Isbn: 9781860648045 - the new iranian cinema: politics, representation and identity (20 resultados)

Paperback. Condición: very good. Very Good Copy. Customer Service Guaranteed.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Very Good. Looks New, Small Amount of pencil underlining otherwise Perfect Shape,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction.…

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9781860648045.…

Paperback. Condición: Fine.

paperback. Condición: Very Good. 2026.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New. In English.

Tapa blanda. Condición: New. TAPPER, R., ED.: THE NEW IRANIAN CINEMA. POLITICS, REPRESENTATION AND IDENTITY. LONDON, 2002, xv 282 p. figuras, 475 gr. Encuadernacion original. Nuevo. (TH-1-6) 475 gr. Libro.

Condición: New. pp. 256.

Paperback. Condición: Brand New. illustrated edition. 256 pages. 9.00x6.25x0.75 inches. In Stock.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Condición: New. Iranian cinema is today widely recognized not merely as a distinctive national cinema, but as one of the most innovative in the world. This text explores cinema s development in post-Revolution Iran and its place in Iranian culture.&Uumlber den Aut.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condición: new. Paperback. Iranian cinema is today widely recognized not merely as a distinctive national cinema, but as one of the most innovative in the world. Established masters like Abbas Kiarostami and Mohsen Makhmalbaf have been joined by newcomers like Samira Makhmalbaf, Majid Majidi, Ja'far Qobadi and Bahman Qobadi, all directors whose films are screened to increasing acclaim in international festivals. This international stature both fascinates Western observers and appears paradoxical in line with perceptions of Iran as anti-modern. The largely Iranian contributors to this book look in depth at how Iranian cinema became a true 'world cinema'. From a range of perspectives, they explore cinema's development in post Revolution Iran and its place in Iranian culture. Iranian cinema is today widely recognized not merely as a distinctive national cinema, but as one of the most innovative in the world. This text explores cinema's development in post-Revolution Iran and its place in Iranian culture. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. Print on Demand pp. 256.

Condición: New. PRINT ON DEMAND pp. 256.

Paperback. Condición: new. Paperback. Iranian cinema is today widely recognized not merely as a distinctive national cinema, but as one of the most innovative in the world. Established masters like Abbas Kiarostami and Mohsen Makhmalbaf have been joined by newcomers like Samira Makhmalbaf, Majid Majidi, Ja'far Qobadi and Bahman Qobadi, all directors whose films are screened to increasing acclaim in international festivals. This international stature both fascinates Western observers and appears paradoxical in line with perceptions of Iran as anti-modern. The largely Iranian contributors to this book look in depth at how Iranian cinema became a true 'world cinema'. From a range of perspectives, they explore cinema's development in post Revolution Iran and its place in Iranian culture. Iranian cinema is today widely recognized not merely as a distinctive national cinema, but as one of the most innovative in the world. This text explores cinema's development in post-Revolution Iran and its place in Iranian culture. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…