deeply rooted ethos-one in which democratic community, moral clarity, and quiet individualism flourished. This book, and the accompanying exhibition, situates Rockwell's Vermont years within a broader creative milieu, highlighting the Arlington artist circle that included Mead Schaeffer (18981980), John Atherton (19001952), and Gene Pelham (19092004)- all informally enticed to Arlington, Vermont. Together, they helped define a cultural moment in which Vermont was mythologized as democracy's granite-strong refuge. Even Rockwell's orchestrated friendship with Anna Mary Grandma Moses (18601961) was part of a wider crafting of New England as both authentic and marketable-where artists and audiences alike found a form of moral anchorage. Featuring two newly acquired Rockwell paintings to Shelburne Museum celebrating Vermont's granite industry-long regarded as the state's backbone-Norman Rockwell: At Home in Vermont examines not only the imagery but the careful mythmaking that made Vermont central to Rockwell's enduring vision of America. Today, Rockwell's work is housed in major museums across the country, a testament to his profound influence as an artist. This book features works from the Brooklyn Museum, NY; Fleming Museum of Art, VT; Norman Rockwell Museum, MA; Lucas Museum of Narrative Art, CA; Wadsworth Athenaeum Museum of Art; Crystal Bridges Museum of American Art; The Metropolitan Museum of Art; Lyman Orton Collection; Bennington Museum; Whitney Museum of Art. AUTHORS: Carolyn Bauer is the Marna and Chuck Davis Curator of American Art at Shelburne Museum. Thomas Denenberg is the John Wilmerding Director & CEO at Shelburne Museum. Alexander Nemerov is the Carl and Marilynn Thoma Provostial Professor in the Arts and Humanities at Stanford University. SELLING POINTS: . Rockwell is one of the best-known American illustrators, renowned for capturing the essence of 20th-century American life with his unparalleled skill in visual storytelling. . Over a career spanning six decades, Rockwell created more than 4,000 works, including iconic covers for The Saturday Evening Post and Look magazine. . Rockwell's art transcended its original role as commercial illustration, becoming enduring symbols of American culture. . The springboard for this book and accompanying exhibition is the gift of three extraordinary works by Norman Rockwell that are deeply rooted in the legacy of industrial Vermont: The Craftsman (1962), Kneeling Girl (1955), and the accompanying preliminary sketch of The Craftsman, commissioned by Rock of Ages Corporation, Vermont, as part of mid-century advertising campaigns. . 70 main artworks, photographs showing Rockwell working with his sitters, as well as compositional studies, sketches, and a selection of works by Anna Mary Grandma Moses, John Atherton, . . Three illustrated main essays consider Why Rockwell, and Why Vermont?, the community in Arlington and wider Vermont, and Rockwell's use of technology and photography in his artworks. . Features an illustrated timeline about the artist. 100 colour illustrations NormanRockwell: At Home in Vermont explores how America's belovedillustrator Norman Rockwell (1894-1978) crafted an idealized vision ofVermont-nostalgic, resilient, and mythic-during his most prolific years inArlington (1939-1953). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. Inthese works, Rockwell offered a nation battered by the Great Depression andWorld War II a reassuring image of American life: orderly, self-reliant, andpicturesque. Through paintings and illustrations, Rockwell captured not simplyscenes of New England life, but a deeply rooted ethos-one in which democraticcommunity, moral clarity, and quiet individualism flourished.Thisbook, and the accompanying exhibition, situates Rockwell's Vermont years withina broader creative milieu, highlighting the Arlington artist circle thatincluded John Atherton (1900-1952), and Gene Pelham (1909-2004)- all informallyenticed to Arlington, Vermont. Together, they helped define a cultural momentin which Vermont was mythologized as democracy's granite-strong refuge. EvenRockwell's orchestrated friendship with Anna Mary "Grandma" Moses (1860-1961)was part of a wider crafting of New England as both authentic andmarketable-where artists and audiences alike found a form of moral anchorage. Featuringtwo newly acquired Rockwell paintings to Shelburne Museum celebrating Vermont'sgranite industry-long regarded as the state's "backbone"-Norman Rockwell: AtHome in Vermont examines not only the imagery but the carefulmythmaking that made Vermont central to Rockwell's enduring vision ofAmerica. Today, Rockwell's work is housed in major museums across thecountry, a testament to his profound influence as an artist.…

