9781839993985 - media and the myth of the pristine night de avery, dwayne (24 resultados)
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Hardback. Condición: New. Provides a critical and comprehensive account of the mediation of rural darkness, analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries.With the rapid and ubiquitous spread of urban ligh…t pollution, nocturnal darkness has become a rare and neglected experience. In response to the steady decline of gloom, researchers working across multiple disciplines have sought to understand the dynamic and innovative role nighttime plays in human cultures across time. From studies on the ritualistic function of darkened caves in Paleolithic times to contemporary policy concerns over the need for nighttime mayors and tourist economies, night research has emerged as a prolific line of inquiry capturing the night's distinct qualities. However, while "night studies" brings much-needed attention to human experiences with darkness, little work exists outside the context of cities. The result is that explorations of rural darkness, such as the media genres and styles that culturally shape the meaning of the rural night, have been meager.This book provides a critical and comprehensive account of the mediation of rural darkness. Analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries, the book focuses on two competing and irreconcilable cultures of rural darkness. On the one hand, many media genres contribute to a "preservation" ideology based on the Western myth of "wilderness." Relying on the classic urban/rural binary, this culture of rural darkness imagines the night as a primal and ancient inheritance, a distant and remote frontier free from the ills of human technology. On the other hand, other media genres challenge this preservationist depiction of rural darkness, demonstrating that the rural night does not retreat from modern, urban life but is an extension of the urban-technological.Promoting a hybrid, intermeshed view of the night, this culture of rural darkness dismantles the frontier myth by understanding "pristine" darkness as a cultural technology that seeks to erase the messy connections between the rural and the urban. The book contends that only the latter culture of rural darkness offers a responsible and accurate understanding of the rural night. Not only does the preservationist view of pristine darkness privilege "natural" darkness over other sustainable forms of gloom, but its endorsement of the frontier myth represents a flight from history, a rhetorical strategy that may actually prevent the night's protection.
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Hardcover. Condición: new. Hardcover. With the rapid and ubiquitous spread of urban light pollution, nocturnal darkness has become a rare and neglected experience. In response to the steady decline of gloom, researchers working across multiple disciplines have sought to understand the dynamic and innovative role nighttime plays…in human cultures across time. From studies on the ritualistic function of darkened caves in Paleolithic times to contemporary policy concerns over the need for nighttime mayors and tourist economies, night research has emerged as a prolific line of inquiry capturing the night's distinct qualities. However, while "night studies" brings much-needed attention to human experiences with darkness, little work exists outside the context of cities. The result is that explorations of rural darkness, such as the media genres and styles that culturally shape the meaning of the rural night, have been meager.This book provides a critical and comprehensive account of the mediation of rural darkness. Analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries, the book focuses on two competing and irreconcilable cultures of rural darkness. On the one hand, many media genres contribute to a "preservation" ideology based on the Western myth of "wilderness." Relying on the classic urban/rural binary, this culture of rural darkness imagines the night as a primal and ancient inheritance, a distant and remote frontier free from the ills of human technology. On the other hand, other media genres challenge this preservationist depiction of rural darkness, demonstrating that the rural night does not retreat from modern, urban life but is an extension of the urban-technological.Promoting a hybrid, intermeshed view of the night, this culture of rural darkness dismantles the frontier myth by understanding "pristine" darkness as a cultural technology that seeks to erase the messy connections between the rural and the urban. The book contends that only the latter culture of rural darkness offers a responsible and accurate understanding of the rural night. Not only does the preservationist view of pristine darkness privilege "natural" darkness over other sustainable forms of gloom, but its endorsement of the frontier myth represents a flight from history, a rhetorical strategy that may actually prevent the night's protection. This book provides a critical and comprehensive account of the mediation of rural darkness. Analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries, the book focuses on two competing and irreconcilable cultures of rural darkness. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Hardback. Condición: New. Provides a critical and comprehensive account of the mediation of rural darkness, analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries.With the rapid and ubiquitous spread of urban ligh…t pollution, nocturnal darkness has become a rare and neglected experience. In response to the steady decline of gloom, researchers working across multiple disciplines have sought to understand the dynamic and innovative role nighttime plays in human cultures across time. From studies on the ritualistic function of darkened caves in Paleolithic times to contemporary policy concerns over the need for nighttime mayors and tourist economies, night research has emerged as a prolific line of inquiry capturing the night's distinct qualities. However, while "night studies" brings much-needed attention to human experiences with darkness, little work exists outside the context of cities. The result is that explorations of rural darkness, such as the media genres and styles that culturally shape the meaning of the rural night, have been meager.This book provides a critical and comprehensive account of the mediation of rural darkness. Analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries, the book focuses on two competing and irreconcilable cultures of rural darkness. On the one hand, many media genres contribute to a "preservation" ideology based on the Western myth of "wilderness." Relying on the classic urban/rural binary, this culture of rural darkness imagines the night as a primal and ancient inheritance, a distant and remote frontier free from the ills of human technology. On the other hand, other media genres challenge this preservationist depiction of rural darkness, demonstrating that the rural night does not retreat from modern, urban life but is an extension of the urban-technological.Promoting a hybrid, intermeshed view of the night, this culture of rural darkness dismantles the frontier myth by understanding "pristine" darkness as a cultural technology that seeks to erase the messy connections between the rural and the urban. The book contends that only the latter culture of rural darkness offers a responsible and accurate understanding of the rural night. Not only does the preservationist view of pristine darkness privilege "natural" darkness over other sustainable forms of gloom, but its endorsement of the frontier myth represents a flight from history, a rhetorical strategy that may actually prevent the night's protection.
