9781493078714 - the taking of new york city: crime on the screen and in the streets of the big apple in the 1970s de rausch, andrew (25 resultados)
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Librería: World of Books (was SecondSale), Montgomery, IL, Estados Unidos de AmericaWorld of Books (was SecondSale)
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Librería: World of Books (was SecondSale), Montgomery, IL, Estados Unidos de AmericaWorld of Books (was SecondSale)
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Hardcover. Condición: new. Hardcover. For a time in the 1970s, New York City seemed to many to be genuinely on the cusp of collapse. Plagued by rampant crime, graft, catastrophic finances, and crumbling infrastructure, it served as a symbol for the plight of American cities after the convulsions of the 1960s. This tale of urban…blight was reinforced wherever one lookedwhether in the news media (memorably captured in the infamous New York Daily News headline Ford to City: Drop Dead) or the countless movies that evoked the eras uniquely gritty sense of dread.The Taking of New York City is a history of both New York and some of the decades most definitive films, including The French Connection (1971), the first two Godfather movies (1972 & 1974), Taxi Driver (1976), Serpico (1973), Dog Day Afternoon (1975), and many more. It was also an era in which the city wrestled with the racial tensions still threatening the tear the nation apart, never more so than in Blaxploitation classics such as Shaft (1971) and Super Fly (1972). These films depicted the city that never sleeps as a grim, violent place overridden with muggers, pimps, and killers. Projected at drive-ins and inside their local movie houses, rural America saw New York as a nightmare: a vile dystopia where the innocent couldn't rely on the local law enforcement, who were seemingly all on the take. If one took Hollywood's word for it, the only way a person was able to find justice in 1970s New York City was by grabbing a gun and meting it out themselves.Author Andrew Rausch meticulously separates fact and fiction in this illuminating book. Attentive to the ways that New Yorks problems were exaggerated or misrepresented, it also gives an unvarnished look at just how bad things could get in the Rotten Appleand how movies told that story to the country and the world. THE TAKING OF NEW YORK CITY: CRIME ON THE SCREEN AND IN THE STREETS IN THE 1970S BIG APPLE Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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Hardback. Condición: New. For a time in the 1970s, New York City seemed to many to be genuinely on the cusp of collapse. Plagued by rampant crime, graft, catastrophic finances, and crumbling infrastructure, it served as a symbol for the plight of American cities after the convulsions of the 1960s. This tale of urban blight was r…einforced wherever one looked-whether in the news media (memorably captured in the infamous New York Daily News headline "Ford to City: Drop Dead") or the countless movies that evoked the era's uniquely gritty sense of dread.The Taking of New York City is a history of both New York and some of the decade's most definitive films, including The French Connection (1971), the first two Godfather movies (1972 and 1974), Taxi Driver (1976), Serpico (1973), Dog Day Afternoon (1975), and many more. It was also an era in which the city wrestled with the racial tensions still threatening the tear the nation apart, never more so than in "Blaxploitation" classics such as Shaft (1971) and Super Fly (1972). These films depicted the city that never sleeps as a grim, violent place overridden with muggers, pimps, and killers. Projected at drive-ins and inside their local movie houses, rural America saw New York as a nightmare: a vile dystopia where the innocent couldn't rely on the local law enforcement, who were seemingly all on the take. If one took Hollywood's word for it, the only way a person was able to find justice in 1970s New York City was by grabbing a gun and meting it out themselves.Author Andrew Rausch meticulously separates fact and fiction in this illuminating book. Attentive to the ways that New York's problems were exaggerated or misrepresented, it also gives an unvarnished look at just how bad things could get in the "Rotten Apple"-and how movies told that story to the country and the world.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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Hardback. Condición: New. For a time in the 1970s, New York City seemed to many to be genuinely on the cusp of collapse. Plagued by rampant crime, graft, catastrophic finances, and crumbling infrastructure, it served as a symbol for the plight of American cities after the convulsions of the 1960s. This tale of urban blight was r…einforced wherever one looked-whether in the news media (memorably captured in the infamous New York Daily News headline "Ford to City: Drop Dead") or the countless movies that evoked the era's uniquely gritty sense of dread.The Taking of New York City is a history of both New York and some of the decade's most definitive films, including The French Connection (1971), the first two Godfather movies (1972 and 1974), Taxi Driver (1976), Serpico (1973), Dog Day Afternoon (1975), and many more. It was also an era in which the city wrestled with the racial tensions still threatening the tear the nation apart, never more so than in "Blaxploitation" classics such as Shaft (1971) and Super Fly (1972). These films depicted the city that never sleeps as a grim, violent place overridden with muggers, pimps, and killers. Projected at drive-ins and inside their local movie houses, rural America saw New York as a nightmare: a vile dystopia where the innocent couldn't rely on the local law enforcement, who were seemingly all on the take. If one took Hollywood's word for it, the only way a person was able to find justice in 1970s New York City was by grabbing a gun and meting it out themselves.Author Andrew Rausch meticulously separates fact and fiction in this illuminating book. Attentive to the ways that New York's problems were exaggerated or misrepresented, it also gives an unvarnished look at just how bad things could get in the "Rotten Apple"-and how movies told that story to the country and the world.
