Isbn: 9781496860279 - beyond zombie politics: the art of george a. romero’s cinema (horror and monstrosity studies series) (28 resultados)

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Paperback. Condición: New. Contributions by Julien Achemchame, Julie Assouly, David Church, Suzanne Desrocher-Romero, Hélène Frazik, Pierre Jailloux, Nicolas Labarre, Sophie Lécole-Solnychkine, Janice Loreck, Stella Louis, Kingsley Marshall, Krista Mitchell, Karen D. Thornton, and Arnaud Widendaële Best known for Night of the Living Dead (1968) and its sequels, George A. Romero (1940-2017) was a writer, editor, director, producer, and influential pioneer of the horror film genre. Beyond Zombie Politics: The Art of George A. Romero's Cinema gathers a group of contributors to explore Romero's work beyond the Living Dead films with two parallel but complementary tendencies within twenty-first-century film studies: the renewed interest in horror aesthetics and the emphasis on filmmaking as a collaborative practice. Opening with an original interview with Suzanne Desrocher-Romero, who shares her views on the late director's craft and influence, the anthology is divided into three sections that deal with genre, visual and musical motifs, and the (re)creative process. Each chapter adopts fresh methodologies to focus on an area that has received little academic study. Contributors investigate the films' relation to subgenres like the counterculture movie or the witchcraft film; their debt to slapstick comedy or the recurrence of specific visual motifs like hands; the editing and the handling of space; the use of make-up and music; the films' relation to comics; and their adaptation into other media. Authored by established and up-and-coming experts of horror and the Fantastic, the chapters in Beyond Zombie Politics aim to offer fresh insights into an important body of work, to contribute to current studies of the evolution of horror aesthetics, and to map the borders between exploitation, independent, and mainstream film.…

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Paperback. Condición: new. Paperback. Contributions by Julien Achemchame, Julie Assouly, David Church, Suzanne Desrocher-Romero, Helene Frazik, Pierre Jailloux, Nicolas Labarre, Sophie Lecole-Solnychkine, Janice Loreck, Stella Louis, Kingsley Marshall, Krista Mitchell, Karen D. Thornton, and Arnaud Widendaele Best known for Night of the Living Dead (1968) and its sequels, George A. Romero (19402017) was a writer, editor, director, producer, and influential pioneer of the horror film genre. Beyond Zombie Politics: The Art of George A. Romeros Cinema gathers a group of contributors to explore Romeros work beyond the Living Dead films with two parallel but complementary tendencies within twenty-first-century film studies: the renewed interest in horror aesthetics and the emphasis on filmmaking as a collaborative practice. Opening with an original interview with Suzanne Desrocher-Romero, who shares her views on the late directors craft and influence, the anthology is divided into three sections that deal with genre, visual and musical motifs, and the (re)creative process. Each chapter adopts fresh methodologies to focus on an area that has received little academic study. Contributors investigate the films relation to subgenres like the counterculture movie or the witchcraft film; their debt to slapstick comedy or the recurrence of specific visual motifs like hands; the editing and the handling of space; the use of make-up and music; the films relation to comics; and their adaptation into other media. Authored by established and up-and-coming experts of horror and the Fantastic, the chapters in Beyond Zombie Politics aim to offer fresh insights into an important body of work, to contribute to current studies of the evolution of horror aesthetics, and to map the borders between exploitation, independent, and mainstream film. Exploring a transformative era in horror, this analysis illuminates a surge in films by women directors who reframe traditional terror. Focusing on works that probe identity, sexuality, trauma, and monstrosity, it reveals how these films challenge conventions and expand the genres narrative scope. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. Contributions by Julien Achemchame, Julie Assouly, David Church, Suzanne Desrocher-Romero, Hélène Frazik, Pierre Jailloux, Nicolas Labarre, Sophie Lécole-Solnychkine, Janice Loreck, Stella Louis, Kingsley Marshall, Krista Mitchell, Karen D. Thornton, and Arnaud Widendaële Best known for Night of the Living Dead (1968) and its sequels, George A. Romero (1940-2017) was a writer, editor, director, producer, and influential pioneer of the horror film genre. Beyond Zombie Politics: The Art of George A. Romero's Cinema gathers a group of contributors to explore Romero's work beyond the Living Dead films with two parallel but complementary tendencies within twenty-first-century film studies: the renewed interest in horror aesthetics and the emphasis on filmmaking as a collaborative practice. Opening with an original interview with Suzanne Desrocher-Romero, who shares her views on the late director's craft and influence, the anthology is divided into three sections that deal with genre, visual and musical motifs, and the (re)creative process. Each chapter adopts fresh methodologies to focus on an area that has received little academic study. Contributors investigate the films' relation to subgenres like the counterculture movie or the witchcraft film; their debt to slapstick comedy or the recurrence of specific visual motifs like hands; the editing and the handling of space; the use of make-up and music; the films' relation to comics; and their adaptation into other media. Authored by established and up-and-coming experts of horror and the Fantastic, the chapters in Beyond Zombie Politics aim to offer fresh insights into an important body of work, to contribute to current studies of the evolution of horror aesthetics, and to map the borders between exploitation, independent, and mainstream film.…