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Hardback. Condición: New. Provides a critical and comprehensive account of the mediation of rural darkness, analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries.With the rapid and ubiquitous spread of urban ligh…t pollution, nocturnal darkness has become a rare and neglected experience. In response to the steady decline of gloom, researchers working across multiple disciplines have sought to understand the dynamic and innovative role nighttime plays in human cultures across time. From studies on the ritualistic function of darkened caves in Paleolithic times to contemporary policy concerns over the need for nighttime mayors and tourist economies, night research has emerged as a prolific line of inquiry capturing the night's distinct qualities. However, while "night studies" brings much-needed attention to human experiences with darkness, little work exists outside the context of cities. The result is that explorations of rural darkness, such as the media genres and styles that culturally shape the meaning of the rural night, have been meager.This book provides a critical and comprehensive account of the mediation of rural darkness. Analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries, the book focuses on two competing and irreconcilable cultures of rural darkness. On the one hand, many media genres contribute to a "preservation" ideology based on the Western myth of "wilderness." Relying on the classic urban/rural binary, this culture of rural darkness imagines the night as a primal and ancient inheritance, a distant and remote frontier free from the ills of human technology. On the other hand, other media genres challenge this preservationist depiction of rural darkness, demonstrating that the rural night does not retreat from modern, urban life but is an extension of the urban-technological.Promoting a hybrid, intermeshed view of the night, this culture of rural darkness dismantles the frontier myth by understanding "pristine" darkness as a cultural technology that seeks to erase the messy connections between the rural and the urban. The book contends that only the latter culture of rural darkness offers a responsible and accurate understanding of the rural night. Not only does the preservationist view of pristine darkness privilege "natural" darkness over other sustainable forms of gloom, but its endorsement of the frontier myth represents a flight from history, a rhetorical strategy that may actually prevent the night's protection.
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Hardback. Condición: New. Provides a critical and comprehensive account of the mediation of rural darkness, analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries.With the rapid and ubiquitous spread of urban ligh…t pollution, nocturnal darkness has become a rare and neglected experience. In response to the steady decline of gloom, researchers working across multiple disciplines have sought to understand the dynamic and innovative role nighttime plays in human cultures across time. From studies on the ritualistic function of darkened caves in Paleolithic times to contemporary policy concerns over the need for nighttime mayors and tourist economies, night research has emerged as a prolific line of inquiry capturing the night's distinct qualities. However, while "night studies" brings much-needed attention to human experiences with darkness, little work exists outside the context of cities. The result is that explorations of rural darkness, such as the media genres and styles that culturally shape the meaning of the rural night, have been meager.This book provides a critical and comprehensive account of the mediation of rural darkness. Analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries, the book focuses on two competing and irreconcilable cultures of rural darkness. On the one hand, many media genres contribute to a "preservation" ideology based on the Western myth of "wilderness." Relying on the classic urban/rural binary, this culture of rural darkness imagines the night as a primal and ancient inheritance, a distant and remote frontier free from the ills of human technology. On the other hand, other media genres challenge this preservationist depiction of rural darkness, demonstrating that the rural night does not retreat from modern, urban life but is an extension of the urban-technological.Promoting a hybrid, intermeshed view of the night, this culture of rural darkness dismantles the frontier myth by understanding "pristine" darkness as a cultural technology that seeks to erase the messy connections between the rural and the urban. The book contends that only the latter culture of rural darkness offers a responsible and accurate understanding of the rural night. Not only does the preservationist view of pristine darkness privilege "natural" darkness over other sustainable forms of gloom, but its endorsement of the frontier myth represents a flight from history, a rhetorical strategy that may actually prevent the night's protection.
