Isbn: 9781606995624 - black images in the comics: a visual history (25 resultados)

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. Remainder mark on page edges. Cover and edges may have some wear.

Paperback. Condición: Fine. 1st. 304 pages, illustrations; 16 cm. New and expanded edition. Tight, clean copy. First paperback edition. *** "This book spotlights over 100 comic strips, comic books, and graphic novels to feature black characters from all over the world over the last century, and the result is a fascinating journey to, if not enlightenment, then at least away from the horrendous caricatures of yore . . . Each strip, comic, or graphic novel is spotlighted via a compact but instructive 200-word essay and a representative illustration [in black and white]. The book is augmented by a context-setting introduction, an extensive source list and bibliography, and a foreword by Charles R. Johnson, the recipient of a MacArthur Foundation fellowship and winner of the National Book Award for his 1990 novel Middle Passage." -Publisher. Size: 16mo.…

paperback. Condición: As New. Used softcover like new. No spine creases, breaks, writing, highlighting or underlining. Clean, sharp serviceable copy.

Condición: As New. Unread book in perfect condition.

paperback. Condición: Like New. First Edition. Publisher: Fantagraphics, Seattle, 2012. FINE softcover in illustrated wraps, as issued. First Softcover Edition, First Printing. As new. Pristine.

Condición: New.

Paperback. Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. This book spotlights over 100 comic strips, comic books, and graphic novels to feature black characters from all over the world over the last century, and the result is a fascinating journey to, if not enlightenment, then at least away from the horrendous caricatures of yore. The book begins with the habitually appalling images of blacks as ignorant "coons" in the earliest syndicated strips (Happy Hooligan, Moon Mullins, and The Katzenjammer Kids); continues with the almost-quaint colonialist images of the often-suppressed Tintin album Tintin in the Congo and such ambiguous figures as Mandrake the Magician's "noble savage" assistant Lothar in the '30s (not to mention Torchy Brown, the first syndicated black character), moving on to such oddities as the offensive Ebony character in Will Eisner's otherwise classic The Spirit from the '40s and '50s. We then continue into the often earnest attempts at '60s integration in such strips as Peanuts (and comic books such as the Fantastic Four), as well as the first wave of "black strips" like Wee Pals, juxtaposed with the shocking satire of underground comics such as R. Crumb's incendiary Angefood McSpade. Also investigated is the increased use of blacks in super-hero comic books as well as syndicated strips. Black Images in the Comics wraps up from the '80s to now, with the increased visibility of blacks, often in works actually produced by blacks, all the way to the South African strip Madam & Eve, Aaron McGruder's pointed daily The Boondocks, and more - including over a dozen new entries added to the out-of-print hardcover edition. Each strip, comic, or graphic novel is spotlighted via a compact but instructive 200-word essay and a representative illustration. The book is augmented by a context-setting introduction, an extensive source list and bibliography, and a foreword by Charles R. Johnson, the recipient of a MacArthur Foundation fellowship and winner of the National Book Award for his 1990 novel Middle Passage. Endlessly browsable illustrated journey through comics' history of racial portrayals both good and bad. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: Brand New. reprint edition. 304 pages. 6.25x6.00x1.00 inches. In Stock.

Condición: New. pp. 304.

Condición: New. Num Pages: 304 pages, Illustrations (some col.). BIC Classification: FX. Category: (G) General (US: Trade). Dimension: 154 x 159 x 22. Weight in Grams: 430. . 2012. 1st Edition. Paperback. . . . .

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. Num Pages: 304 pages, Illustrations (some col.). BIC Classification: FX. Category: (G) General (US: Trade). Dimension: 154 x 159 x 22. Weight in Grams: 430. . 2012. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Condición: New.

Condición: New. pp. 304.

Condición: New. pp. 304.

Condición: As New. Unread book in perfect condition.

Taschenbuch. Condición: Neu. Neuware - This book spotlights over 100 comic strips, comic books, and graphic novels to feature black characters from all over the world over the last century, and the result is a fascinating journey to, if not enlightenment, then at least away from the horrendous caricatures of yore.The book begins with the habitually appalling images of blacks as ignorant 'coons' in the earliest syndicated strips (Happy Hooligan, Moon Mullins, and The Katzenjammer Kids); continues with the almost-quaint colonialist images of the often-suppressed Tintin album Tintin in the Congo and such ambiguous figures as Mandrake the Magician's 'noble savage' assistant Lothar in the '30s (not to mention Torchy Brown, the first syndicated black character), moving on to such oddities as the offensive Ebony character in Will Eisner's otherwise classic The Spirit from the '40s and '50s.We then continue into the often earnest attempts at '60s integration in such strips as Peanuts (and comic books such as the Fantastic Four), as well as the first wave of 'black strips' like Wee Pals, juxtaposed with the shocking satire of underground comics such as R. Crumb's incendiary Angefood McSpade. Also investigated is the increased use of blacks in super-hero comic books as well as syndicated strips. Black Images in the Comics wraps up from the '80s to now, with the increased visibility of blacks, often in works actually produced by blacks, all the way to the South African strip Madam & Eve, Aaron McGruder's pointed daily The Boondocks, and more -- including over a dozen new entries added to the out-of-print hardcover edition.Each strip, comic, or graphic novel is spotlighted via a compact but instructive 200-word essay and a representative illustration. The book is augmented by a context-setting introduction, an extensive source list and bibliography, and a foreword by Charles R. Johnson, the recipient of a MacArthur Foundation fellowship and winner of the National Book Award for his 1990 novel Middle Passage.…

