9781350446366 - american artists in postwar rome: art and cultural exchange (visual cultures and italian contexts) de benson miller, peter (19 resultados)
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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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EUR 94,19
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 109,71
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Condición: New. 2025. hardcover. . . . . .
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 123,99
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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Librería: Chiron Media, Wallingford, Reino UnidoChiron Media
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EUR 113,34
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hardcover. Condición: New.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 128,65
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Condición: New.
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 130,99
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Hardcover. Condición: new. Hardcover. Drawing on unpublished archival sources, this book reconstitutes the experiences of a wide range of American artists, critics, and writers working in Rome in a charged environment of Cold War cosmopolitanism.After the Second World War, American artists flocked to Rome in record numbers, even… as the United States shored up Italy as a bulwark against the spread of Communism. While the market for modern art in Rome was less vigorous as those in Paris and New York, numerous galleries, artist-run spaces, and other institutions acted as important catalysts, making Rome an international artistic hub. The city attracted now canonical figures Lee Bontecou, Philip Guston, Robert Rauschenberg, Paul Thek, and Cy Twombly, along with less well-known artists, such as Eugene Berman, Gene Charlton, Carlyle Brown, Peter Chinni, William Congdon, Claire Falkenstein, Marcia Hafif, John Heliker, James Leong, Beverly Pepper, and Laura Ziegler, among many others.Rather than focusing on institutions and diplomatic relationships, the book centres the experience of artists, and also addresses Romes gay subculture and the role of female artists during the period, eschewing traditional narratives of the male cultural ambassador. Through case-study based investigation, Peter Benson Miller explores the reciprocal relationships between American modernist artists and Italian artists in postwar Rome, and reveals how these artists perceived Rome as less constrained by the demands of a national school, and as an alternative to New York. This congenial creative atmosphere yielded new pictorial forms developed in tandem with or absorbed from like-minded Italian artists, engaging the city and its multiple layers of history, from antiquity to the profound trauma inflicted by the recent conflict.The book also establishes the entangled social networks, galleries, exhibitions, and institutions sustaining their work and providing entree into local artistic circles. Focusing on a series of specific exchanges, this study contributes to our understanding American modernism in an international context. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 124,12
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Condición: New.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 132,36
Gastos de envío gratisSe envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 5 disponibles
Hardback. Condición: New. Drawing on unpublished archival sources, this book reconstitutes the experiences of a wide range of American artists, critics, and writers working in Rome in a charged environment of "Cold War cosmopolitanism."After the Second World War, American artists flocked to Rome in record numbers, even as the Un…ited States shored up Italy as a bulwark against the spread of Communism. While the market for modern art in Rome was less vigorous as those in Paris and New York, numerous galleries, artist-run spaces, and other institutions acted as important catalysts, making Rome an international artistic hub. The city attracted now canonical figures Lee Bontecou, Philip Guston, Robert Rauschenberg, Paul Thek, and Cy Twombly, along with less well-known artists, such as Eugene Berman, Gene Charlton, Carlyle Brown, Peter Chinni, William Congdon, Claire Falkenstein, Marcia Hafif, John Heliker, James Leong, Beverly Pepper, and Laura Ziegler, among many others.Rather than focusing on institutions and diplomatic relationships, the book centres the experience of artists, and also addresses Rome's gay subculture and the role of female artists during the period, eschewing traditional narratives of the male "cultural ambassador." Through case-study based investigation, Peter Benson Miller explores the reciprocal relationships between American modernist artists and Italian artists in postwar Rome, and reveals how these artists perceived Rome as less constrained by the demands of a national school, and as an alternative to New York. This congenial creative atmosphere yielded "new pictorial forms" developed in tandem with or absorbed from like-minded Italian artists, engaging the city and its multiple layers of history, from antiquity to the profound trauma inflicted by the recent conflict.The book also establishes the entangled social networks, galleries, exhibitions, and institutions sustaining their work and providing entrée into local artistic circles. Focusing on a series of specific exchanges, this study contributes to our understanding American modernism in an international context.
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 138,90
Envío por EUR 8,99Se envía dentro de Estados Unidos de AmericaCantidad disponible: 10 disponibles
Condición: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 149,71
Envío por EUR 2,26Se envía dentro de Estados Unidos de AmericaCantidad disponible: 15 disponibles
Condición: As New. Unread book in perfect condition.
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Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US
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EUR 155,60
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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 133,81
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Hardback. Condición: New. New copy - Usually dispatched within 4 working days.
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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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EUR 156,45
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Condición: New.
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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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EUR 149,84
Envío por EUR 9,95Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 3 disponibles
Condición: New.