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Hardcover. Condición: new. Hardcover. With the rapid and ubiquitous spread of urban light pollution, nocturnal darkness has become a rare and neglected experience. In response to the steady decline of gloom, researchers working across multiple disciplines have sought to understand the dynamic and innovative role nighttime plays…in human cultures across time. From studies on the ritualistic function of darkened caves in Paleolithic times to contemporary policy concerns over the need for nighttime mayors and tourist economies, night research has emerged as a prolific line of inquiry capturing the night's distinct qualities. However, while "night studies" brings much-needed attention to human experiences with darkness, little work exists outside the context of cities. The result is that explorations of rural darkness, such as the media genres and styles that culturally shape the meaning of the rural night, have been meager.This book provides a critical and comprehensive account of the mediation of rural darkness. Analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries, the book focuses on two competing and irreconcilable cultures of rural darkness. On the one hand, many media genres contribute to a "preservation" ideology based on the Western myth of "wilderness." Relying on the classic urban/rural binary, this culture of rural darkness imagines the night as a primal and ancient inheritance, a distant and remote frontier free from the ills of human technology. On the other hand, other media genres challenge this preservationist depiction of rural darkness, demonstrating that the rural night does not retreat from modern, urban life but is an extension of the urban-technological.Promoting a hybrid, intermeshed view of the night, this culture of rural darkness dismantles the frontier myth by understanding "pristine" darkness as a cultural technology that seeks to erase the messy connections between the rural and the urban. The book contends that only the latter culture of rural darkness offers a responsible and accurate understanding of the rural night. Not only does the preservationist view of pristine darkness privilege "natural" darkness over other sustainable forms of gloom, but its endorsement of the frontier myth represents a flight from history, a rhetorical strategy that may actually prevent the night's protection. This book provides a critical and comprehensive account of the mediation of rural darkness. Analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries, the book focuses on two competing and irreconcilable cultures of rural darkness. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Hardcover. Condición: new. Hardcover. With the rapid and ubiquitous spread of urban light pollution, nocturnal darkness has become a rare and neglected experience. In response to the steady decline of gloom, researchers working across multiple disciplines have sought to understand the dynamic and innovative role nighttime plays…in human cultures across time. From studies on the ritualistic function of darkened caves in Paleolithic times to contemporary policy concerns over the need for nighttime mayors and tourist economies, night research has emerged as a prolific line of inquiry capturing the night's distinct qualities. However, while "night studies" brings much-needed attention to human experiences with darkness, little work exists outside the context of cities. The result is that explorations of rural darkness, such as the media genres and styles that culturally shape the meaning of the rural night, have been meager.This book provides a critical and comprehensive account of the mediation of rural darkness. Analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries, the book focuses on two competing and irreconcilable cultures of rural darkness. On the one hand, many media genres contribute to a "preservation" ideology based on the Western myth of "wilderness." Relying on the classic urban/rural binary, this culture of rural darkness imagines the night as a primal and ancient inheritance, a distant and remote frontier free from the ills of human technology. On the other hand, other media genres challenge this preservationist depiction of rural darkness, demonstrating that the rural night does not retreat from modern, urban life but is an extension of the urban-technological.Promoting a hybrid, intermeshed view of the night, this culture of rural darkness dismantles the frontier myth by understanding "pristine" darkness as a cultural technology that seeks to erase the messy connections between the rural and the urban. The book contends that only the latter culture of rural darkness offers a responsible and accurate understanding of the rural night. Not only does the preservationist view of pristine darkness privilege "natural" darkness over other sustainable forms of gloom, but its endorsement of the frontier myth represents a flight from history, a rhetorical strategy that may actually prevent the night's protection. This book provides a critical and comprehensive account of the mediation of rural darkness. Analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries, the book focuses on two competing and irreconcilable cultures of rural darkness. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - With the rapid and ubiquitous spread of urban light pollution, nocturnal darkness has become a rare and neglected experience. In response to the steady decline of gloom, researchers working across multiple disciplines have sought to understand…the dynamic and innovative role nighttime plays in human cultures across time. From studies on the ritualistic function of darkened caves in Paleolithic times to contemporary policy concerns over the need for nighttime mayors and tourist economies, night research has emerged as a prolific line of inquiry capturing the night's distinct qualities. However, while 'night studies' brings much-needed attention to human experiences with darkness, little work exists outside the context of cities. The result is that explorations of rural darkness, such as the media genres and styles that culturally shape the meaning of the rural night, have been meager. This book provides a critical and comprehensive account of the mediation of rural darkness. Analyzing a wide range of contemporary media, from astrophotography, tourist advertisements and social media to editing software, online databases and nature documentaries, the book focuses on two competing and irreconcilable cultures of rural darkness. On the one hand, many media genres contribute to a 'preservation' ideology based on the Western myth of 'wilderness.' Relying on the classic urban/rural binary, this culture of rural darkness imagines the night as a primal and ancient inheritance, a distant and remote frontier free from the ills of human technology. On the other hand, other media genres challenge this preservationist depiction of rural darkness, demonstrating that the rural night does not retreat from modern, urban life but is an extension of the urban-technological. Promoting a hybrid, intermeshed view of the night, this culture of rural darkness dismantles the frontier myth by understanding 'pristine' darkness as a cultural technology that seeks to erase the messy connections between the rural and the urban. The book contends that only the latter culture of rural darkness offers a responsible and accurate understanding of the rural night. Not only does the preservationist view of pristine darkness privilege 'natural' darkness over other sustainable forms of gloom, but its endorsement of the frontier myth represents a flight from history, a rhetorical strategy that may actually prevent the night's protection.
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Buch. Condición: Neu. Media and the Myth of the Pristine Night | Dwayne Avery | Buch | Englisch | 2025 | Anthem Press | EAN 9781839993985 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