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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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Librería: Russell Books, Victoria, BC, CanadaRussell Books
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Hardcover. Condición: Brand New. 256 pages. 9.25x6.50x0.75 inches. In Stock.
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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
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Hardback. Condición: New. For a time in the 1970s, New York City seemed to many to be genuinely on the cusp of collapse. Plagued by rampant crime, graft, catastrophic finances, and crumbling infrastructure, it served as a symbol for the plight of American cities after the convulsions of the 1960s. This tale of urban blight was r…einforced wherever one looked-whether in the news media (memorably captured in the infamous New York Daily News headline "Ford to City: Drop Dead") or the countless movies that evoked the era's uniquely gritty sense of dread.The Taking of New York City is a history of both New York and some of the decade's most definitive films, including The French Connection (1971), the first two Godfather movies (1972 and 1974), Taxi Driver (1976), Serpico (1973), Dog Day Afternoon (1975), and many more. It was also an era in which the city wrestled with the racial tensions still threatening the tear the nation apart, never more so than in "Blaxploitation" classics such as Shaft (1971) and Super Fly (1972). These films depicted the city that never sleeps as a grim, violent place overridden with muggers, pimps, and killers. Projected at drive-ins and inside their local movie houses, rural America saw New York as a nightmare: a vile dystopia where the innocent couldn't rely on the local law enforcement, who were seemingly all on the take. If one took Hollywood's word for it, the only way a person was able to find justice in 1970s New York City was by grabbing a gun and meting it out themselves.Author Andrew Rausch meticulously separates fact and fiction in this illuminating book. Attentive to the ways that New York's problems were exaggerated or misrepresented, it also gives an unvarnished look at just how bad things could get in the "Rotten Apple"-and how movies told that story to the country and the world.
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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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Hardcover. Condición: new. Hardcover. For a time in the 1970s, New York City seemed to many to be genuinely on the cusp of collapse. Plagued by rampant crime, graft, catastrophic finances, and crumbling infrastructure, it served as a symbol for the plight of American cities after the convulsions of the 1960s. This tale of urban…blight was reinforced wherever one lookedwhether in the news media (memorably captured in the infamous New York Daily News headline Ford to City: Drop Dead) or the countless movies that evoked the eras uniquely gritty sense of dread.The Taking of New York City is a history of both New York and some of the decades most definitive films, including The French Connection (1971), the first two Godfather movies (1972 & 1974), Taxi Driver (1976), Serpico (1973), Dog Day Afternoon (1975), and many more. It was also an era in which the city wrestled with the racial tensions still threatening the tear the nation apart, never more so than in Blaxploitation classics such as Shaft (1971) and Super Fly (1972). These films depicted the city that never sleeps as a grim, violent place overridden with muggers, pimps, and killers. Projected at drive-ins and inside their local movie houses, rural America saw New York as a nightmare: a vile dystopia where the innocent couldn't rely on the local law enforcement, who were seemingly all on the take. If one took Hollywood's word for it, the only way a person was able to find justice in 1970s New York City was by grabbing a gun and meting it out themselves.Author Andrew Rausch meticulously separates fact and fiction in this illuminating book. Attentive to the ways that New Yorks problems were exaggerated or misrepresented, it also gives an unvarnished look at just how bad things could get in the Rotten Appleand how movies told that story to the country and the world. THE TAKING OF NEW YORK CITY: CRIME ON THE SCREEN AND IN THE STREETS IN THE 1970S BIG APPLE Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Hardcover. Condición: new. Hardcover. For a time in the 1970s, New York City seemed to many to be genuinely on the cusp of collapse. Plagued by rampant crime, graft, catastrophic finances, and crumbling infrastructure, it served as a symbol for the plight of American cities after the convulsions of the 1960s. This tale of urban…blight was reinforced wherever one lookedwhether in the news media (memorably captured in the infamous New York Daily News headline Ford to City: Drop Dead) or the countless movies that evoked the eras uniquely gritty sense of dread.The Taking of New York City is a history of both New York and some of the decades most definitive films, including The French