9781041004547 - stanislavsky and place: siting performance internationally (25 resultados)
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Paperback. Condición: New. Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavsky's question to his actors of "Where?" the action that they perform (and what preceded it) took place.This book explores how place functions beyond mere location in theatrical practice, a…ddressing politics, colonialism, conflict and resistance through the lens of Stanislavsky's work. Featuring contributions from leading scholars Jonathan Pitches and Bella Merlin alongside diverse practitioners, the collection examines multiple dimensions of place-based performance. Essays analyse an Australian production of Ibsen's Enemy of the People addressing environmental concerns; perspectives from Australian First Nations and Settler-descent artists; Russian concepts of place that shaped Stanislavsky's approach; and the groundbreaking site-specific Vanya Project that incorporated local environments and embodied responses. The book also investigates how actors and mise-en-scène become emplaced, while examining concepts of displacement in multimedia performances that position character-actors simultaneously in multiple locations, particularly in modernist narratives like Kafka's. Throughout these varied contributions, place emerges as a richly ambiguous and often contested tool for understanding theatrical experience, offering fresh perspectives on Stanislavsky's enduring influence on contemporary performance practice.Stanislavsky And. is a series of multi-perspectival collections that bring the enduring legacy of Stanislavskian actor training into the spotlight of contemporary performance culture, making them ideal for students, teachers, and scholars of acting, actor training, and directing.
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Paperback. Condición: New. Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavsky's question to his actors of "Where?" the action that they perform (and what preceded it) took place.This book explores how place functions beyond mere location in theatrical practice, a…ddressing politics, colonialism, conflict and resistance through the lens of Stanislavsky's work. Featuring contributions from leading scholars Jonathan Pitches and Bella Merlin alongside diverse practitioners, the collection examines multiple dimensions of place-based performance. Essays analyse an Australian production of Ibsen's Enemy of the People addressing environmental concerns; perspectives from Australian First Nations and Settler-descent artists; Russian concepts of place that shaped Stanislavsky's approach; and the groundbreaking site-specific Vanya Project that incorporated local environments and embodied responses. The book also investigates how actors and mise-en-scène become emplaced, while examining concepts of displacement in multimedia performances that position character-actors simultaneously in multiple locations, particularly in modernist narratives like Kafka's. Throughout these varied contributions, place emerges as a richly ambiguous and often contested tool for understanding theatrical experience, offering fresh perspectives on Stanislavsky's enduring influence on contemporary performance practice.Stanislavsky And. is a series of multi-perspectival collections that bring the enduring legacy of Stanislavskian actor training into the spotlight of contemporary performance culture, making them ideal for students, teachers, and scholars of acting, actor training, and directing.
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Paperback. Condición: New. Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavsky's question to his actors of "Where?" the action that they perform (and what preceded it) took place.This book explores how place functions beyond mere location in theatrical practice, a…ddressing politics, colonialism, conflict and resistance through the lens of Stanislavsky's work. Featuring contributions from leading scholars Jonathan Pitches and Bella Merlin alongside diverse practitioners, the collection examines multiple dimensions of place-based performance. Essays analyse an Australian production of Ibsen's Enemy of the People addressing environmental concerns; perspectives from Australian First Nations and Settler-descent artists; Russian concepts of place that shaped Stanislavsky's approach; and the groundbreaking site-specific Vanya Project that incorporated local environments and embodied responses. The book also investigates how actors and mise-en-scène become emplaced, while examining concepts of displacement in multimedia performances that position character-actors simultaneously in multiple locations, particularly in modernist narratives like Kafka's. Throughout these varied contributions, place emerges as a richly ambiguous and often contested tool for understanding theatrical experience, offering fresh perspectives on Stanislavsky's enduring influence on contemporary performance practice.Stanislavsky And. is a series of multi-perspectival collections that bring the enduring legacy of Stanislavskian actor training into the spotlight of contemporary performance culture, making them ideal for students, teachers, and scholars of acting, actor training, and directing.
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Taschenbuch. Condición: Neu. Neuware - Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavsky's question to his actors of 'Where ' the action that they perform (and what preceded it) took place.
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Paperback. Condición: New. Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavsky's question to his actors of "Where?" the action that they perform (and what preceded it) took place.This book explores how place functions beyond mere location in theatrical practice, a…ddressing politics, colonialism, conflict and resistance through the lens of Stanislavsky's work. Featuring contributions from leading scholars Jonathan Pitches and Bella Merlin alongside diverse practitioners, the collection examines multiple dimensions of place-based performance. Essays analyse an Australian production of Ibsen's Enemy of the People addressing environmental concerns; perspectives from Australian First Nations and Settler-descent artists; Russian concepts of place that shaped Stanislavsky's approach; and the groundbreaking site-specific Vanya Project that incorporated local environments and embodied responses. The book also investigates how actors and mise-en-scène become emplaced, while examining concepts of displacement in multimedia performances that position character-actors simultaneously in multiple locations, particularly in modernist narratives like Kafka's. Throughout these varied contributions, place emerges as a richly ambiguous and often contested tool for understanding theatrical experience, offering fresh perspectives on Stanislavsky's enduring influence on contemporary performance practice.Stanislavsky And. is a series of multi-perspectival collections that bring the enduring legacy of Stanislavskian actor training into the spotlight of contemporary performance culture, making them ideal for students, teachers, and scholars of acting, actor training, and directing.
