Isbn: 9781107111257 - nineteenth-century opera and the scientific imagination (17 resultados)

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Cambridge University Press, 2019. Hardback, d/j, 8vo, xv,381pp. D/j slightly bumped. A good copy. 9781107111257 . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).…

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good. Text clean and tight; 8vo 8" - 9" tall; 396 pages.

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Hardcover. Condición: Brand New. 381 pages. 9.75x7.00x1.00 inches. In Stock.

Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Scientific thinking has long been linked to music theory and instrument making, yet the profound and often surprising intersections between the sciences and opera during the long nineteenth century are here explored for the first time. These touch on a wide variety of topics, including vocal physiology, theories of listening and sensory communication, technologies of theatrical machinery and discourses of biological degeneration. Taken together, the chapters reveal an intertwined cultural history that extends from backstage hydraulics to drawing-room hypnotism, and from laryngoscopy to theatrical aeronautics. Situated at the intersection of opera studies and the history of science, the book therefore offers a novel and illuminating set of case studies, of a kind that will appeal to historians of both science and opera, and of European culture more generally from the French Revolution to the end of the Victorian period.…

Condición: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

Condición: New. 2019. Hardcover. . . . . .

Hardcover. Condición: new. Hardcover. Scientific thinking has long been linked to music theory and instrument making, yet the profound and often surprising intersections between the sciences and opera during the long nineteenth century are here explored for the first time. These touch on a wide variety of topics, including vocal physiology, theories of listening and sensory communication, technologies of theatrical machinery and discourses of biological degeneration. Taken together, the chapters reveal an intertwined cultural history that extends from backstage hydraulics to drawing-room hypnotism, and from laryngoscopy to theatrical aeronautics. Situated at the intersection of opera studies and the history of science, the book therefore offers a novel and illuminating set of case studies, of a kind that will appeal to historians of both science and opera, and of European culture more generally from the French Revolution to the end of the Victorian period. This innovative book will appeal to anyone interested in the cultural, musical and scientific history of the nineteenth century - from undergraduates to professional researchers. Chapters explore topics such as hypnosis, vocal physiology, stage machinery, histories of listening and the interaction of opera with nineteenth-century scientific theories. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Gebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Inhaltsverzeichnis1. Introduction: the laboratory and the stage David Trippett and Benjamin Walton Part I. Voices: 2. Pneumotypes: Jean de Reszke s high pianissimos and the occult sciences of breathing James Q. Davies 3. Vocal culture .…

Buch. Condición: Neu. Nineteenth-Century Opera and the Scientific Imagination | David Trippett (u. a.) | Buch | Gebunden | Englisch | 2019 | Cambridge University Press | EAN 9781107111257 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…