Hardback. Condición: New. Inthese works, Rockwell offered a nation battered by the Great Depression andWorld War II a reassuring image of American life: orderly, self-reliant, andpicturesque. Through paintings and illustrations, Rockwell captured not simplyscenes of New England life, but a deeply rooted ethos-one in which democraticcommunity, moral clarity, and quiet individualism flourished.Thisbook, and the accompanying exhibition, situates Rockwell's Vermont years withina broader creative milieu, highlighting the Arlington artist circle thatincluded John Atherton (1900-1952), and Gene Pelham (1909-2004)- all informallyenticed to Arlington, Vermont. Together, they helped define a cultural momentin which Vermont was mythologized as democracy's granite-strong refuge. EvenRockwell's orchestrated friendship with Anna Mary "Grandma" Moses (1860-1961)was part of a wider crafting of New England as both authentic andmarketable-where artists and audiences alike found a form of moral anchorage. Featuringtwo newly acquired Rockwell paintings to Shelburne Museum celebrating Vermont'sgranite industry-long regarded as the state's "backbone"-Norman Rockwell: AtHome in Vermont examines not only the imagery but the carefulmythmaking that made Vermont central to Rockwell's enduring vision ofAmerica. Today, Rockwell's work is housed in major museums across thecountry, a testament to his profound influence as an artist.…

Condición: New.

Condición: new.

hardcover. Condición: New.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

hardcover. Condición: New. Special order direct from the distributor.

Condición: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: Brand New. 160 pages. 9.88x9.88x9.88 inches. In Stock.

hardcover. Condición: New.

Condición: New. 2026. hardcover. . . . . .

Condición: New.

Condición: New.

hardcover. Condición: New. Special order item direct from the distributor.

Hardcover. Condición: Brand New. 160 pages. 9.88x9.88x9.88 inches. In Stock.

Hardcover. Condición: Brand New. 160 pages. 9.88x9.88x9.88 inches. In Stock.

Condición: NEW.

Hardcover. Condición: new. Hardcover. Norman Rockwell: At Home in Vermont explores how America's beloved illustrator Norman Rockwell (18941978) crafted an idealized vision of Vermont-nostalgic, resilient, and mythic-during his most prolific years in Arlington (19391953). In these works, Rockwell offered a nation battered by the Great Depression and World War II a reassuring image of American life: orderly, self-reliant, and picturesque. Through paintings and illustrations, Rockwell captured not simply scenes of New England life, but a deeply rooted ethos-one in which democratic community, moral clarity, and quiet individualism flourished. This book, and the accompanying exhibition, situates Rockwell's Vermont years within a broader creative milieu, highlighting the Arlington artist circle that included Mead Schaeffer (18981980), John Atherton (19001952), and Gene Pelham (19092004)- all informally enticed to Arlington, Vermont. Together, they helped define a cultural moment in which Vermont was mythologized as democracy's granite-strong refuge. Even Rockwell's orchestrated friendship with Anna Mary Grandma Moses (18601961) was part of a wider crafting of New England as both authentic and marketable-where artists and audiences alike found a form of moral anchorage. Featuring two newly acquired Rockwell paintings to Shelburne Museum celebrating Vermont's granite industry-long regarded as the state's backbone-Norman Rockwell: At Home in Vermont examines not only the imagery but the careful mythmaking that made Vermont central to Rockwell's enduring vision of America. Today, Rockwell's work is housed in major museums across the country, a testament to his profound influence as an artist. This book features works from the Brooklyn Museum, NY; Fleming Museum of Art, VT; Norman Rockwell Museum, MA; Lucas Museum of Narrative Art, CA; Wadsworth Athenaeum Museum of Art; Crystal Bridges Museum of American Art; The Metropolitan Museum of Art; Lyman Orton Collection; Bennington Museum; Whitney Museum of Art. AUTHORS: Carolyn Bauer is the Marna and Chuck Davis Curator of American Art at Shelburne Museum. Thomas Denenberg is the John Wilmerding Director & CEO at Shelburne Museum. Alexander Nemerov is the Carl and Marilynn Thoma Provostial Professor in the Arts and Humanities at Stanford University. SELLING POINTS: . Rockwell is one of the best-known American illustrators, renowned for capturing the essence of 20th-century American life with his unparalleled skill in visual storytelling. . Over a career spanning six decades, Rockwell created more than 4,000 works, including iconic covers for The Saturday Evening Post and Look magazine. . Rockwell's art transcended its original role as commercial illustration, becoming enduring symbols of American culture. . The springboard for this book and accompanying exhibition is the gift of three extraordinary works by Norman Rockwell that are deeply rooted in the legacy of industrial Vermont: The Craftsman (1962), Kneeling Girl (1955), and the accompanying preliminary sketch of The Craftsman, commissioned by Rock of Ages Corporation, Vermont, as part of mid-century advertising campaigns. . 70 main artworks, photographs showing Rockwell working with his sitters, as well as compositional studies, sketches, and a selection of works by Anna Mary Grandma Moses, John Atherton, . . Three illustrated main essays consider Why Rockwell, and Why Vermont?, the community in Arlington and wider Vermont, and Rockwell's use of technology and photography in his artworks. . Features an illustrated timeline about the artist. 100 colour illustrations NormanRockwell: At Home in Vermont explores how America's belovedillustrator Norman Rockwell (1894-1978) crafted an idealized vision ofVermont-nostalgic, resilient, and mythic-during his most prolific years inArlington (1939-1953).< Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardback. Condición: New. Inthese works, Rockwell offered a nation battered by the Great Depression andWorld War II a reassuring image of American life: orderly, self-reliant, andpicturesque. Through paintings and illustrations, Rockwell captured not simplyscenes of New England life, but a deeply rooted ethos-one in which democraticcommunity, moral clarity, and quiet individualism flourished.Thisbook, and the accompanying exhibition, situates Rockwell's Vermont years withina broader creative milieu, highlighting the Arlington artist circle thatincluded John Atherton (1900-1952), and Gene Pelham (1909-2004)- all informallyenticed to Arlington, Vermont. Together, they helped define a cultural momentin which Vermont was mythologized as democracy's granite-strong refuge. EvenRockwell's orchestrated friendship with Anna Mary "Grandma" Moses (1860-1961)was part of a wider crafting of New England as both authentic andmarketable-where artists and audiences alike found a form of moral anchorage. Featuringtwo newly acquired Rockwell paintings to Shelburne Museum celebrating Vermont'sgranite industry-long regarded as the state's "backbone"-Norman Rockwell: AtHome in Vermont examines not only the imagery but the carefulmythmaking that made Vermont central to Rockwell's enduring vision ofAmerica. Today, Rockwell's work is housed in major museums across thecountry, a testament to his profound influence as an artist.…