Connection (1971), the first two Godfather movies (1972 & 1974), Taxi Driver (1976), Serpico (1973), Dog Day Afternoon (1975), and many more. It was also an era in which the city wrestled with the racial tensions still threatening the tear the nation apart, never more so than in Blaxploitation classics such as Shaft (1971) and Super Fly (1972). These films depicted the city that never sleeps as a grim, violent place overridden with muggers, pimps, and killers. Projected at drive-ins and inside their local movie houses, rural America saw New York as a nightmare: a vile dystopia where the innocent couldn't rely on the local law enforcement, who were seemingly all on the take. If one took Hollywood's word for it, the only way a person was able to find justice in 1970s New York City was by grabbing a gun and meting it out themselves.Author Andrew Rausch meticulously separates fact and fiction in this illuminating book. Attentive to the ways that New Yorks problems were exaggerated or misrepresented, it also gives an unvarnished look at just how bad things could get in the Rotten Appleand how movies told that story to the country and the world. THE TAKING OF NEW YORK CITY: CRIME ON THE SCREEN AND IN THE STREETS IN THE 1970S BIG APPLE Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 43,16
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Buch. Condición: Neu. Neuware - For a time in the 1970s, New York City seemed to many to be genuinely on the cusp of collapse. Plagued by rampant crime, graft, catastrophic finances, and crumbling infrastructure, it served as a symbol for the plight of American cities after the convulsions of the 1960s. This tale of urban blight… was reinforced wherever one looked-whether in the news media (memorably captured in the infamous New York Daily News headline 'Ford to City: Drop Dead') or the countless movies that evoked the era's uniquely gritty sense of dread.The Taking of New York City is a history of both New York and some of the decade's most definitive films, including The French Connection (1971), the first two Godfather movies (1972 & 1974), Taxi Driver (1976), Serpico (1973), Dog Day Afternoon (1975), and many more. It was also an era in which the city wrestled with the racial tensions still threatening the tear the nation apart, never more so than in 'Blaxploitation' classics such as Shaft (1971) and Super Fly (1972). These films depicted the city that never sleeps as a grim, violent place overridden with muggers, pimps, and killers. Projected at drive-ins and inside their local movie houses, rural America saw New York as a nightmare: a vile dystopia where the innocent couldn't rely on the local law enforcement, who were seemingly all on the take. If one took Hollywood's word for it, the only way a person was able to find justice in 1970s New York City was by grabbing a gun and meting it out themselves.Author Andrew Rausch meticulously separates fact and fiction in this illuminating book. Attentive to the ways that New York's problems were exaggerated or misrepresented, it also gives an unvarnished look at just how bad things could get in the 'Rotten Apple'-and how movies told that story to the country and the world.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 34,52
Envío por EUR 75,93Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Hardback. Condición: New. For a time in the 1970s, New York City seemed to many to be genuinely on the cusp of collapse. Plagued by rampant crime, graft, catastrophic finances, and crumbling infrastructure, it served as a symbol for the plight of American cities after the convulsions of the 1960s. This tale of urban blight was r…einforced wherever one looked-whether in the news media (memorably captured in the infamous New York Daily News headline "Ford to City: Drop Dead") or the countless movies that evoked the era's uniquely gritty sense of dread.The Taking of New York City is a history of both New York and some of the decade's most definitive films, including The French Connection (1971), the first two Godfather movies (1972 and 1974), Taxi Driver (1976), Serpico (1973), Dog Day Afternoon (1975), and many more. It was also an era in which the city wrestled with the racial tensions still threatening the tear the nation apart, never more so than in "Blaxploitation" classics such as Shaft (1971) and Super Fly (1972). These films depicted the city that never sleeps as a grim, violent place overridden with muggers, pimps, and killers. Projected at drive-ins and inside their local movie houses, rural America saw New York as a nightmare: a vile dystopia where the innocent couldn't rely on the local law enforcement, who were seemingly all on the take. If one took Hollywood's word for it, the only way a person was able to find justice in 1970s New York City was by grabbing a gun and meting it out themselves.Author Andrew Rausch meticulously separates fact and fiction in this illuminating book. Attentive to the ways that New York's problems were exaggerated or misrepresented, it also gives an unvarnished look at just how bad things could get in the "Rotten Apple"-and how movies told that story to the country and the world.