Paperback. Condición: new. Paperback. This book spotlights over 100 comic strips, comic books, and graphic novels to feature black characters from all over the world over the last century, and the result is a fascinating journey to, if not enlightenment, then at least away from the horrendous caricatures of yore. The book begins with the habitually appalling images of blacks as ignorant "coons" in the earliest syndicated strips (Happy Hooligan, Moon Mullins, and The Katzenjammer Kids); continues with the almost-quaint colonialist images of the often-suppressed Tintin album Tintin in the Congo and such ambiguous figures as Mandrake the Magician's "noble savage" assistant Lothar in the '30s (not to mention Torchy Brown, the first syndicated black character), moving on to such oddities as the offensive Ebony character in Will Eisner's otherwise classic The Spirit from the '40s and '50s. We then continue into the often earnest attempts at '60s integration in such strips as Peanuts (and comic books such as the Fantastic Four), as well as the first wave of "black strips" like Wee Pals, juxtaposed with the shocking satire of underground comics such as R. Crumb's incendiary Angefood McSpade. Also investigated is the increased use of blacks in super-hero comic books as well as syndicated strips. Black Images in the Comics wraps up from the '80s to now, with the increased visibility of blacks, often in works actually produced by blacks, all the way to the South African strip Madam & Eve, Aaron McGruder's pointed daily The Boondocks, and more - including over a dozen new entries added to the out-of-print hardcover edition. Each strip, comic, or graphic novel is spotlighted via a compact but instructive 200-word essay and a representative illustration. The book is augmented by a context-setting introduction, an extensive source list and bibliography, and a foreword by Charles R. Johnson, the recipient of a MacArthur Foundation fellowship and winner of the National Book Award for his 1990 novel Middle Passage. Endlessly browsable illustrated journey through comics' history of racial portrayals both good and bad. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condición: New.

Paperback. Condición: new. Paperback. This book spotlights over 100 comic strips, comic books, and graphic novels to feature black characters from all over the world over the last century, and the result is a fascinating journey to, if not enlightenment, then at least away from the horrendous caricatures of yore. The book begins with the habitually appalling images of blacks as ignorant "coons" in the earliest syndicated strips (Happy Hooligan, Moon Mullins, and The Katzenjammer Kids); continues with the almost-quaint colonialist images of the often-suppressed Tintin album Tintin in the Congo and such ambiguous figures as Mandrake the Magician's "noble savage" assistant Lothar in the '30s (not to mention Torchy Brown, the first syndicated black character), moving on to such oddities as the offensive Ebony character in Will Eisner's otherwise classic The Spirit from the '40s and '50s. We then continue into the often earnest attempts at '60s integration in such strips as Peanuts (and comic books such as the Fantastic Four), as well as the first wave of "black strips" like Wee Pals, juxtaposed with the shocking satire of underground comics such as R. Crumb's incendiary Angefood McSpade. Also investigated is the increased use of blacks in super-hero comic books as well as syndicated strips. Black Images in the Comics wraps up from the '80s to now, with the increased visibility of blacks, often in works actually produced by blacks, all the way to the South African strip Madam & Eve, Aaron McGruder's pointed daily The Boondocks, and more - including over a dozen new entries added to the out-of-print hardcover edition. Each strip, comic, or graphic novel is spotlighted via a compact but instructive 200-word essay and a representative illustration. The book is augmented by a context-setting introduction, an extensive source list and bibliography, and a foreword by Charles R. Johnson, the recipient of a MacArthur Foundation fellowship and winner of the National Book Award for his 1990 novel Middle Passage. Endlessly browsable illustrated journey through comics' history of racial portrayals both good and bad. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: New.

Paperback. Condición: New. Endlessly browsable illustrated journey through comics' history of radical portrayals both good and bad, now in softcover.This book spotlights over 100 comic strips, comic books, and graphic novels to feature black characters from all over the world over the last century, and the result is a fascinating journey to, if not enlightenment, then at least away from the horrendous caricatures of yore.The book begins with the habitually appalling images of blacks as ignorant âcoonsâ in the earliest syndicated strips (Happy Hooligan, Moon Mullins, and The Katzenjammer Kids); continues with the almost-quaint colonialist images of the often-suppressed Tintin album Tintin in the Congo and such ambiguous figures as Mandrake the Magicianâs ânoble savageâ assistant Lothar in the â30s (not to mention Torchy Brown, the first syndicated black character), moving on to such oddities as the offensive Ebony character in Will Eisnerâs otherwise classic The Spirit from the â40s and â50s.We then continue into the often earnest attempts at â60s integration in such strips as Peanuts (and comic books such as the Fantastic Four), as well as the first wave of âblack stripsâ like Wee Pals, juxtaposed with the shocking satire of underground comics such as R. Crumbâs incendiary Angefood McSpade. Also investigated is the increased use of blacks in super-hero comic books as well as syndicated strips. Black Images in the Comics wraps up from the â80s to now, with the increased visibility of blacks, often in works actually produced by blacks, all the way to the South African strip Madam & Eve, Aaron McGruderâs pointed daily The Boondocks, and more â" including over a dozen new entries added to the out-of-print hardcover edition.Each strip, comic, or graphic novel is spotlighted via a compact but instructive 200-word essay and a representative illustration. The book is augmented by a context-setting introduction, an extensive source list and bibliography, and a foreword by Charles R. Johnson, the recipient of a MacArthur Foundation fellowship and winner of the National Book Award for his 1990 novel Middle Passage. Black & white throughout. …