Hardcover. Condición: new. Hardcover. Norman Rockwell: At Home in Vermont explores how America's beloved illustrator Norman Rockwell (18941978) crafted an idealized vision of Vermont-nostalgic, resilient, and mythic-during his most prolific years in Arlington (19391953). In these works, Rockwell offered a nation battered by the Great Depression and World War II a reassuring image of American life: orderly, self-reliant, and picturesque. Through paintings and illustrations, Rockwell captured not simply scenes of New England life, but a deeply rooted ethos-one in which democratic community, moral clarity, and quiet individualism flourished. This book, and the accompanying exhibition, situates Rockwell's Vermont years within a broader creative milieu, highlighting the Arlington artist circle that included Mead Schaeffer (18981980), John Atherton (19001952), and Gene Pelham (19092004)- all informally enticed to Arlington, Vermont. Together, they helped define a cultural moment in which Vermont was mythologized as democracy's granite-strong refuge. Even Rockwell's orchestrated friendship with Anna Mary Grandma Moses (18601961) was part of a wider crafting of New England as both authentic and marketable-where artists and audiences alike found a form of moral anchorage. Featuring two newly acquired Rockwell paintings to Shelburne Museum celebrating Vermont's granite industry-long regarded as the state's backbone-Norman Rockwell: At Home in Vermont examines not only the imagery but the careful mythmaking that made Vermont central to Rockwell's enduring vision of America. Today, Rockwell's work is housed in major museums across the country, a testament to his profound influence as an artist. This book features works from the Brooklyn Museum, NY; Fleming Museum of Art, VT; Norman Rockwell Museum, MA; Lucas Museum of Narrative Art, CA; Wadsworth Athenaeum Museum of Art; Crystal Bridges Museum of American Art; The Metropolitan Museum of Art; Lyman Orton Collection; Bennington Museum; Whitney Museum of Art. AUTHORS: Carolyn Bauer is the Marna and Chuck Davis Curator of American Art at Shelburne Museum. Thomas Denenberg is the John Wilmerding Director & CEO at Shelburne Museum. Alexander Nemerov is the Carl and Marilynn Thoma Provostial Professor in the Arts and Humanities at Stanford University. SELLING POINTS: . Rockwell is one of the best-known American illustrators, renowned for capturing the essence of 20th-century American life with his unparalleled skill in visual storytelling. . Over a career spanning six decades, Rockwell created more than 4,000 works, including iconic covers for The Saturday Evening Post and Look magazine. . Rockwell's art transcended its original role as commercial illustration, becoming enduring symbols of American culture. . The springboard for this book and accompanying exhibition is the gift of three extraordinary works by Norman Rockwell that are deeply rooted in the legacy of industrial Vermont: The Craftsman (1962), Kneeling Girl (1955), and the accompanying preliminary sketch of The Craftsman, commissioned by Rock of Ages Corporation, Vermont, as part of mid-century advertising campaigns. . 70 main artworks, photographs showing Rockwell working with his sitters, as well as compositional studies, sketches, and a selection of works by Anna Mary Grandma Moses, John Atherton, . . Three illustrated main essays consider Why Rockwell, and Why Vermont?, the community in Arlington and wider Vermont, and Rockwell's use of technology and photography in his artworks. . Features an illustrated timeline about the artist. 100 colour illustrations NormanRockwell: At Home in Vermont explores how America's belovedillustrator Norman Rockwell (1894-1978) crafted an idealized vision ofVermont-nostalgic, resilient, and mythic-during his most prolific years inArlington (1939-1953).< Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Condición: Neu. Neuware - Norman Rockwell: At Home in Vermont explores how America's beloved illustrator Norman Rockwell (1894-1978) crafted an idealized vision of Vermont--nostalgic, resilient, and mythic--during his most prolific years in Arlington (1939-1953).In these works, Rockwell offered a nation battered by the Great Depression and World War II a reassuring image of American life: orderly, self-reliant, and picturesque. Through paintings and illustrations, Rockwell captured not simply scenes of New England life, but a deeply rooted ethos--one in which democratic community, moral clarity, and quiet individualism flourished.This book, and the accompanying exhibition, situates Rockwell's Vermont years within a broader creative milieu, highlighting the Arlington artist circle that included Mead Schaeffer (1898-1980), John Atherton (1900-1952), and Gene Pelham (1909-2004)-- all informally enticed to Arlington, Vermont. Together, they helped define a cultural moment in which Vermont was mythologized as democracy's granite-strong refuge. Even Rockwell's orchestrated friendship with Anna Mary 'Grandma' Moses (1860-1961) was part of a wider crafting of New England as both authentic and marketable--where artists and audiences alike found a form of moral anchorage.Featuring two newly acquired Rockwell paintings to Shelburne Museum celebrating Vermont's granite industry--long regarded as the state's 'backbone'--Norman Rockwell: At Home in Vermont examines not only the imagery but the careful mythmaking that made Vermont central to Rockwell's enduring vision of America. Today, Rockwell's work is housed in major museums across the country, a testament to his profound influence as an artist. This book features works from the Brooklyn Museum, NY; Fleming Museum of Art, VT; Norman Rockwell Museum, MA; Lucas Museum of Narrative Art, CA; Wadsworth Athenaeum Museum of Art; Crystal Bridges Museum of American Art; The Metropolitan Museum of Art; Lyman Orton Collection; Bennington Museum; Whitney Museum of Art.…

