ISBN: 9781844570409 - if.... (bfi film classics) (28 resultados)

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Condición: Very Good. Lindsay Anderson's film if.(1968), starring Malcolm McDowell as a schoolboy who leads a guerilla insurgence, imagines how repression, conformity, and fusty ritual at an English public school could lead to anarchy and bloody revolt. Its title is a sardonic nod to Rudyard Kipling's most famous poem, and its story a radical updating of Kipling's 1899 story 'Stalky and Co.,' in which prankish rebels are groomed to police the empire. Released at a time of unprecedented student uprisings in Europe and America, if.provided a peculiarly English perspective on the battle between generations - the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Mark Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values. No longer a vehicle for shock or dissent, if.is today enjoyed comfortably, even nostalgically, but for Sinker this renders its many knots and paradoxes, the moments of poetry that Anderson argued were cinema's raison d'etre, all the more fascinating.…

Paperback. Condición: New. British Film Institute 2004-11-03 00:00:00 Binding: Trade Paperback Binding:PAP Vendor: Univ California State Pr at Subject:CinemaFilm: Book.

Paperback. Condición: Very Good. Lindsay Anderson's film if.(1968), starring Malcolm McDowell as a schoolboy who leads a guerilla insurgence, imagines how repression, conformity, and fusty ritual at an English public school could lead to anarchy and bloody revolt. Its title is a sardonic nod to Rudyard Kipling's most famous poem, and its story a radical updating of Kipling's 1899 story 'Stalky and Co.,' in which prankish rebels are groomed to police the empire. Released at a time of unprecedented student uprisings in Europe and America, if.provided a peculiarly English perspective on the battle between generations - the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Mark Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values. No longer a vehicle for shock or dissent, if.is today enjoyed comfortably, even nostalgically, but for Sinker this renders its many knots and paradoxes, the moments of poetry that Anderson argued were cinema's raison d'etre, all the more fascinating.…

Paperback. pp. 88. Slim 8vo. Replete with photographs. Lightest shelfwear; very good+.

Paperback. Condición: New. Lindsay Anderson's film if.(1968), starring Malcolm McDowell as a schoolboy who leads a guerilla insurgence, imagines how repression, conformity, and fusty ritual at an English public school could lead to anarchy and bloody revolt. Its title is a sardonic nod to Rudyard Kipling's most famous poem, and its story a radical updating of Kipling's 1899 story "Stalky and Co.," in which prankish rebels are groomed to police the empire. Released at a time of unprecedented student uprisings in Europe and America, if.provided a peculiarly English perspective on the battle between generations - the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Mark Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values. No longer a vehicle for shock or dissent, if.is today enjoyed comfortably, even nostalgically, but for Sinker this renders its many knots and paradoxes, the moments of poetry that Anderson argued were cinema's raison d'etre, all the more fascinating.…

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 5-6 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. Lindsay Anderson's film if.(1968), starring Malcolm McDowell as a schoolboy who leads a guerilla insurgence, imagines how repression, conformity, and fusty ritual at an English public school could lead to anarchy and bloody revolt. Its title is a sardonic nod to Rudyard Kipling's most famous poem, and its story a radical updating of Kipling's 1899 story 'Stalky and Co.,' in which prankish rebels are groomed to police the empire. Released at a time of unprecedented student uprisings in Europe and America, if.provided a peculiarly English perspective on the battle between generations - the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Mark Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values. No longer a vehicle for shock or dissent, if.is today enjoyed comfortably, even nostalgically, but for Sinker this renders its many knots and paradoxes, the moments of poetry that Anderson argued were cinema's raison d'etre, all the more fascinating. Provocative study of this still-relevant parable of schoolboy revolution Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:9781844570409.

Condición: new.

paperback. Condición: Very Good in Wrappers. No Jacket. First Edition. London. 2004. British Film Institute. 1st American Edition. Very Good in Wrappers. 1844570401. BFI Film Classics. 88 pages. paperback. keywords: Film Studies. DESCRIPTION - Lindsay Anderson's film if. (1968), starring Malcolm McDowell as a schoolboy who leads a guerilla insurgence, imagines how repression, conformity, and fusty ritual at an English public school could lead to anarchy and bloody revolt. Its title is a sardonic nod to Rudyard Kipling's most famous poem, and its story a radical updating of Kipling's 1899 story 'Stalky and Co.,' in which prankish rebels are groomed to police the empire. Released at a time of unprecedented student uprisings in Europe and America, if. provided a peculiarly English perspective on the battle between generations-the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Mark Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values. No longer a vehicle for shock or dissent, if. is today enjoyed comfortably, even nostalgically, but for Sinker this renders its many knots and paradoxes, the moments of poetry that Anderson argued were cinema's raison d'être, all the more fascinating. inventory #35939.…

Condición: New. pp. 88 Illus.

