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Añadir al carritoPaperback. Condición: New. This Element examines why women makers from equity-owed communities (Indigenous, of colour, Deaf, disabled, trans and non-binary communities among others) choose to work with Shakespeare and his contemporaries at a moment in time when theatres around the world are striving toward equity, inclusion, diversity, and decolonization. It details and explores these creators' processes to learn from them about how to transform plays we know all too well as patriarchy-affirming, ableist, and often racist into vehicles for community storytelling and models for radically inclusive and difference-centred ways of making.
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Idioma: Inglés
Publicado por Cambridge University Press, 2024
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Añadir al carritoTaschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This Element examines why women makers from equity-owed communities (Indigenous, of colour, Deaf, disabled, trans and non-binary communities among others) choose to work with Shakespeare and his contemporaries at a moment in time when theatres around the world are striving toward equity, inclusion, diversity, and decolonization.
Idioma: Inglés
Publicado por Cambridge University Press, GB, 2024
ISBN 10: 1009073486 ISBN 13: 9781009073486
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Añadir al carritoPaperback. Condición: New. This Element examines why women makers from equity-owed communities (Indigenous, of colour, Deaf, disabled, trans and non-binary communities among others) choose to work with Shakespeare and his contemporaries at a moment in time when theatres around the world are striving toward equity, inclusion, diversity, and decolonization. It details and explores these creators' processes to learn from them about how to transform plays we know all too well as patriarchy-affirming, ableist, and often racist into vehicles for community storytelling and models for radically inclusive and difference-centred ways of making.
Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 2024
ISBN 10: 1009073486 ISBN 13: 9781009073486
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Añadir al carritoPaperback. Condición: new. Paperback. This Element examines why women makers from equity-owed communities (Indigenous, of colour, Deaf, disabled, trans and non-binary communities among others) choose to work with Shakespeare and his contemporaries at a moment in time when theatres around the world are striving toward equity, inclusion, diversity, and decolonization. It details and explores these creators' processes to learn from them about how to transform plays we know all too well as patriarchy-affirming, ableist, and often racist into vehicles for community storytelling and models for radically inclusive and difference-centred ways of making. This Element examines why women makers from equity-owed communities (Indigenous, of colour, Deaf, disabled, trans and non-binary communities among others) choose to work with Shakespeare and his contemporaries at a moment in time when theatres around the world are striving toward equity, inclusion, diversity, and decolonization. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 2024
ISBN 10: 1009073486 ISBN 13: 9781009073486
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Añadir al carritoPaperback. Condición: new. Paperback. This Element examines why women makers from equity-owed communities (Indigenous, of colour, Deaf, disabled, trans and non-binary communities among others) choose to work with Shakespeare and his contemporaries at a moment in time when theatres around the world are striving toward equity, inclusion, diversity, and decolonization. It details and explores these creators' processes to learn from them about how to transform plays we know all too well as patriarchy-affirming, ableist, and often racist into vehicles for community storytelling and models for radically inclusive and difference-centred ways of making. This Element examines why women makers from equity-owed communities (Indigenous, of colour, Deaf, disabled, trans and non-binary communities among others) choose to work with Shakespeare and his contemporaries at a moment in time when theatres around the world are striving toward equity, inclusion, diversity, and decolonization. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 2024
ISBN 10: 1009073486 ISBN 13: 9781009073486
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Añadir al carritoPaperback. Condición: new. Paperback. This Element examines why women makers from equity-owed communities (Indigenous, of colour, Deaf, disabled, trans and non-binary communities among others) choose to work with Shakespeare and his contemporaries at a moment in time when theatres around the world are striving toward equity, inclusion, diversity, and decolonization. It details and explores these creators' processes to learn from them about how to transform plays we know all too well as patriarchy-affirming, ableist, and often racist into vehicles for community storytelling and models for radically inclusive and difference-centred ways of making. This Element examines why women makers from equity-owed communities (Indigenous, of colour, Deaf, disabled, trans and non-binary communities among others) choose to work with Shakespeare and his contemporaries at a moment in time when theatres around the world are striving toward equity, inclusion, diversity, and decolonization. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Publicado por Cambridge University Press, 2024
ISBN 10: 1009073486 ISBN 13: 9781009073486
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Añadir al carritoTaschenbuch. Condición: Neu. Women Making Shakespeare in the Twenty-First Century | Kim Solga | Taschenbuch | Englisch | 2024 | Cambridge University Press | EAN 9781009073486 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.