Hardback. Condición: New. Inthese works, Rockwell offered a nation battered by the Great Depression andWorld War II a reassuring image of American life: orderly, self-reliant, andpicturesque. Through paintings and illustrations, Rockwell captured not simplyscenes of New England life, but a deeply rooted ethos-one in which democraticcommunity, moral clarity, and quiet individualism flourished.Thisbook, and the accompanying exhibition, situates Rockwell's Vermont years withina broader creative milieu, highlighting the Arlington artist circle thatincluded John Atherton (1900-1952), and Gene Pelham (1909-2004)- all informallyenticed to Arlington, Vermont. Together, they helped define a cultural momentin which Vermont was mythologized as democracy's granite-strong refuge. EvenRockwell's orchestrated friendship with Anna Mary "Grandma" Moses (1860-1961)was part of a wider crafting of New England as both authentic andmarketable-where artists and audiences alike found a form of moral anchorage. Featuringtwo newly acquired Rockwell paintings to Shelburne Museum celebrating Vermont'sgranite industry-long regarded as the state's "backbone"-Norman Rockwell: AtHome in Vermont examines not only the imagery but the carefulmythmaking that made Vermont central to Rockwell's enduring vision ofAmerica. Today, Rockwell's work is housed in major museums across thecountry, a testament to his profound influence as an artist.…