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Paperback. Condición: New. Contributions by Julien Achemchame, Julie Assouly, David Church, Suzanne Desrocher-Romero, Hélène Frazik, Pierre Jailloux, Nicolas Labarre, Sophie Lécole-Solnychkine, Janice Loreck, Stella Louis, Kingsley Marshall, Krista Mitchell, Karen D. Thornton, and Arnaud Widendaële Best known for Night of the Living Dead (1968) and its sequels, George A. Romero (1940-2017) was a writer, editor, director, producer, and influential pioneer of the horror film genre. Beyond Zombie Politics: The Art of George A. Romero's Cinema gathers a group of contributors to explore Romero's work beyond the Living Dead films with two parallel but complementary tendencies within twenty-first-century film studies: the renewed interest in horror aesthetics and the emphasis on filmmaking as a collaborative practice. Opening with an original interview with Suzanne Desrocher-Romero, who shares her views on the late director's craft and influence, the anthology is divided into three sections that deal with genre, visual and musical motifs, and the (re)creative process. Each chapter adopts fresh methodologies to focus on an area that has received little academic study. Contributors investigate the films' relation to subgenres like the counterculture movie or the witchcraft film; their debt to slapstick comedy or the recurrence of specific visual motifs like hands; the editing and the handling of space; the use of make-up and music; the films' relation to comics; and their adaptation into other media. Authored by established and up-and-coming experts of horror and the Fantastic, the chapters in Beyond Zombie Politics aim to offer fresh insights into an important body of work, to contribute to current studies of the evolution of horror aesthetics, and to map the borders between exploitation, independent, and mainstream film.…

