Isbn: 9781681370248 - notes on the cinematograph (new york review books classics) (34 resultados)

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Paperback. Condición: new. Paperback. Bresson's highly-regarded book on film theory and criticism, Notes on the Cinematograph, gives readers a peak into the mind of the influential French director. Until now, Bresson's classic of film literature has been rare and expensive. NYRB Classics is thrilled to bring these "notes"--ranging from thoughts on the art of cinematography to the art of life--to a broader audience.The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors-models, as he called them-and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped, Pickpocket, Diary of a Country Priest, and Lancelot of the Lake. From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake.Notes on the Cinematograph distills the essence of Bresson's theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for -students of the cinema, will also prove an inspiration, much like Rilke's Letters to a Young Poet, for anyone who responds to the claims of the imagination at its most searching and rigorous. A key influence on the French New Wave and the director of such iconic works as Pickpocket and A Man Escaped, Robert Bresson is one of the central figures of French cinema. This is not only his definitive treatise on film - its inherent peculiarity and potential - but an ascetic meditation on how art transcends, and is transformed by, the senses. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Condición: New. 2016. Main. Paperback. Num Pages: 128 pages. BIC Classification: APFX. Category: (G) General (US: Trade). Dimension: 129 x 203 x 20. Weight in Grams: 138. . . . . .

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Condición: New. 2016. Main. Paperback. Num Pages: 128 pages. BIC Classification: APFX. Category: (G) General (US: Trade). Dimension: 129 x 203 x 20. Weight in Grams: 138. . . . . . Books ship from the US and Ireland.

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Paperback. Condición: Brand New. main edition. 112 pages. 8.25x5.00x0.50 inches. In Stock.

Taschenbuch. Condición: Neu. Neuware - The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actorsmodels, as he called themand deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped, Pickpocket, Diary of a Country Priest, and Lancelot of the Lake. From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake. Notes on the Cinematograph distills the essence of Bresson's theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for students of the cinema, will also prove an inspiration, much like Rilke's Letters to a Young Poet, for anyone who responds to the claims of the imagination at its most searching and rigorous.…

Paperback. Condición: New. Main.

Paperback. Condición: new. Paperback. Bresson's highly-regarded book on film theory and criticism, Notes on the Cinematograph, gives readers a peak into the mind of the influential French director. Until now, Bresson's classic of film literature has been rare and expensive. NYRB Classics is thrilled to bring these "notes"--ranging from thoughts on the art of cinematography to the art of life--to a broader audience.The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors-models, as he called them-and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped, Pickpocket, Diary of a Country Priest, and Lancelot of the Lake. From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake.Notes on the Cinematograph distills the essence of Bresson's theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for -students of the cinema, will also prove an inspiration, much like Rilke's Letters to a Young Poet, for anyone who responds to the claims of the imagination at its most searching and rigorous. A key influence on the French New Wave and the director of such iconic works as Pickpocket and A Man Escaped, Robert Bresson is one of the central figures of French cinema. This is not only his definitive treatise on film - its inherent peculiarity and potential - but an ascetic meditation on how art transcends, and is transformed by, the senses. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condición: new. Paperback. Bresson's highly-regarded book on film theory and criticism, Notes on the Cinematograph, gives readers a peak into the mind of the influential French director. Until now, Bresson's classic of film literature has been rare and expensive. NYRB Classics is thrilled to bring these "notes"--ranging from thoughts on the art of cinematography to the art of life--to a broader audience.The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors-models, as he called them-and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped, Pickpocket, Diary of a Country Priest, and Lancelot of the Lake. From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake.Notes on the Cinematograph distills the essence of Bresson's theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for -students of the cinema, will also prove an inspiration, much like Rilke's Letters to a Young Poet, for anyone who responds to the claims of the imagination at its most searching and rigorous. A key influence on the French New Wave and the director of such iconic works as Pickpocket and A Man Escaped, Robert Bresson is one of the central figures of French cinema. This is not only his definitive treatise on film - its inherent peculiarity and potential - but an ascetic meditation on how art transcends, and is transformed by, the senses. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…