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  • Idioma: Inglés

    Publicado por Oberon Books, 2014

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America

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    EUR 10,50

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    Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

  • Fintan Walsh

    Idioma: Inglés

    Publicado por Oberon Books, 2014

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido

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    EUR 6,08

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    Paperback. Condición: Fine.

  • Fintan Walsh

    Idioma: Inglés

    Publicado por Oberon Books, 2013

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: WeBuyBooks, Rossendale, LANCS, Reino Unido

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    EUR 9,47

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    Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

  • Fintan Walsh

    Idioma: Inglés

    Publicado por Bloomsbury Publishing PLC, GB, 2013

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: Rarewaves.com USA, London, LONDO, Reino Unido

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    EUR 29,69

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    Paperback. Condición: New. In the wake of Ireland's recent economic rise, fall, and associated social crises, theatre and performance have played vital roles in reflecting on the past, engaging the present, and imagining possible futures.That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance. Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others. Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally.In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics. Contents1. The Power of the Powerless: Theatre in Turbulent Times by Fintan WalshONE: Theatres of Testimony 2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers' Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor4. You Had to be There by Louise LoweTWO: Auto/Biographical Performance 5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy6. The Writing Life by Helen Meany7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Socìetas Raffaello Sanzio by Dylan TigheTHREE: Bodies Out of Bounds8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Children's Theatre by Eimear Beardmore10. Living Inspiration by John ScottFOUR: Placing Performance11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson12. 'Getting Known': Beckett, Ireland, and the Creative Industries by Trish McTighe13. The Art of Perspective by Michael WestFIVE: Touring Performances14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating16. Viewed from Afar: Contemporary Irish Theatre on the World's Stages by Peter Crawley17. A Dance You Associate With Your Family by Gary Keegan.

  • Idioma: Inglés

    Publicado por Bloomsbury Publishing (UK), 2013

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America

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    EUR 29,70

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    PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

  • Fintan Walsh

    Idioma: Inglés

    Publicado por Oberon Books, 2014

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: Brook Bookstore On Demand, Napoli, NA, Italia

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    EUR 23,80

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    Condición: new.

  • Idioma: Inglés

    Publicado por Bloomsbury Publishing (UK), 2013

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: PBShop.store UK, Fairford, GLOS, Reino Unido

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    EUR 27,85

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    PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

  • Idioma: Inglés

    Publicado por Oberon Books, 2014

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: Majestic Books, Hounslow, Reino Unido

    Calificación del vendedor: 4 de 5 estrellas Valoración 4 estrellas, Más información sobre las valoraciones de los vendedores

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    EUR 27,57

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    Condición: New.

  • Walsh, F

    Idioma: Inglés

    Publicado por Oberon Books, 2014

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda

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    EUR 24,95

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    Condición: New. This collection of critical essays and artist reflections accounts for some of the richest and most important developments to take place in contemporary Irish theatre and performance. Editor(s): Walsh, Fintan. Num Pages: 247 pages, black & white illustrations. BIC Classification: 1DBR; AN. Category: (G) General (US: Trade). Dimension: 212 x 143 x 18. Weight in Grams: 372. . 2014. Paperback. . . . .

  • Fintan Walsh and Willie White

    Idioma: Inglés

    Publicado por Oberon Books, 2013

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: The Secret Book and Record Store, Dublin, DUB, Irlanda

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    EUR 12,00

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    Soft cover. Condición: As New. Slight shelf wear only.

  • Walsh, F

    Idioma: Inglés

    Publicado por Oberon Books, 2014

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America

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    EUR 30,69

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    Condición: New. This collection of critical essays and artist reflections accounts for some of the richest and most important developments to take place in contemporary Irish theatre and performance. Editor(s): Walsh, Fintan. Num Pages: 247 pages, black & white illustrations. BIC Classification: 1DBR; AN. Category: (G) General (US: Trade). Dimension: 212 x 143 x 18. Weight in Grams: 372. . 2014. Paperback. . . . . Books ship from the US and Ireland.