Paperback. Condición: new. Paperback. Contributions by Julien Achemchame, Julie Assouly, David Church, Suzanne Desrocher-Romero, Helene Frazik, Pierre Jailloux, Nicolas Labarre, Sophie Lecole-Solnychkine, Janice Loreck, Stella Louis, Kingsley Marshall, Krista Mitchell, Karen D. Thornton, and Arnaud Widendaele Best known for Night of the Living Dead (1968) and its sequels, George A. Romero (19402017) was a writer, editor, director, producer, and influential pioneer of the horror film genre. Beyond Zombie Politics: The Art of George A. Romeros Cinema gathers a group of contributors to explore Romeros work beyond the Living Dead films with two parallel but complementary tendencies within twenty-first-century film studies: the renewed interest in horror aesthetics and the emphasis on filmmaking as a collaborative practice. Opening with an original interview with Suzanne Desrocher-Romero, who shares her views on the late directors craft and influence, the anthology is divided into three sections that deal with genre, visual and musical motifs, and the (re)creative process. Each chapter adopts fresh methodologies to focus on an area that has received little academic study. Contributors investigate the films relation to subgenres like the counterculture movie or the witchcraft film; their debt to slapstick comedy or the recurrence of specific visual motifs like hands; the editing and the handling of space; the use of make-up and music; the films relation to comics; and their adaptation into other media. Authored by established and up-and-coming experts of horror and the Fantastic, the chapters in Beyond Zombie Politics aim to offer fresh insights into an important body of work, to contribute to current studies of the evolution of horror aesthetics, and to map the borders between exploitation, independent, and mainstream film. Fresh takes on the films and legacy of one of horror's most famous directors Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condición: Neu. Beyond Zombie Politics | The Art of George A. Romero's Cinema | Adrienne Boutang | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2025 | University Press of Mississippi | EAN 9781496860279 | Verantwortliche Person für die EU: Easy Access System Europe, Mustamäe Tee 50, 10621 TALLINN, ESTLAND, gpsr[dot]requests[at]easproject[dot]com | Anbieter: preigu.…

Paperback. Condición: New. Contributions by Julien Achemchame, Julie Assouly, David Church, Suzanne Desrocher-Romero, Hélène Frazik, Pierre Jailloux, Nicolas Labarre, Sophie Lécole-Solnychkine, Janice Loreck, Stella Louis, Kingsley Marshall, Krista Mitchell, Karen D. Thornton, and Arnaud Widendaële Best known for Night of the Living Dead (1968) and its sequels, George A. Romero (1940-2017) was a writer, editor, director, producer, and influential pioneer of the horror film genre. Beyond Zombie Politics: The Art of George A. Romero's Cinema gathers a group of contributors to explore Romero's work beyond the Living Dead films with two parallel but complementary tendencies within twenty-first-century film studies: the renewed interest in horror aesthetics and the emphasis on filmmaking as a collaborative practice. Opening with an original interview with Suzanne Desrocher-Romero, who shares her views on the late director's craft and influence, the anthology is divided into three sections that deal with genre, visual and musical motifs, and the (re)creative process. Each chapter adopts fresh methodologies to focus on an area that has received little academic study. Contributors investigate the films' relation to subgenres like the counterculture movie or the witchcraft film; their debt to slapstick comedy or the recurrence of specific visual motifs like hands; the editing and the handling of space; the use of make-up and music; the films' relation to comics; and their adaptation into other media. Authored by established and up-and-coming experts of horror and the Fantastic, the chapters in Beyond Zombie Politics aim to offer fresh insights into an important body of work, to contribute to current studies of the evolution of horror aesthetics, and to map the borders between exploitation, independent, and mainstream film.…

Paperback. Condición: Brand New. 272 pages. 9.00x6.00x9.00 inches. In Stock. This item is printed on demand.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Contributions by Julien Achemchame, Julie Assouly, David Church, Suzanne Desrocher-Romero, Hélène Frazik, Pierre Jailloux, Nicolas Labarre, Sophie Lécole-Solnychkine, Janice Loreck, Stella Louis, Kingsley Marshall, Krista Mitchell, Karen D. Thornton, and Arnaud Widendaële Best known for Night of the Living Dead (1968) and its sequels, George A. Romero (1940-2017) was a writer, editor, director, producer, and influential pioneer of the horror film genre. Beyond Zombie Politics: The Art of George A. Romero's Cinema gathers a group of contributors to explore Romero's work beyond the Living Dead films with two parallel but complementary tendencies within twenty-first-century film studies: the renewed interest in horror aesthetics and the emphasis on filmmaking as a collaborative practice. Opening with an original interview with Suzanne Desrocher-Romero, who shares her views on the late director's craft and influence, the anthology is divided into three sections that deal with genre, visual and musical motifs, and the (re)creative process. Each chapter adopts fresh methodologies to focus on an area that has received little academic study. Contributors investigate the films' relation to subgenres like the counterculture movie or the witchcraft film; their debt to slapstick comedy or the recurrence of specific visual motifs like hands; the editing and the handling of space; the use of make-up and music; the films' relation to comics; and their adaptation into other media. Authored by established and up-and-coming experts of horror and the Fantastic, the chapters in Beyond Zombie Politics aim to offer fresh insights into an important body of work, to contribute to current studies of the evolution of horror aesthetics, and to map the borders between exploitation, independent, and mainstream film. 288 pp. Englisch. …

