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Publicado por Taylor & Francis Ltd, London, 2026
ISBN 10: 1032752548 ISBN 13: 9781032752549
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Añadir al carritoPaperback. Condición: new. Paperback. Why do representations of rape tend to look the same? Why do they frequently feature themes of media technology and surveillance? This book traces the role of surveillance technology in film and television depictions of rape in the 2000s. It shows how the stranger rape narrative is popularly used as a sense-making tool for the entanglement of the body, digital technology, and institutions of power. These films and television series interrogate the digital management of self-representation. In a cultural context defined by digitally galvanized feminist movements, a growing awareness of online gender violence, and a global movement aimed at shuttering these discussions, this book is even more pressing if we are to make sense of the relationship between offline and online forms of gender violence and the evolving cultural meaning of the rape narrative. This book traces the role of surveillance technology in film and television depictions of rape in the 2000s. It shows how the stranger rape narrative is popularly used as a sense-making tool for the entanglement of the body, digital technology, and institutions of power. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Publicado por Taylor and Francis Ltd, GB, 2026
ISBN 10: 1032752548 ISBN 13: 9781032752549
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Añadir al carritoPaperback. Condición: New. Why do representations of rape tend to look the same? Why do they frequently feature themes of media technology and surveillance? This book traces the role of surveillance technology in film and television depictions of rape in the 2000s. It shows how the stranger rape narrative is popularly used as a sense-making tool for the entanglement of the body, digital technology, and institutions of power. These films and television series interrogate the digital management of self-representation. In a cultural context defined by digitally galvanized feminist movements, a growing awareness of online gender violence, and a global movement aimed at shuttering these discussions, this book is even more pressing if we are to make sense of the relationship between offline and online forms of gender violence and the evolving cultural meaning of the rape narrative.
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Publicado por Taylor and Francis Ltd, GB, 2026
ISBN 10: 1032752548 ISBN 13: 9781032752549
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Añadir al carritoPaperback. Condición: New. Why do representations of rape tend to look the same? Why do they frequently feature themes of media technology and surveillance? This book traces the role of surveillance technology in film and television depictions of rape in the 2000s. It shows how the stranger rape narrative is popularly used as a sense-making tool for the entanglement of the body, digital technology, and institutions of power. These films and television series interrogate the digital management of self-representation. In a cultural context defined by digitally galvanized feminist movements, a growing awareness of online gender violence, and a global movement aimed at shuttering these discussions, this book is even more pressing if we are to make sense of the relationship between offline and online forms of gender violence and the evolving cultural meaning of the rape narrative.
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Idioma: Inglés
Publicado por Taylor & Francis Ltd, London, 2026
ISBN 10: 1032752548 ISBN 13: 9781032752549
Librería: AussieBookSeller, Truganina, VIC, Australia
EUR 51,97
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Añadir al carritoPaperback. Condición: new. Paperback. Why do representations of rape tend to look the same? Why do they frequently feature themes of media technology and surveillance? This book traces the role of surveillance technology in film and television depictions of rape in the 2000s. It shows how the stranger rape narrative is popularly used as a sense-making tool for the entanglement of the body, digital technology, and institutions of power. These films and television series interrogate the digital management of self-representation. In a cultural context defined by digitally galvanized feminist movements, a growing awareness of online gender violence, and a global movement aimed at shuttering these discussions, this book is even more pressing if we are to make sense of the relationship between offline and online forms of gender violence and the evolving cultural meaning of the rape narrative. This book traces the role of surveillance technology in film and television depictions of rape in the 2000s. It shows how the stranger rape narrative is popularly used as a sense-making tool for the entanglement of the body, digital technology, and institutions of power. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Añadir al carritoPaperback. Condición: Brand New. 218 pages. 9.18x6.12x9.21 inches. In Stock.
