9781350433953 - invisible ink: feminism and identity in contemporary chinese art de guest, luise (17 resultados)
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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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EUR 84,93
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EUR 97,43
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Hardcover. Condición: new. Hardcover. What does it mean to be a woman artist or a feminist artist in China today? Analyzing how Chinese women artists have reinvented traditional forms of ink and brush painting, Invisible Ink shows how the use of ink in their work becomes a tool of gender and art historical subversion in contempo…rary Chinese art.The book explores how the work of Bingyi, Ma Yanling, Tao Aimin, Xiao Lu and Xie Rong invoke contemporary manifestations of the traditional Chinese form of ink and brush painting to explore themes of the embodied, gendered experience of Chinese identity, including: motherhood and daughterhood; the exercise of state control over fertility in the implementation of the One Child Policy; and the experience of menopause in a society that prizes youth and beauty.Each chapter examines one artist, analysing carefully selected key works and drawing on interviews with the artists themselves. It positions the artists as intervening, not only in historically exclusive, elitist literati traditions, but also in contemporary art discourses in which their contributions have been similarly marginalised. It explores the ambivalent views of the artists towards (Western) feminism and positions their work as counter-hegemonic expressions of a specifically Chinese experience of patriarchy.Addressing an understudied aspect of contemporary Chinese art, this book powerfully illuminates the material culture of ink and brush painting through a transcultural, intersectional feminist lens, revealing the ways in which the form bridges Chinese history and the present day. Reassesses the contribution of women artists to the field of contemporary Chinese art with an in-depth account of five artists who reference the traditional form of ink and brush painting to subvert existing art historical narratives. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US
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EUR 109,36
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 105,70
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 114,67
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 117,07
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Hardback. Condición: New. What does it mean to be a woman artist - or a feminist artist - in China today? Analyzing how Chinese women artists have reinvented traditional forms of ink and brush painting, Invisible Ink shows how the use of ink in their work becomes a tool of gender and art historical subversion in contemporary Chi…nese art.The book explores how the work of Bingyi, Ma Yanling, Tao Aimin, Xiao Lu and Xie Rong invoke contemporary manifestations of the traditional Chinese form of ink and brush painting to explore themes of the embodied, gendered experience of Chinese identity, including: motherhood and daughterhood; the exercise of state control over fertility in the implementation of the One Child Policy; and the experience of menopause in a society that prizes youth and beauty.Each chapter examines one artist, analysing carefully selected key works and drawing on interviews with the artists themselves. It positions the artists as intervening, not only in historically exclusive, elitist literati traditions, but also in contemporary art discourses in which their contributions have been similarly marginalised. It explores the ambivalent views of the artists towards (Western) feminism and positions their work as counter-hegemonic expressions of a specifically Chinese experience of patriarchy.Addressing an understudied aspect of contemporary Chinese art, this book powerfully illuminates the material culture of ink and brush painting through a transcultural, intersectional feminist lens, revealing the ways in which the form bridges Chinese history and the present day.
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 115,17
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 120,72
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Hardcover. Condición: Brand New. 240 pages. 9.22x6.14x1.00 inches. In Stock.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 136,68
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Condición: As New. Unread book in perfect condition.
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 119,63
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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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EUR 128,72
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Condición: New.
