Isbn: 9780984469390 - ana patova crosses a bridge (31 resultados)

Soft cover. Condición: Very Good.

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Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Good. Ships same day or next business day! UPS shipping available (Priority Mail for AK/HI/APO/PO Boxes). Used sticker and some writing and/or highlighting. Used books may not include working access code or dust jacket.

Condición: New.

Paperback. Condición: New.

Paperback or Softback. Condición: New. Ana Patova Crosses a Bridge. Book.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. In Ana Patova Crosses a Bridge, its the sentence that is alive and that is also a kind of architecture or landscape. Amina CainAna Patova Crosses a Bridge is the third volume of Renee Gladman's magnificent, melancholy series about the city-state of Ravicka, or about the architectures of its absence. It is tempting to read the Ravickian books as an extended allegoryof architecture itself, perhaps, except that architecture is already half-allegorical, its every element raised to prefigure whatever meanings can make their way to them. If any can. In Ravicka, meaningsindeed most contact of any kindremain in abeyance, building, in absentia, the constitutive negative spaces of the narrative. There is a plot; it lays out zones of sheer ambience. Experiences, of which there are many, unfold as a redolent lingering in the structures of immateriality, the radical realities of the insubstantial. Gladman is a philosopher of architecture, though not that of buildings. Rather, she thinks (and writes) the drifts, partitions, and immobilities of identity, affect, communication, the very possibility of being human. Profound, compellinghaunting, eventhe story of Ravicka is astonishingly ours. (Lyn Hejinian) Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Paperback. Condición: New.

Condición: New. pp. 128.

Paperback. Condición: New. Condition Notes: New from the publisher.

Condición: New. pp. 128.

Paperback. Condición: Brand New. 128 pages. 7.00x5.50x0.50 inches. In Stock.

Condición: New.

Condición: As New. Unread copy in mint condition.

Paperback. Condición: New. Special order direct from the distributor.

Condición: New.

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condición: As New. Unread book in perfect condition.

Condición: New. 2013. Paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. 2013. Paperback. . . . . .

Paperback. Condición: Brand New. 128 pages. 7.00x5.50x0.50 inches. In Stock.

Paperback. Condición: new. Paperback. In Ana Patova Crosses a Bridge, its the sentence that is alive and that is also a kind of architecture or landscape. Amina CainAna Patova Crosses a Bridge is the third volume of Renee Gladman's magnificent, melancholy series about the city-state of Ravicka, or about the architectures of its absence. It is tempting to read the Ravickian books as an extended allegoryof architecture itself, perhaps, except that architecture is already half-allegorical, its every element raised to prefigure whatever meanings can make their way to them. If any can. In Ravicka, meaningsindeed most contact of any kindremain in abeyance, building, in absentia, the constitutive negative spaces of the narrative. There is a plot; it lays out zones of sheer ambience. Experiences, of which there are many, unfold as a redolent lingering in the structures of immateriality, the radical realities of the insubstantial. Gladman is a philosopher of architecture, though not that of buildings. Rather, she thinks (and writes) the drifts, partitions, and immobilities of identity, affect, communication, the very possibility of being human. Profound, compellinghaunting, eventhe story of Ravicka is astonishingly ours. (Lyn Hejinian) Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condición: Neu. Neuware - "In Ana Patova Crosses a Bridge, it's the sentence that is alive and that is also a kind of architecture or landscape." Amina Cain"Ana Patova Crosses a Bridge is the third volume of Renee Gladman's magnificent, melancholy series about the city-state of Ravicka, or about the architectures of its absence. It is tempting to read the Ravickian books as an extended allegoryof architecture itself, perhaps, except that architecture is already half-allegorical, its every element raised to prefigure whatever meanings can make their way to them. If any can. In Ravicka, meaningsindeed most contact of any kindremain in abeyance, building, in absentia, the constitutive negative spaces of the narrative. There is a plot; it lays out zones of sheer ambience. Experiences, of which there are many, unfold as a redolent lingering in the structures of immateriality, the radical realities of the insubstantial. Gladman is a philosopher of architecture, though not that of buildings. Rather, she thinks (and writes) the drifts, partitions, and immobilities of identity, affect, communication, the very possibility of being human. Profound, compellinghaunting, eventhe story of Ravicka is astonishingly ours." (Lyn Hejinian). …

Paperback. Condición: New.

Paperback. Condición: new. Paperback. In Ana Patova Crosses a Bridge, its the sentence that is alive and that is also a kind of architecture or landscape. Amina CainAna Patova Crosses a Bridge is the third volume of Renee Gladman's magnificent, melancholy series about the city-state of Ravicka, or about the architectures of its absence. It is tempting to read the Ravickian books as an extended allegoryof architecture itself, perhaps, except that architecture is already half-allegorical, its every element raised to prefigure whatever meanings can make their way to them. If any can. In Ravicka, meaningsindeed most contact of any kindremain in abeyance, building, in absentia, the constitutive negative spaces of the narrative. There is a plot; it lays out zones of sheer ambience. Experiences, of which there are many, unfold as a redolent lingering in the structures of immateriality, the radical realities of the insubstantial. Gladman is a philosopher of architecture, though not that of buildings. Rather, she thinks (and writes) the drifts, partitions, and immobilities of identity, affect, communication, the very possibility of being human. Profound, compellinghaunting, eventhe story of Ravicka is astonishingly ours. (Lyn Hejinian) Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condición: New. Renee Gladman was born in Atlanta in 1971. She is the author of numerous books of fiction, nonfiction, and poetry. At the core of her work is a critically acclaimed cycle of novels about the imagined city-state of Ravicka and its inhabitants: Even.