Idioma: Inglés
Publicado por Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Librería: California Books, Miami, FL, Estados Unidos de America
EUR 49,23
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Idioma: Inglés
Publicado por Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Librería: Ria Christie Collections, Uxbridge, Reino Unido
EUR 44,65
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Idioma: Inglés
Publicado por Cambridge University Press 2018-03-01, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Librería: Chiron Media, Wallingford, Reino Unido
EUR 40,76
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Añadir al carritoPaperback. Condición: New.
Idioma: Inglés
Publicado por Cambridge University Press CUP, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 66,63
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Añadir al carritoCondición: New. pp. 347.
Idioma: Inglés
Publicado por Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Librería: Revaluation Books, Exeter, Reino Unido
EUR 65,07
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Añadir al carritoPaperback. Condición: Brand New. 1st edition. 347 pages. 8.90x6.02x0.87 inches. In Stock.
Idioma: Inglés
Publicado por Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 84,19
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Añadir al carritoCondición: New. 2018. Reprint. Paperback. . . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 96,58
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Añadir al carritoCondición: New. 2018. Reprint. Paperback. . . . . .
Idioma: Inglés
Publicado por Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 67,69
Cantidad disponible: 1 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Why is Shakespeare so often associated with information technologies and with the idea of archiving itself Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts.
Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 49,22
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts. Galey explores how Shakespeare texts became material for new media experiments. Looking historically at the archive, the book, photography, sound and information, as well as theories of information and computing, this book is of interest to scholars of the digital humanities, Shakespeare studies, and media history. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Librería: Revaluation Books, Exeter, Reino Unido
EUR 44,77
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Brand New. 1st edition. 347 pages. 8.90x6.02x0.87 inches. In Stock. This item is printed on demand.
Idioma: Inglés
Publicado por Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 48,63
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Añadir al carritoPaperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Idioma: Inglés
Publicado por Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Librería: Majestic Books, Hounslow, Reino Unido
EUR 64,77
Cantidad disponible: 4 disponibles
Añadir al carritoCondición: New. Print on Demand pp. 347.
Idioma: Inglés
Publicado por Cambridge University Press, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Librería: Biblios, Frankfurt am main, HESSE, Alemania
EUR 65,06
Cantidad disponible: 4 disponibles
Añadir al carritoCondición: New. PRINT ON DEMAND pp. 347.
Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 2018
ISBN 10: 1107612985 ISBN 13: 9781107612983
Librería: CitiRetail, Stevenage, Reino Unido
EUR 52,37
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts. Galey explores how Shakespeare texts became material for new media experiments. Looking historically at the archive, the book, photography, sound and information, as well as theories of information and computing, this book is of interest to scholars of the digital humanities, Shakespeare studies, and media history. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Idioma: Inglés
Publicado por Cambridge University Press, 2017
ISBN 10: 1107612985 ISBN 13: 9781107612983
Librería: moluna, Greven, Alemania
EUR 49,64
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Galey explores how Shakespeare texts became material for new media experiments. Looking historically at the archive, the book, photography, sound and information, as well as theories of information and computing, this book is of interest to scholars of the .