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Publicado por Taylor & Francis Ltd, London, 2026
ISBN 10: 1032752548 ISBN 13: 9781032752549
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Añadir al carritoPaperback. Condición: new. Paperback. Why do representations of rape tend to look the same? Why do they frequently feature themes of media technology and surveillance? This book traces the role of surveillance technology in film and television depictions of rape in the 2000s. It shows how the stranger rape narrative is popularly used as a sense-making tool for the entanglement of the body, digital technology, and institutions of power. These films and television series interrogate the digital management of self-representation. In a cultural context defined by digitally galvanized feminist movements, a growing awareness of online gender violence, and a global movement aimed at shuttering these discussions, this book is even more pressing if we are to make sense of the relationship between offline and online forms of gender violence and the evolving cultural meaning of the rape narrative. This book traces the role of surveillance technology in film and television depictions of rape in the 2000s. It shows how the stranger rape narrative is popularly used as a sense-making tool for the entanglement of the body, digital technology, and institutions of power. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Idioma: Inglés
Publicado por Taylor and Francis Ltd, GB, 2026
ISBN 10: 1032752548 ISBN 13: 9781032752549
Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de America
EUR 66,63
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Añadir al carritoPaperback. Condición: New. Why do representations of rape tend to look the same? Why do they frequently feature themes of media technology and surveillance? This book traces the role of surveillance technology in film and television depictions of rape in the 2000s. It shows how the stranger rape narrative is popularly used as a sense-making tool for the entanglement of the body, digital technology, and institutions of power. These films and television series interrogate the digital management of self-representation. In a cultural context defined by digitally galvanized feminist movements, a growing awareness of online gender violence, and a global movement aimed at shuttering these discussions, this book is even more pressing if we are to make sense of the relationship between offline and online forms of gender violence and the evolving cultural meaning of the rape narrative.
EUR 59,74
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Añadir al carritoCondición: New. Alex Bevan is a researcher of media culture and gender violence. Formally a Senior Lecturer in Communication at the University of Queensland, Australia, she moved into the field of data science to pursue the same questions around feeling.
Idioma: Inglés
Publicado por Taylor & Francis Ltd Apr 2026, 2026
ISBN 10: 1032752548 ISBN 13: 9781032752549
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 59,46
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Añadir al carritoTaschenbuch. Condición: Neu. Neuware - Why do representations of rape tend to look the same Why do they frequently feature themes of media technology and surveillance This book traces the role of surveillance technology in film and television depictions of rape in the 2000s. It shows how the stranger rape narrative is popularly used as a sense-making tool for the entanglement of the body, digital technology, and institutions of power. These films and television series interrogate the digital management of self-representation. In a cultural context defined by digitally galvanized feminist movements, a growing awareness of online gender violence, and a global movement aimed at shuttering these discussions, this book is even more pressing if we are to make sense of the relationship between offline and online forms of gender violence and the evolving cultural meaning of the rape narrative.
Idioma: Inglés
Publicado por Taylor and Francis Ltd, GB, 2026
ISBN 10: 1032752548 ISBN 13: 9781032752549
Librería: Rarewaves.com UK, London, Reino Unido
EUR 58,90
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Añadir al carritoPaperback. Condición: New. Why do representations of rape tend to look the same? Why do they frequently feature themes of media technology and surveillance? This book traces the role of surveillance technology in film and television depictions of rape in the 2000s. It shows how the stranger rape narrative is popularly used as a sense-making tool for the entanglement of the body, digital technology, and institutions of power. These films and television series interrogate the digital management of self-representation. In a cultural context defined by digitally galvanized feminist movements, a growing awareness of online gender violence, and a global movement aimed at shuttering these discussions, this book is even more pressing if we are to make sense of the relationship between offline and online forms of gender violence and the evolving cultural meaning of the rape narrative.
EUR 67,10
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Añadir al carritoTaschenbuch. Condición: Neu. Sexual Violence and the Visual Body in the Digital Age | Alex Bevan | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2026 | Taylor & Francis Ltd | EAN 9781032752549 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
Librería: Revaluation Books, Exeter, Reino Unido
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Añadir al carritoPaperback. Condición: Brand New. 218 pages. 9.18x6.12x9.21 inches. In Stock. This item is printed on demand.
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
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Añadir al carritoPaperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.