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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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EUR 124,00
Envío por EUR 43,25Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: new. Hardcover. Drawing on unpublished archival sources, this book reconstitutes the experiences of a wide range of American artists, critics, and writers working in Rome in a charged environment of Cold War cosmopolitanism.After the Second World War, American artists flocked to Rome in record numbers, even… as the United States shored up Italy as a bulwark against the spread of Communism. While the market for modern art in Rome was less vigorous as those in Paris and New York, numerous galleries, artist-run spaces, and other institutions acted as important catalysts, making Rome an international artistic hub. The city attracted now canonical figures Lee Bontecou, Philip Guston, Robert Rauschenberg, Paul Thek, and Cy Twombly, along with less well-known artists, such as Eugene Berman, Gene Charlton, Carlyle Brown, Peter Chinni, William Congdon, Claire Falkenstein, Marcia Hafif, John Heliker, James Leong, Beverly Pepper, and Laura Ziegler, among many others.Rather than focusing on institutions and diplomatic relationships, the book centres the experience of artists, and also addresses Romes gay subculture and the role of female artists during the period, eschewing traditional narratives of the male cultural ambassador. Through case-study based investigation, Peter Benson Miller explores the reciprocal relationships between American modernist artists and Italian artists in postwar Rome, and reveals how these artists perceived Rome as less constrained by the demands of a national school, and as an alternative to New York. This congenial creative atmosphere yielded new pictorial forms developed in tandem with or absorbed from like-minded Italian artists, engaging the city and its multiple layers of history, from antiquity to the profound trauma inflicted by the recent conflict.The book also establishes the entangled social networks, galleries, exhibitions, and institutions sustaining their work and providing entree into local artistic circles. Focusing on a series of specific exchanges, this study contributes to our understanding American modernism in an international context. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 125,57
Envío por EUR 75,98Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 5 disponibles
Hardback. Condición: New. Drawing on unpublished archival sources, this book reconstitutes the experiences of a wide range of American artists, critics, and writers working in Rome in a charged environment of "Cold War cosmopolitanism."After the Second World War, American artists flocked to Rome in record numbers, even as the Un…ited States shored up Italy as a bulwark against the spread of Communism. While the market for modern art in Rome was less vigorous as those in Paris and New York, numerous galleries, artist-run spaces, and other institutions acted as important catalysts, making Rome an international artistic hub. The city attracted now canonical figures Lee Bontecou, Philip Guston, Robert Rauschenberg, Paul Thek, and Cy Twombly, along with less well-known artists, such as Eugene Berman, Gene Charlton, Carlyle Brown, Peter Chinni, William Congdon, Claire Falkenstein, Marcia Hafif, John Heliker, James Leong, Beverly Pepper, and Laura Ziegler, among many others.Rather than focusing on institutions and diplomatic relationships, the book centres the experience of artists, and also addresses Rome's gay subculture and the role of female artists during the period, eschewing traditional narratives of the male "cultural ambassador." Through case-study based investigation, Peter Benson Miller explores the reciprocal relationships between American modernist artists and Italian artists in postwar Rome, and reveals how these artists perceived Rome as less constrained by the demands of a national school, and as an alternative to New York. This congenial creative atmosphere yielded "new pictorial forms" developed in tandem with or absorbed from like-minded Italian artists, engaging the city and its multiple layers of history, from antiquity to the profound trauma inflicted by the recent conflict.The book also establishes the entangled social networks, galleries, exhibitions, and institutions sustaining their work and providing entrée into local artistic circles. Focusing on a series of specific exchanges, this study contributes to our understanding American modernism in an international context.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 156,79
Envío por EUR 64,56Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Buch. Condición: Neu. Neuware - 'Drawing on unpublished archival sources, this book reconstitutes the experiences of a wide range of American artists, critics, and writers working in Rome in following World War Two. It presents a case-study based investigation into the reciprocal relationship between American modernist artists a…nd Italian artists, revealing how these artists perceived Rome as an alternative to New York, attracting the likes of canonical figures like Lee Bontecou, Philip Guston and Robert Rauschenberg, alongside less well-known artists, such as Barbara Chase-Riboud, William Congdon, and Claire Falkenstein, among many others. It also establishes the entangled social networks, galleries and institutions sustaining their work and providing entrâee into local artistic circles'--.
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 198,71
Envío por EUR 31,69Se envía de Australia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: new. Hardcover. Drawing on unpublished archival sources, this book reconstitutes the experiences of a wide range of American artists, critics, and writers working in Rome in a charged environment of Cold War cosmopolitanism.After the Second World War, American artists flocked to Rome in record numbers, even… as the United States shored up Italy as a bulwark against the spread of Communism. While the market for modern art in Rome was less vigorous as those in Paris and New York, numerous galleries, artist-run spaces, and other institutions acted as important catalysts, making Rome an international artistic hub. The city attracted now canonical figures Lee Bontecou, Philip Guston, Robert Rauschenberg, Paul Thek, and Cy Twombly, along with less well-known artists, such as Eugene Berman, Gene Charlton, Carlyle Brown, Peter Chinni, William Congdon, Claire Falkenstein, Marcia Hafif, John Heliker, James Leong, Beverly Pepper, and Laura Ziegler, among many others.Rather than focusing on institutions and diplomatic relationships, the book centres the experience of artists, and also addresses Romes gay subculture and the role of female artists during the period, eschewing traditional narratives of the male cultural ambassador. Through case-study based investigation, Peter Benson Miller explores the reciprocal relationships between American modernist artists and Italian artists in postwar Rome, and reveals how these artists perceived Rome as less constrained by the demands of a national school, and as an alternative to New York. This congenial creative atmosphere yielded new pictorial forms developed in tandem with or absorbed from like-minded Italian artists, engaging the city and its multiple layers of history, from antiquity to the profound trauma inflicted by the recent conflict.The book also establishes the entangled social networks, galleries, exhibitions, and institutions sustaining their work and providing entree into local artistic circles. Focusing on a series of specific exchanges, this study contributes to our understanding American modernism in an international context. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 135,40
Envío por EUR 14,61Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Brand New. 320 pages. 9.22x6.14x1.00 inches. In Stock. This item is printed on demand.
