9781644230596 - albers and morandi: never finished de albers, josef; morandi, giorgio (23 resultados)
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Librería: Argosy Book Store, ABAA, ILAB, New York, NY, Estados Unidos de AmericaArgosy Book Store, ABAA, ILAB
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EUR 30,42
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hardcover. Condición: fine. Illustrated in color. 143 pages. Small, square 4to, teal cloth. New York: David Zwirner, (2021). A fine copy. Josef Albers, Giorgio Morandi (ilustrador).
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Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO
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Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO
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Condición: New. Brand New.
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Librería: ANARTIST, New York, NY, Estados Unidos de AmericaANARTIST
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EUR 36,05
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Hardcover without dustjacket as issued; 144 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
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Librería: Book Alley, Pasadena, CA, Estados Unidos de AmericaBook Alley
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EUR 36,26
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hardcover. Condición: Fine. As new, still sealed in publisher's shrinkwrap. Corners are sharp.
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 35,94
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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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EUR 37,08
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Condición: new.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 47,51
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Hardback. Condición: New. An unprecedented catalogue exploring the affinities and contrasts between Josef Albers and Giorgio Morandi-two of modern art's greatest painters. "Rarely seen together, the artwork of Josef Albers (1888-1976) and Giorgio Morandi (1890-1964) shares many similarities. Although they never met, both artists… worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackle similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker's Peter Schjeldahl as "one of the best . I've ever seen," this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition's curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop, Germany; and Nicholas Fox Weber, the director of Josef and Anni Albers Foundation, as well as an essay by the Morandi expert and founder of the Center for Italian Modern Art, Laura Mattioli.
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 47,61
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 10 disponibles
Hardback. Condición: New. An unprecedented catalogue exploring the affinities and contrasts between Josef Albers and Giorgio Morandi-two of modern art's greatest painters. "Rarely seen together, the artwork of Josef Albers (1888-1976) and Giorgio Morandi (1890-1964) shares many similarities. Although they never met, both artists… worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackle similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker's Peter Schjeldahl as "one of the best . I've ever seen," this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition's curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop, Germany; and Nicholas Fox Weber, the director of Josef and Anni Albers Foundation, as well as an essay by the Morandi expert and founder of the Center for Italian Modern Art, Laura Mattioli.
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 48,93
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Hardcover. Condición: new. Hardcover. An unprecedented catalogue exploring the affinities and contrasts between Josef Albers and Giorgio Morandi-two of modern art's greatest painters. "Rarely seen together, the artwork of Josef Albers (1888-1976) and Giorgio Morandi (1890-1964) shares many similarities. Although they never met,…both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackle similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space.Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker's Peter Schjeldahl as "one of the best . I've ever seen," this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition's curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop, Germany; and Nicholas Fox Weber, the director of Josef and Anni Albers Foundation, as well as an essay by the Morandi expert and founder of the Center for Italian Modern Art, Laura Mattioli. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 43,36
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Condición: New.
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- Primera edición
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 49,21
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Condición: New. 2021. 01st Edition. Hardcover. . . . . .
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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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EUR 53,81
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Condición: New.
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 41,44
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Hardback. Condición: New. New copy - Usually dispatched within 4 working days.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Hardcover. Condición: Brand New. 144 pages. 10.00x9.00x0.80 inches. In Stock.
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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Condición: New. 2021. 01st Edition. Hardcover. . . . . . Books ship from the US and Ireland.
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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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EUR 43,00
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Hardcover. Condición: new. Hardcover. An unprecedented catalogue exploring the affinities and contrasts between Josef Albers and Giorgio Morandi-two of modern art's greatest painters. "Rarely seen together, the artwork of Josef Albers (1888-1976) and Giorgio Morandi (1890-1964) shares many similarities. Although they never met,…both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackle similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space.Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker's Peter Schjeldahl as "one of the best . I've ever seen," this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition's curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop, Germany; and Nicholas Fox Weber, the director of Josef and Anni Albers Foundation, as well as an essay by the Morandi expert and founder of the Center for Italian Modern Art, Laura Mattioli. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Librería: moluna, Greven, Alemaniamoluna
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EUR 40,82
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Condición: New. Über den AutorJosef Albers (1888&ndash1976) is considered one of the most influential abstract painters of the twentieth century as well as an important designer and educator. Albers was born in Bottrop, Germany, and became .
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Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 49,38
Envío por EUR 43,76Se envía dentro de Estados Unidos de AmericaCantidad disponible: 10 disponibles
Hardback. Condición: New. An unprecedented catalogue exploring the affinities and contrasts between Josef Albers and Giorgio Morandi-two of modern art's greatest painters. "Rarely seen together, the artwork of Josef Albers (1888-1976) and Giorgio Morandi (1890-1964) shares many similarities. Although they never met, both artists… worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackle similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker's Peter Schjeldahl as "one of the best . I've ever seen," this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition's curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop, Germany; and Nicholas Fox Weber, the director of Josef and Anni Albers Foundation, as well as an essay by the Morandi expert and founder of the Center for Italian Modern Art, Laura Mattioli.
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 61,13
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Hardcover. Condición: new. Hardcover. An unprecedented catalogue exploring the affinities and contrasts between Josef Albers and Giorgio Morandi-two of modern art's greatest painters. "Rarely seen together, the artwork of Josef Albers (1888-1976) and Giorgio Morandi (1890-1964) shares many similarities. Although they never met,…both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackle similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space.Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker's Peter Schjeldahl as "one of the best . I've ever seen," this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition's curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop, Germany; and Nicholas Fox Weber, the director of Josef and Anni Albers Foundation, as well as an essay by the Morandi expert and founder of the Center for Italian Modern Art, Laura Mattioli. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: O.o.l.p., Torino, TO, ItaliaO.o.l.p.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 52,37
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Buch. Condición: Neu. Neuware - An unprecedented catalogue exploring the formal and visual affinities and contrasts between Josef Albers and Giorgio Moranditwo of modern art's greatest painters. Rarely seen together, the artworks of Josef Albers (18881976) and Giorgio Morandi (18901964) share many similarities. Although they nev…er met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackled similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished at David Zwirner New York in 2021, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker's Peter Schjeldahl as "one of the best ? I've ever seen," this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition's curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop; and Nicholas Fox Weber, the executive director of The Josef and Anni Albers Foundation, as well as an essay by Laura Mattioli, the Morandi expert and founder of the Center for Italian Modern Art.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 43,67
Envío por EUR 76,48Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Hardback. Condición: New. An unprecedented catalogue exploring the affinities and contrasts between Josef Albers and Giorgio Morandi-two of modern art's greatest painters. "Rarely seen together, the artwork of Josef Albers (1888-1976) and Giorgio Morandi (1890-1964) shares many similarities. Although they never met, both artists… worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackle similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker's Peter Schjeldahl as "one of the best . I've ever seen," this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition's curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop, Germany; and Nicholas Fox Weber, the director of Josef and Anni Albers Foundation, as well as an essay by the Morandi expert and founder of the Center for Italian Modern Art, Laura Mattioli.
