9781108038669 - The True Science Of Music: Being a New Exposition of the Laws of Melody and Harmony (Cambridge Library Collection - Music) de Hewitt, D. C. (19 resultados)

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. The physics of music has fascinated scholars and scientists since ancient times, from Pythagoras' concept of celestial harmony, to the work of Galileo, Mersenne, Euler and Ohm, culminating in the nineteenth century in Helmholtz's definitive work, On the Sensations of Tone. Daniel Chandler Hewitt (1789-1869) was a piano maker who also devised improvements to the seraphine (a form of reed organ). This idiosyncratic work, first published in 1864, only a year after Helmholtz's German text (also reissued in this series in the 1875 English translation), discusses the mathematics of musical intervals according to Hewitt's 'Triune', or three-fold, system of calculation using his Musical Ratiometer (included at the end of the volume). Musical examples, gathered at the end of the work, illustrate his arguments and include a close analysis of the intervals and chord structures of the Moonlight and the Appassionata piano sonatas by Beethoven.

Condición: New. In.

Condición: New.

Condición: New. First published in 1864, this work discusses aspects of the physics of music, in particular the mathematics of musical intervals. Series: Cambridge Library Collection - Music. Num Pages: 514 pages, 39 b/w illus. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 244 x 170 x 26. Weight in Grams: 810. . 2011. Paperback. . . . .

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 514.

Condición: New. First published in 1864, this work discusses aspects of the physics of music, in particular the mathematics of musical intervals. Series: Cambridge Library Collection - Music. Num Pages: 514 pages, 39 b/w illus. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 244 x 170 x 26. Weight in Grams: 810. . 2011. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condición: New. The physics of music has fascinated scholars and scientists since ancient times, from Pythagoras' concept of celestial harmony, to the work of Galileo, Mersenne, Euler and Ohm, culminating in the nineteenth century in Helmholtz's definitive work, On the Sensations of Tone. Daniel Chandler Hewitt (1789-1869) was a piano maker who also devised improvements to the seraphine (a form of reed organ). This idiosyncratic work, first published in 1864, only a year after Helmholtz's German text (also reissued in this series in the 1875 English translation), discusses the mathematics of musical intervals according to Hewitt's 'Triune', or three-fold, system of calculation using his Musical Ratiometer (included at the end of the volume). Musical examples, gathered at the end of the work, illustrate his arguments and include a close analysis of the intervals and chord structures of the Moonlight and the Appassionata piano sonatas by Beethoven.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - The physics of music has fascinated scholars and scientists since ancient times, from Pythagoras' concept of celestial harmony, to the work of Galileo, Mersenne, Euler and Ohm, culminating in the nineteenth century in Helmholtz's definitive work, On the Sensations of Tone. Daniel Chandler Hewitt (1789-1869) was a piano maker who also devised improvements to the seraphine (a form of reed organ). This idiosyncratic work, first published in 1864, only a year after Helmholtz's German text (also reissued in this series in the 1875 English translation), discusses the mathematics of musical intervals according to Hewitt's 'Triune', or three-fold, system of calculation using his Musical Ratiometer (included at the end of the volume). Musical examples, gathered at the end of the work, illustrate his arguments and include a close analysis of the intervals and chord structures of the Moonlight and the Appassionata piano sonatas by Beethoven.

Paperback. Condición: Brand New. 1st edition. 675 pages. 9.50x6.70x1.20 inches. In Stock. This item is printed on demand.

Paperback. Condición: new. Paperback. The physics of music has fascinated scholars and scientists since ancient times, from Pythagoras' concept of celestial harmony, to the work of Galileo, Mersenne, Euler and Ohm, culminating in the nineteenth century in Helmholtz's definitive work, On the Sensations of Tone. Daniel Chandler Hewitt (17891869) was a piano maker who also devised improvements to the seraphine (a form of reed organ). This idiosyncratic work, first published in 1864, only a year after Helmholtz's German text (also reissued in this series in the 1875 English translation), discusses the mathematics of musical intervals according to Hewitt's 'Triune', or three-fold, system of calculation using his Musical Ratiometer (included at the end of the volume). Musical examples, gathered at the end of the work, illustrate his arguments and include a close analysis of the intervals and chord structures of the Moonlight and the Appassionata piano sonatas by Beethoven. The physics of music has fascinated scholars since ancient times, from Pythagoras' concept of celestial harmony to Mersenne, Ohm and Helmholtz. Hewitt's work, first published in 1864, proposes his mathematical approach to determining the nature of musical intervals according to his 'Triune', or three-fold, system of calculation using his Ratiometer. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. Print on Demand pp. 514 67:B&W 6.69 x 9.61 in or 244 x 170 mm (Pinched Crown) Perfect Bound on White w/Gloss Lam.

Condición: New. PRINT ON DEMAND pp. 514.

Paperback. Condición: new. Paperback. The physics of music has fascinated scholars and scientists since ancient times, from Pythagoras' concept of celestial harmony, to the work of Galileo, Mersenne, Euler and Ohm, culminating in the nineteenth century in Helmholtz's definitive work, On the Sensations of Tone. Daniel Chandler Hewitt (1789-1869) was a piano maker who also devised improvements to the seraphine (a form of reed organ). This idiosyncratic work, first published in 1864, only a year after Helmholtz's German text (also reissued in this series in the 1875 English translation), discusses the mathematics of musical intervals according to Hewitt's 'Triune', or three-fold, system of calculation using his Musical Ratiometer (included at the end of the volume). Musical examples, gathered at the end of the work, illustrate his arguments and include a close analysis of the intervals and chord structures of the Moonlight and the Appassionata piano sonatas by Beethoven. The physics of music has fascinated scholars since ancient times, from Pythagoras' concept of celestial harmony to Mersenne, Ohm and Helmholtz. Hewitt's work, first published in 1864, proposes his mathematical approach to determining the nature of musical intervals according to his 'Triune', or three-fold, system of calculation using his Ratiometer. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condición: new. Paperback. The physics of music has fascinated scholars and scientists since ancient times, from Pythagoras' concept of celestial harmony, to the work of Galileo, Mersenne, Euler and Ohm, culminating in the nineteenth century in Helmholtz's definitive work, On the Sensations of Tone. Daniel Chandler Hewitt (17891869) was a piano maker who also devised improvements to the seraphine (a form of reed organ). This idiosyncratic work, first published in 1864, only a year after Helmholtz's German text (also reissued in this series in the 1875 English translation), discusses the mathematics of musical intervals according to Hewitt's 'Triune', or three-fold, system of calculation using his Musical Ratiometer (included at the end of the volume). Musical examples, gathered at the end of the work, illustrate his arguments and include a close analysis of the intervals and chord structures of the Moonlight and the Appassionata piano sonatas by Beethoven. The physics of music has fascinated scholars since ancient times, from Pythagoras' concept of celestial harmony to Mersenne, Ohm and Helmholtz. Hewitt's work, first published in 1864, proposes his mathematical approach to determining the nature of musical intervals according to his 'Triune', or three-fold, system of calculation using his Ratiometer. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The physics of music has fascinated scholars since ancient times, from Pythagoras concept of celestial harmony to Mersenne, Ohm and Helmholtz. Hewitt s work, first published in 1864, proposes his mathematical approach to determining the nature of musical i.

Taschenbuch. Condición: Neu. The True Science of Music | D. C. Hewitt | Taschenbuch | Buch | Englisch | 2011 | Cambridge University Press | EAN 9781108038669 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.