  • Fintan Walsh

    Idioma: Inglés

    Publicado por Oberon Books 2013-09-16, 2013

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: Chiron Media, Wallingford, Reino Unido

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    EUR 23,35

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    Paperback. Condición: New.

  • Idioma: Inglés

    Publicado por Oberon Books, 2014

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: Biblios, Frankfurt am main, HESSE, Alemania

    Calificación del vendedor: 4 de 5 estrellas Valoración 4 estrellas, Más información sobre las valoraciones de los vendedores

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    EUR 33,17

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    Condición: New.

  • Fintan Walsh

    Idioma: Inglés

    Publicado por Bloomsbury Publishing PLC, 2014

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: THE SAINT BOOKSTORE, Southport, Reino Unido

    Calificación del vendedor: 5 de 5 estrellas Valoración 5 estrellas, Más información sobre las valoraciones de los vendedores

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    EUR 29,65

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    Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

  • Walsh, Fintan (Editor)/ White, Willie (Contributor)

    Idioma: Inglés

    Publicado por Oberon Books Ltd, 2014

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: Revaluation Books, Exeter, Reino Unido

    Calificación del vendedor: 5 de 5 estrellas Valoración 5 estrellas, Más información sobre las valoraciones de los vendedores

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    EUR 43,59

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    Paperback. Condición: Brand New. 247 pages. 8.75x5.50x0.75 inches. In Stock.

  • Walsh, Fintan

    Idioma: Inglés

    Publicado por HART PUB, 2014

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: moluna, Greven, Alemania

    Calificación del vendedor: 5 de 5 estrellas Valoración 5 estrellas, Más información sobre las valoraciones de los vendedores

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    EUR 32,99

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    Condición: New. This collection of critical essays and artist reflections accounts for some of the richest and most important developments to take place in contemporary Irish theatre and performance.&Uumlber den AutorrnrnFintan Walsh is Lecturer in Th.

  • Fintan Walsh

    Idioma: Inglés

    Publicado por Bloomsbury Publishing PLC, GB, 2013

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: Rarewaves.com UK, London, Reino Unido

    Calificación del vendedor: 5 de 5 estrellas Valoración 5 estrellas, Más información sobre las valoraciones de los vendedores

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    EUR 26,35

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    Paperback. Condición: New. In the wake of Ireland's recent economic rise, fall, and associated social crises, theatre and performance have played vital roles in reflecting on the past, engaging the present, and imagining possible futures.That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance. Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others. Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally.In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics. Contents1. The Power of the Powerless: Theatre in Turbulent Times by Fintan WalshONE: Theatres of Testimony 2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers' Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor4. You Had to be There by Louise LoweTWO: Auto/Biographical Performance 5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy6. The Writing Life by Helen Meany7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Socìetas Raffaello Sanzio by Dylan TigheTHREE: Bodies Out of Bounds8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Children's Theatre by Eimear Beardmore10. Living Inspiration by John ScottFOUR: Placing Performance11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson12. 'Getting Known': Beckett, Ireland, and the Creative Industries by Trish McTighe13. The Art of Perspective by Michael WestFIVE: Touring Performances14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating16. Viewed from Afar: Contemporary Irish Theatre on the World's Stages by Peter Crawley17. A Dance You Associate With Your Family by Gary Keegan.

  • Fintan Walsh

    Idioma: Inglés

    Publicado por OBERON BOOKS Sep 2013, 2013

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: AHA-BUCH GmbH, Einbeck, Alemania