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Paperback. Condición: new. Paperback. Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavskys question to his actors of Where? the action that they perform (and what preceded it) took place.This book explores how place functions beyond mere location in theatrical pra…ctice, addressing politics, colonialism, conflict and resistance through the lens of Stanislavsky's work. Featuring contributions from leading scholars Jonathan Pitches and Bella Merlin alongside diverse practitioners, the collection examines multiple dimensions of place-based performance. Essays analyse an Australian production of Ibsen's Enemy of the People addressing environmental concerns; perspectives from Australian First Nations and Settler-descent artists; Russian concepts of place that shaped Stanislavsky's approach; and the groundbreaking site-specific Vanya Project that incorporated local environments and embodied responses. The book also investigates how actors and mise-en-scene become emplaced, while examining concepts of displacement in multimedia performances that position character-actors simultaneously in multiple locations, particularly in modernist narratives like Kafka's. Throughout these varied contributions, place emerges as a richly ambiguous and often contested tool for understanding theatrical experience, offering fresh perspectives on Stanislavsky's enduring influence on contemporary performance practice.Stanislavsky And. is a series of multi-perspectival collections that bring the enduring legacy of Stanislavskian actor training into the spotlight of contemporary performance culture, making them ideal for students, teachers, and scholars of acting, actor training, and directing. Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavskys question to his actors of Where? the action that they perform (and what preceded it) took place. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condición: new. Paperback. Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavskys question to his actors of Where? the action that they perform (and what preceded it) took place.This book explores how place functions beyond mere location in theatrical pra…ctice, addressing politics, colonialism, conflict and resistance through the lens of Stanislavsky's work. Featuring contributions from leading scholars Jonathan Pitches and Bella Merlin alongside diverse practitioners, the collection examines multiple dimensions of place-based performance. Essays analyse an Australian production of Ibsen's Enemy of the People addressing environmental concerns; perspectives from Australian First Nations and Settler-descent artists; Russian concepts of place that shaped Stanislavsky's approach; and the groundbreaking site-specific Vanya Project that incorporated local environments and embodied responses. The book also investigates how actors and mise-en-scene become emplaced, while examining concepts of displacement in multimedia performances that position character-actors simultaneously in multiple locations, particularly in modernist narratives like Kafka's. Throughout these varied contributions, place emerges as a richly ambiguous and often contested tool for understanding theatrical experience, offering fresh perspectives on Stanislavsky's enduring influence on contemporary performance practice.Stanislavsky And. is a series of multi-perspectival collections that bring the enduring legacy of Stanislavskian actor training into the spotlight of contemporary performance culture, making them ideal for students, teachers, and scholars of acting, actor training, and directing. Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavskys question to his actors of Where? the action that they perform (and what preceded it) took place. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Paperback. Condición: new. Paperback. Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavskys question to his actors of Where? the action that they perform (and what preceded it) took place.This book explores how place functions beyond mere location in theatrical pra…ctice, addressing politics, colonialism, conflict and resistance through the lens of Stanislavsky's work. Featuring contributions from leading scholars Jonathan Pitches and Bella Merlin alongside diverse practitioners, the collection examines multiple dimensions of place-based performance. Essays analyse an Australian production of Ibsen's Enemy of the People addressing environmental concerns; perspectives from Australian First Nations and Settler-descent artists; Russian concepts of place that shaped Stanislavsky's approach; and the groundbreaking site-specific Vanya Project that incorporated local environments and embodied responses. The book also investigates how actors and mise-en-scene become emplaced, while examining concepts of displacement in multimedia performances that position character-actors simultaneously in multiple locations, particularly in modernist narratives like Kafka's. Throughout these varied contributions, place emerges as a richly ambiguous and often contested tool for understanding theatrical experience, offering fresh perspectives on Stanislavsky's enduring influence on contemporary performance practice.Stanislavsky And. is a series of multi-perspectival collections that bring the enduring legacy of Stanislavskian actor training into the spotlight of contemporary performance culture, making them ideal for students, teachers, and scholars of acting, actor training, and directing. Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavskys question to his actors of Where? the action that they perform (and what preceded it) took place. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Taschenbuch. Condición: Neu. Stanislavsky and Place | Siting Performance Internationally | Jonathan W. Marshall (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2026 | Routledge | EAN 9781041004547 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter:…preigu Print on Demand.