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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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EUR 97,07
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Hardcover. Condición: new. Hardcover. What does it mean to be a woman artist or a feminist artist in China today? Analyzing how Chinese women artists have reinvented traditional forms of ink and brush painting, Invisible Ink shows how the use of ink in their work becomes a tool of gender and art historical subversion in contempo…rary Chinese art.The book explores how the work of Bingyi, Ma Yanling, Tao Aimin, Xiao Lu and Xie Rong invoke contemporary manifestations of the traditional Chinese form of ink and brush painting to explore themes of the embodied, gendered experience of Chinese identity, including: motherhood and daughterhood; the exercise of state control over fertility in the implementation of the One Child Policy; and the experience of menopause in a society that prizes youth and beauty.Each chapter examines one artist, analysing carefully selected key works and drawing on interviews with the artists themselves. It positions the artists as intervening, not only in historically exclusive, elitist literati traditions, but also in contemporary art discourses in which their contributions have been similarly marginalised. It explores the ambivalent views of the artists towards (Western) feminism and positions their work as counter-hegemonic expressions of a specifically Chinese experience of patriarchy.Addressing an understudied aspect of contemporary Chinese art, this book powerfully illuminates the material culture of ink and brush painting through a transcultural, intersectional feminist lens, revealing the ways in which the form bridges Chinese history and the present day. Reassesses the contribution of women artists to the field of contemporary Chinese art with an in-depth account of five artists who reference the traditional form of ink and brush painting to subvert existing art historical narratives. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 124,29
Envío por EUR 32,52Se envía de Australia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: new. Hardcover. What does it mean to be a woman artist or a feminist artist in China today? Analyzing how Chinese women artists have reinvented traditional forms of ink and brush painting, Invisible Ink shows how the use of ink in their work becomes a tool of gender and art historical subversion in contempo…rary Chinese art.The book explores how the work of Bingyi, Ma Yanling, Tao Aimin, Xiao Lu and Xie Rong invoke contemporary manifestations of the traditional Chinese form of ink and brush painting to explore themes of the embodied, gendered experience of Chinese identity, including: motherhood and daughterhood; the exercise of state control over fertility in the implementation of the One Child Policy; and the experience of menopause in a society that prizes youth and beauty.Each chapter examines one artist, analysing carefully selected key works and drawing on interviews with the artists themselves. It positions the artists as intervening, not only in historically exclusive, elitist literati traditions, but also in contemporary art discourses in which their contributions have been similarly marginalised. It explores the ambivalent views of the artists towards (Western) feminism and positions their work as counter-hegemonic expressions of a specifically Chinese experience of patriarchy.Addressing an understudied aspect of contemporary Chinese art, this book powerfully illuminates the material culture of ink and brush painting through a transcultural, intersectional feminist lens, revealing the ways in which the form bridges Chinese history and the present day. Reassesses the contribution of women artists to the field of contemporary Chinese art with an in-depth account of five artists who reference the traditional form of ink and brush painting to subvert existing art historical narratives. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 169,63
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Condición: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 108,69
Envío por EUR 76,11Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Hardback. Condición: New. What does it mean to be a woman artist - or a feminist artist - in China today? Analyzing how Chinese women artists have reinvented traditional forms of ink and brush painting, Invisible Ink shows how the use of ink in their work becomes a tool of gender and art historical subversion in contemporary Chi…nese art.The book explores how the work of Bingyi, Ma Yanling, Tao Aimin, Xiao Lu and Xie Rong invoke contemporary manifestations of the traditional Chinese form of ink and brush painting to explore themes of the embodied, gendered experience of Chinese identity, including: motherhood and daughterhood; the exercise of state control over fertility in the implementation of the One Child Policy; and the experience of menopause in a society that prizes youth and beauty.Each chapter examines one artist, analysing carefully selected key works and drawing on interviews with the artists themselves. It positions the artists as intervening, not only in historically exclusive, elitist literati traditions, but also in contemporary art discourses in which their contributions have been similarly marginalised. It explores the ambivalent views of the artists towards (Western) feminism and positions their work as counter-hegemonic expressions of a specifically Chinese experience of patriarchy.Addressing an understudied aspect of contemporary Chinese art, this book powerfully illuminates the material culture of ink and brush painting through a transcultural, intersectional feminist lens, revealing the ways in which the form bridges Chinese history and the present day.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 188,65
Envío por EUR 9,50Se envía de Irlanda a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. 2026. hardcover. . . . . .
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 139,96
Envío por EUR 61,72Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Buch. Condición: Neu. Neuware - What does it mean to be a woman artist - or a feminist artist - in China today Analyzing how Chinese women artists have reinvented traditional forms of ink and brush painting, Invisible Ink shows how the use of ink in their work becomes a tool of gender and art historical subversion in contemporar…y Chinese art.The book explores how the work of Bingyi, Ma Yanling, Tao Aimin, Xiao Lu and Xie Rong invoke contemporary manifestations of the traditional Chinese form of ink and brush painting to explore themes of the embodied, gendered experience of Chinese identity, including: motherhood and daughterhood; the exercise of state control over fertility in the implementation of the One Child Policy; and the experience of menopause in a society that prizes youth and beauty.Each chapter examines one artist, analysing carefully selected key works and drawing on interviews with the artists themselves. It positions the artists as intervening, not only in historically exclusive, elitist literati traditions, but also in contemporary art discourses in which their contributions have been similarly marginalised. It explores the ambivalent views of the artists towards (Western) feminism and positions their work as counter-hegemonic expressions of a specifically Chinese experience of patriarchy.Addressing an understudied aspect of contemporary Chinese art, this book powerfully illuminates the material culture of ink and brush painting through a transcultural, intersectional feminist lens, revealing the ways in which the form bridges Chinese history and the present day.