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    EUR 39,29

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    Taschenbuch. Condición: Neu. Neuware - In the wake of Ireland's recent economic rise, fall, and associated social crises, theatre and performance have played vital roles in reflecting on the past, engaging the present, and imagining possible futures.That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance.Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others.Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally.In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics.Contents1. The Power of the Powerless: Theatre in Turbulent Times by Fintan WalshONE: Theatres of Testimony2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers' Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor4. You Had to be There by Louise LoweTWO: Auto/Biographical Performance5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy6. The Writing Life by Helen Meany7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Socìetas Raffaello Sanzio by Dylan TigheTHREE: Bodies Out of Bounds8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Children's Theatre by Eimear Beardmore10. Living Inspiration by John ScottFOUR: Placing Performance11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson12. 'Getting Known': Beckett, Ireland, and the Creative Industries by Trish McTighe13. The Art of Perspective by Michael WestFIVE: Touring Performances14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating16. Viewed from Afar: Contemporary Irish Theatre on the World's Stages by Peter Crawley17. A Dance You Associate With Your Family by Gary Keegan.

  • Fintan Walsh

    Idioma: Inglés

    Publicado por Bloomsbury Publishing PLC, London, 2013

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America

    Calificación del vendedor: 5 de 5 estrellas Valoración 5 estrellas, Más información sobre las valoraciones de los vendedores

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    EUR 37,28

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    Paperback. Condición: new. Paperback. In the wake of Irelands recent economic rise, fall, and associated social crises, theatre and performance have played vital roles in reflecting on the past, engaging the present, and imagining possible futures.That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance.Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others.Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally.In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics.Contents1. The Power of the Powerless: Theatre in Turbulent Times by Fintan WalshONE: Theatres of Testimony 2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor4. You Had to be There by Louise LoweTWO: Auto/Biographical Performance 5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy6. The Writing Life by Helen Meany7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Societas Raffaello Sanzio by Dylan TigheTHREE: Bodies Out of Bounds8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Childrens Theatre by Eimear Beardmore10. Living Inspiration by John ScottFOUR: Placing Performance11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson12. Getting Known: Beckett, Ireland, and the Creative Industries by Trish McTighe13. The Art of Perspective by Michael WestFIVE: Touring Performances14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating16. Viewed from Afar: Contemporary Irish Theatre on the Worlds Stages by Peter Crawley17. A Dance You Associate With Your Family by Gary Keegan This collection of critical essays and artist reflections accounts for some of the richest and most important developments to take place in contemporary Irish theatre and performance. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Walsh, Fintan (Editor)/ White, Willie (Contributor)

    Idioma: Inglés

    Publicado por Oberon Books Ltd, 2014

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: Revaluation Books, Exeter, Reino Unido

    Calificación del vendedor: 5 de 5 estrellas Valoración 5 estrellas, Más información sobre las valoraciones de los vendedores

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    EUR 26,40

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    Paperback. Condición: Brand New. 247 pages. 8.75x5.50x0.75 inches. In Stock. This item is printed on demand.

  • Fintan Walsh

    Idioma: Inglés

    Publicado por Bloomsbury Publishing PLC, London, 2013

    ISBN 10: 1783190353 ISBN 13: 9781783190355

    Librería: CitiRetail, Stevenage, Reino Unido

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    EUR 44,21

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    Paperback. Condición: new. Paperback. In the wake of Irelands recent economic rise, fall, and associated social crises, theatre and performance have played vital roles in reflecting on the past, engaging the present, and imagining possible futures.That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance.Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others.Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally.In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics.Contents1. The Power of the Powerless: Theatre in Turbulent Times by Fintan WalshONE: Theatres of Testimony 2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor4. You Had to be There by Louise LoweTWO: Auto/Biographical Performance 5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy6. The Writing Life by Helen Meany7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Societas Raffaello Sanzio by Dylan TigheTHREE: Bodies Out of Bounds8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Childrens Theatre by Eimear Beardmore10. Living Inspiration by John ScottFOUR: Placing Performance11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson12. Getting Known: Beckett, Ireland, and the Creative Industries by Trish McTighe13. The Art of Perspective by Michael WestFIVE: Touring Performances14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating16. Viewed from Afar: Contemporary Irish Theatre on the Worlds Stages by Peter Crawley17. A Dance You Associate With Your Family by Gary Keegan This collection of critical essays and artist reflections accounts for some of the richest and most important developments to take place in contemporary Irish theatre and performance. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.