Condición: New. Provocative study of this still-relevant parable of schoolboy revolution Series: BFI Film Classics. Num Pages: 88 pages, Illustrations. BIC Classification: APFA. Category: (G) General (US: Trade). Dimension: 190 x 137 x 7. Weight in Grams: 160. . 2004. Paperback. . . . .

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:9781844570409.

Paperback. Condición: Brand New. 88 pages. 7.75x5.50x0.50 inches. In Stock.

Condición: New. Provocative study of this still-relevant parable of schoolboy revolution Series: BFI Film Classics. Num Pages: 88 pages, Illustrations. BIC Classification: APFA. Category: (G) General (US: Trade). Dimension: 190 x 137 x 7. Weight in Grams: 160. . 2004. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. pp. 88.

Softcover. First Edition; First Printing. Very Good+ in wraps. Owner personalization inked on FEP.; BFI Film Classics; 88 pages.

Taschenbuch. Condición: Neu. Neuware - Lindsay Anderson's film if.(1968), starring Malcolm McDowell as a schoolboy who leads a guerilla insurgence, imagines how repression, conformity, and fusty ritual at an English public school could lead to anarchy and bloody revolt. Its title is a sardonic nod to Rudyard Kipling's most famous poem, and its story a radical updating of Kipling's 1899 story 'Stalky and Co.,' in which prankish rebels are groomed to police the empire. Released at a time of unprecedented student uprisings in Europe and America, if.provided a peculiarly English perspective on the battle between generations - the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Mark Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values. No longer a vehicle for shock or dissent, if.is today enjoyed comfortably, even nostalgically, but for Sinker this renders its many knots and paradoxes, the moments of poetry that Anderson argued were cinema's raison d'etre, all the more fascinating.…

Paperback. Condición: new. Paperback. Lindsay Anderson's film if.(1968), starring Malcolm McDowell as a schoolboy who leads a guerilla insurgence, imagines how repression, conformity, and fusty ritual at an English public school could lead to anarchy and bloody revolt. Its title is a sardonic nod to Rudyard Kipling's most famous poem, and its story a radical updating of Kipling's 1899 story 'Stalky and Co.,' in which prankish rebels are groomed to police the empire. Released at a time of unprecedented student uprisings in Europe and America, if.provided a peculiarly English perspective on the battle between generations - the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Mark Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values. No longer a vehicle for shock or dissent, if.is today enjoyed comfortably, even nostalgically, but for Sinker this renders its many knots and paradoxes, the moments of poetry that Anderson argued were cinema's raison d'etre, all the more fascinating. Provocative study of this still-relevant parable of schoolboy revolution Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condición: new. Paperback. Lindsay Anderson's film if.(1968), starring Malcolm McDowell as a schoolboy who leads a guerilla insurgence, imagines how repression, conformity, and fusty ritual at an English public school could lead to anarchy and bloody revolt. Its title is a sardonic nod to Rudyard Kipling's most famous poem, and its story a radical updating of Kipling's 1899 story 'Stalky and Co.,' in which prankish rebels are groomed to police the empire. Released at a time of unprecedented student uprisings in Europe and America, if.provided a peculiarly English perspective on the battle between generations - the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Mark Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values. No longer a vehicle for shock or dissent, if.is today enjoyed comfortably, even nostalgically, but for Sinker this renders its many knots and paradoxes, the moments of poetry that Anderson argued were cinema's raison d'etre, all the more fascinating. Provocative study of this still-relevant parable of schoolboy revolution Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condición: New. &Uumlber den AutorrnrnMark Sinker is a contributing editor at Sight and Sound. His Village Voice essay on Iannis Xenakis was included in Da Capo Best Music Writing of 2003.InhaltsverzeichnisAcknowledgments if.

Paperback. Condición: New.

Paperback. Condición: New. Lindsay Anderson's film if.(1968), starring Malcolm McDowell as a schoolboy who leads a guerilla insurgence, imagines how repression, conformity, and fusty ritual at an English public school could lead to anarchy and bloody revolt. Its title is a sardonic nod to Rudyard Kipling's most famous poem, and its story a radical updating of Kipling's 1899 story "Stalky and Co.," in which prankish rebels are groomed to police the empire. Released at a time of unprecedented student uprisings in Europe and America, if.provided a peculiarly English perspective on the battle between generations - the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Mark Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values. No longer a vehicle for shock or dissent, if.is today enjoyed comfortably, even nostalgically, but for Sinker this renders its many knots and paradoxes, the moments of poetry that Anderson argued were cinema's raison d'etre, all the more fascinating.…