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Paperback. Condición: new. Paperback. Contributions by Julien Achemchame, Julie Assouly, David Church, Suzanne Desrocher-Romero, Helene Frazik, Pierre Jailloux, Nicolas Labarre, Sophie Lecole-Solnychkine, Janice Loreck, Stella Louis, Kingsley Marshall, Krista Mitchell, Karen D. Thornton, and Arnaud Widendaele Best known for Night of the Living Dead (1968) and its sequels, George A. Romero (19402017) was a writer, editor, director, producer, and influential pioneer of the horror film genre. Beyond Zombie Politics: The Art of George A. Romeros Cinema gathers a group of contributors to explore Romeros work beyond the Living Dead films with two parallel but complementary tendencies within twenty-first-century film studies: the renewed interest in horror aesthetics and the emphasis on filmmaking as a collaborative practice. Opening with an original interview with Suzanne Desrocher-Romero, who shares her views on the late directors craft and influence, the anthology is divided into three sections that deal with genre, visual and musical motifs, and the (re)creative process. Each chapter adopts fresh methodologies to focus on an area that has received little academic study. Contributors investigate the films relation to subgenres like the counterculture movie or the witchcraft film; their debt to slapstick comedy or the recurrence of specific visual motifs like hands; the editing and the handling of space; the use of make-up and music; the films relation to comics; and their adaptation into other media. Authored by established and up-and-coming experts of horror and the Fantastic, the chapters in Beyond Zombie Politics aim to offer fresh insights into an important body of work, to contribute to current studies of the evolution of horror aesthetics, and to map the borders between exploitation, independent, and mainstream film. Exploring a transformative era in horror, this analysis illuminates a surge in films by women directors who reframe traditional terror. Focusing on works that probe identity, sexuality, trauma, and monstrosity, it reveals how these films challenge conventions and expand the genres narrative scope. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Contributions by Julien Achemchame, Julie Assouly, David Church, Suzanne Desrocher-Romero, Hélène Frazik, Pierre Jailloux, Nicolas Labarre, Sophie Lécole-Solnychkine, Janice Loreck, Stella Louis, Kingsley Marshall, Krista Mitchell, Karen D. Thornton, and Arnaud Widendaële Best known for Night of the Living Dead (1968) and its sequels, George A. Romero (1940-2017) was a writer, editor, director, producer, and influential pioneer of the horror film genre. Beyond Zombie Politics: The Art of George A. Romero's Cinema gathers a group of contributors to explore Romero's work beyond the Living Dead films with two parallel but complementary tendencies within twenty-first-century film studies: the renewed interest in horror aesthetics and the emphasis on filmmaking as a collaborative practice. Opening with an original interview with Suzanne Desrocher-Romero, who shares her views on the late director's craft and influence, the anthology is divided into three sections that deal with genre, visual and musical motifs, and the (re)creative process. Each chapter adopts fresh methodologies to focus on an area that has received little academic study. Contributors investigate the films' relation to subgenres like the counterculture movie or the witchcraft film; their debt to slapstick comedy or the recurrence of specific visual motifs like hands; the editing and the handling of space; the use of make-up and music; the films' relation to comics; and their adaptation into other media. Authored by established and up-and-coming experts of horror and the Fantastic, the chapters in Beyond Zombie Politics aim to offer fresh insights into an important body of work, to contribute to current studies of the evolution of horror aesthetics, and to map the borders between exploitation, independent, and mainstream film.…