9781009494458 - the revue in twentieth-century budapest: from cosmopolitan night-clubs to stalinist dogma (elements in musical theatre) de molnár, dániel (19 resultados)
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Hardback. Condición: New. Since the introduction of modern revues in 1925, the genre faced near-constant political scrutiny in Budapest. Yet by the 1930s, the city had become the capital of Central European cosmopolitan nightlife. The closure of Hungary's borders after World War II ended any hope of reclaiming this international… status. Under communism and the Stalinist totalitarian regime, the revue-despite its popularity-remained politically stigmatized. For the first time, entertainment was treated as a cultural matter rather than merely a law enforcement issue, but it was forced to conform to ideological expectations. Three attempts to legitimize the genre in the 1950s ultimately failed, shaping the trajectory of live entertainment in the era. By the 1960s, revues were officially accepted, yet their cultural significance had faded amid the rise of new entertainment forms.
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Hardback. Condición: New. Since the introduction of modern revues in 1925, the genre faced near-constant political scrutiny in Budapest. Yet by the 1930s, the city had become the capital of Central European cosmopolitan nightlife. The closure of Hungary's borders after World War II ended any hope of reclaiming this international… status. Under communism and the Stalinist totalitarian regime, the revue-despite its popularity-remained politically stigmatized. For the first time, entertainment was treated as a cultural matter rather than merely a law enforcement issue, but it was forced to conform to ideological expectations. Three attempts to legitimize the genre in the 1950s ultimately failed, shaping the trajectory of live entertainment in the era. By the 1960s, revues were officially accepted, yet their cultural significance had faded amid the rise of new entertainment forms.
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Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Since the introduction of modern revues in 1925, the genre faced near-constant political scrutiny in Budapest. Yet by the 1930s, the city had become the capital of Central European cosmopolitan nightlife. The closure of Hungary's borders after World War I…I ended any hope of reclaiming this international status. Under communism and the Stalinist totalitarian regime, the revue-despite its popularity-remained politically stigmatized. For the first time, entertainment was treated as a cultural matter rather than merely a law enforcement issue, but it was forced to conform to ideological expectations. Three attempts to legitimize the genre in the 1950s ultimately failed, shaping the trajectory of live entertainment in the era. By the 1960s, revues were officially accepted, yet their cultural significance had faded amid the rise of new entertainment forms.
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Hardcover. Condición: new. Hardcover. Since the introduction of modern revues in 1925, the genre faced near-constant political scrutiny in Budapest. Yet by the 1930s, the city had become the capital of Central European cosmopolitan nightlife. The closure of Hungary's borders after World War II ended any hope of reclaiming this i…nternational status. Under communism and the Stalinist totalitarian regime, the revuedespite its popularityremained politically stigmatized. For the first time, entertainment was treated as a cultural matter rather than merely a law enforcement issue, but it was forced to conform to ideological expectations. Three attempts to legitimize the genre in the 1950s ultimately failed, shaping the trajectory of live entertainment in the era. By the 1960s, revues were officially accepted, yet their cultural significance had faded amid the rise of new entertainment forms. This Element discusses Budapest from the 1920s until 1968. The field of entertainment began to be considered a cultural product that had to adhere to new political requirements. By 1968, the revue's cultural relevance had become almost insignificant with the appearance of new genres of entertainment. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Hardcover. Condición: new. Hardcover. Since the introduction of modern revues in 1925, the genre faced near-constant political scrutiny in Budapest. Yet by the 1930s, the city had become the capital of Central European cosmopolitan nightlife. The closure of Hungary's borders after World War II ended any hope of reclaiming this i…nternational status. Under communism and the Stalinist totalitarian regime, the revuedespite its popularityremained politically stigmatized. For the first time, entertainment was treated as a cultural matter rather than merely a law enforcement issue, but it was forced to conform to ideological expectations. Three attempts to legitimize the genre in the 1950s ultimately failed, shaping the trajectory of live entertainment in the era. By the 1960s, revues were officially accepted, yet their cultural significance had faded amid the rise of new entertainment forms. This Element discusses Budapest from the 1920s until 1968. The field of entertainment began to be considered a cultural product that had to adhere to new political requirements. By 1968, the revue's cultural relevance had become almost insignificant with the appearance of new genres of entertainment. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Hardcover. Condición: new. Hardcover. Since the introduction of modern revues in 1925, the genre faced near-constant political scrutiny in Budapest. Yet by the 1930s, the city had become the capital of Central European cosmopolitan nightlife. The closure of Hungary's borders after World War II ended any hope of reclaiming this i…nternational status. Under communism and the Stalinist totalitarian regime, the revuedespite its popularityremained politically stigmatized. For the first time, entertainment was treated as a cultural matter rather than merely a law enforcement issue, but it was forced to conform to ideological expectations. Three attempts to legitimize the genre in the 1950s ultimately failed, shaping the trajectory of live entertainment in the era. By the 1960s, revues were officially accepted, yet their cultural significance had faded amid the rise of new entertainment forms. This Element discusses Budapest from the 1920s until 1968. The field of entertainment began to be considered a cultural product that had to adhere to new political requirements. By 1968, the revue's cultural relevance had become almost insignificant with the appearance of new genres of entertainment. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Buch. Condición: Neu. The Revue in Twentieth-Century Budapest | Dániel Molnár | Buch | Englisch | 2025 | Cambridge University Press | EAN 9781009494458 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
