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Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, GB, 2021
ISBN 10: 1472587081 ISBN 13: 9781472587084
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 36,35
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Añadir al carritoPaperback. Condición: New. Peter Hall is one of the most significant and influential directors of Shakespeare's work of modern times. Through both his own work and the management of two national theatre companies, the National Theatre and the RSC, Hall has promoted Shakespeare as a writer who can comment incisively on the modern world. His best productions exemplified this approach: Coriolanus (1959), The Wars of the Roses (1963) and Hamlet (1965) established his reputation as a director able to bring Shakespeare to the heart of contemporary politics. However, Hall's career has been very varied, and sometimes his critical failures are as interesting as his successes. The book explores Hall's work as a deliberate articulation of Shakespeare and national culture in the post-war years. The main focus is on his Shakespeare work, but critical attention is also given to non-Shakespearean productions, notably his 1955 Waiting for Godot (and his relationship with Samuel Beckett in general) and his 2000 Tantalus (and his work with John Barton), placing Hall's work in its cultural and creative context. Setting Hall's work against the post-war development of national culture, the book explores how his work with other writers and artists (including Beckett, Pinter and Barton) informed his approach to directing as well as his rehearsal methods and his approach to Shakespeare's text.
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Añadir al carritoCondición: As New. Unread book in perfect condition.
EUR 33,15
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Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 46,91
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Añadir al carritoCondición: As New. Unread book in perfect condition.
EUR 51,60
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Añadir al carritoPaperback. Condición: Brand New. 224 pages. 7.80x5.08x0.63 inches. In Stock.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, 2021
ISBN 10: 1472587081 ISBN 13: 9781472587084
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
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Añadir al carritoCondición: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, 2021
ISBN 10: 1472587081 ISBN 13: 9781472587084
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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Añadir al carritoCondición: New. 2021. Paperback. . . . . .
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Añadir al carritoKartoniert / Broschiert. Condición: New.
EUR 33,03
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Añadir al carritoBook. Condición: New.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC Mai 2021, 2021
ISBN 10: 1472587081 ISBN 13: 9781472587084
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 49,29
Cantidad disponible: 2 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. Neuware - Peter Hall is one of the most significant and influential directors of Shakespeare's work of modern times. Through both his own work and the management of two national theatre companies, the National Theatre and the RSC, Hall has promoted Shakespeare as a writer who can comment incisively on the modern world. His best productions exemplified this approach: Coriolanus (1959), The Wars of the Roses (1963) and Hamlet (1965) established his reputation as a director able to bring Shakespeare to the heart of contemporary politics. However, Hall's career has been very varied, and sometimes his critical failures are as interesting as his successes. The book explores Hall's work as a deliberate articulation of Shakespeare and national culture in the post-war years. The main focus is on his Shakespeare work, but critical attention is also given to non-Shakespearean productions, notably his 1955 Waiting for Godot (and his relationship with Samuel Beckett in general) and his 2000 Tantalus (and his work with John Barton), placing Hall's work in its cultural and creative context. Setting Hall's work against the post-war development of national culture, the book explores how his work with other writers and artists (including Beckett, Pinter and Barton) informed his approach to directing as well as his rehearsal methods and his approach to Shakespeare's text.
Idioma: Inglés
Publicado por Bloomsbury Publishing (UK), 2021
ISBN 10: 1472587081 ISBN 13: 9781472587084
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
EUR 36,21
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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Idioma: Inglés
Publicado por Bloomsbury Publishing (UK), 2021
ISBN 10: 1472587081 ISBN 13: 9781472587084
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 35,07
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Añadir al carritoPAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, London, 2021
ISBN 10: 1472587081 ISBN 13: 9781472587084
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 44,97
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. Peter Hall is one of the most significant and influential directors of Shakespeares work of modern times. Through both his own work and the management of two national theatre companies, the National Theatre and the RSC, Hall has promoted Shakespeare as a writer who can comment incisively on the modern world. His best productions exemplified this approach: Coriolanus (1959), The Wars of the Roses (1963) and Hamlet (1965) established his reputation as a director able to bring Shakespeare to the heart of contemporary politics. However, Halls career has been very varied, and sometimes his critical failures are as interesting as his successes. The book explores Halls work as a deliberate articulation of Shakespeare and national culture in the post-war years. The main focus is on his Shakespeare work, but critical attention is also given to non-Shakespearean productions, notably his 1955 Waiting for Godot (and his relationship with Samuel Beckett in general) and his 2000 Tantalus (and his work with John Barton), placing Halls work in its cultural and creative context. Setting Hall's work against the post-war development of national culture, the book explores how his work with other writers and artists (including Beckett, Pinter and Barton) informed his approach to directing as well as his rehearsal methods and his approach to Shakespeares text. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Librería: Majestic Books, Hounslow, Reino Unido
EUR 43,89
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Añadir al carritoCondición: New. Print on Demand.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, 2021
ISBN 10: 1472587081 ISBN 13: 9781472587084
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 39,45
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Añadir al carritoPaperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Librería: Biblios, Frankfurt am main, HESSE, Alemania
EUR 44,87
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Añadir al carritoCondición: New. PRINT ON DEMAND.
Idioma: Inglés
Publicado por Bloomsbury Publishing PLC, London, 2021
ISBN 10: 1472587081 ISBN 13: 9781472587084
Librería: CitiRetail, Stevenage, Reino Unido
EUR 39,31
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. Peter Hall is one of the most significant and influential directors of Shakespeares work of modern times. Through both his own work and the management of two national theatre companies, the National Theatre and the RSC, Hall has promoted Shakespeare as a writer who can comment incisively on the modern world. His best productions exemplified this approach: Coriolanus (1959), The Wars of the Roses (1963) and Hamlet (1965) established his reputation as a director able to bring Shakespeare to the heart of contemporary politics. However, Halls career has been very varied, and sometimes his critical failures are as interesting as his successes. The book explores Halls work as a deliberate articulation of Shakespeare and national culture in the post-war years. The main focus is on his Shakespeare work, but critical attention is also given to non-Shakespearean productions, notably his 1955 Waiting for Godot (and his relationship with Samuel Beckett in general) and his 2000 Tantalus (and his work with John Barton), placing Halls work in its cultural and creative context. Setting Hall's work against the post-war development of national culture, the book explores how his work with other writers and artists (including Beckett, Pinter and Barton) informed his approach to directing as well as his rehearsal methods and his approach to Shakespeares text. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.