9780521590280 - Gender and the Italian Stage Hardback: From the Renaissance to the Present Day de Günsberg (21 resultados)

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condición: Very Good. Cambridge University Press, 1997. Hard cover, first edition. VG condition with no dust jacket; 275 pages.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Previous owner blindstamp on an endpaper. ; 8vo 8" - 9" tall; 288 pp.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. hbk 275pp a new and unread copy excellent clean tight unmarked in sleeve-protected dj as new.

Condición: New. In.

Condición: New. An exploration of the portrayal of gender on the Italian stage from the Renaissance to the present, in a social and theoretical context. Num Pages: 288 pages, 6 b/w illus. BIC Classification: 1DST; 2ADT; DSG. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 21. Weight in Grams: 530. . 1997. Illustrated. hardcover. . . . .

Condición: New. pp. 287.

Hardcover. Condición: Brand New. 275 pages. 9.75x6.25x0.75 inches. In Stock.

Condición: New. An exploration of the portrayal of gender on the Italian stage from the Renaissance to the present, in a social and theoretical context. Num Pages: 288 pages, 6 b/w illus. BIC Classification: 1DST; 2ADT; DSG. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 21. Weight in Grams: 530. . 1997. Illustrated. hardcover. . . . . Books ship from the US and Ireland.

Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Maggie Günsberg explores the intersection between gender portrayal and other social categories of class, age and the family in the Italian theatre from the Renaissance to the present day. She examines the developing relationship between patriarchal strategies and the formal properties of the dramatic genre such as plot, comedy and realism. She also considers conventions specific to drama in performance, including images of both femininity and masculinity. An interdisciplinary approach, drawing on semiotics, psychoanalysis, philosophy, theories of spectatorship and dramatic theory from a feminist perspective, informs Günsberg's critique of landmarks in Italian theatrical history, including work by Machiavelli, Ariosto, Goldoni, D'Annunzio and Pirandello. The book concludes with a chapter on the plays of Franca Rame, assessing the impact of this important figure on contemporary Italian theatre.

Hardcover. Condición: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condición: new. Hardcover. Maggie Guensberg explores the intersection between gender portrayal and other social categories of class, age and the family in the Italian theatre from the Renaissance to the present day. She examines the developing relationship between patriarchal strategies and the formal properties of the dramatic genre such as plot, comedy and realism. She also considers conventions specific to drama in performance, including images of both femininity and masculinity. An interdisciplinary approach, drawing on semiotics, psychoanalysis, philosophy, theories of spectatorship and dramatic theory from a feminist perspective, informs Guensberg's critique of landmarks in Italian theatrical history, including work by Machiavelli, Ariosto, Goldoni, D'Annunzio and Pirandello. The book concludes with a chapter on the plays of Franca Rame, assessing the impact of this important figure on contemporary Italian theatre. Maggie Ginsberg explores gender portrayal on the Italian stage, and its shifting relationship with other social categories of class, age and the family over the past five centuries. An interdisciplinary approach informs her critique of many of the landmarks of Italian theatre, from Machiavelli to Franca Rame. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Brand New. 275 pages. 9.75x6.25x0.75 inches. In Stock. This item is printed on demand.

Hardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 560.

Condición: New. Print on Demand pp. 287.

Condición: New. PRINT ON DEMAND pp. 287.

Hardcover. Condición: new. Hardcover. Maggie Guensberg explores the intersection between gender portrayal and other social categories of class, age and the family in the Italian theatre from the Renaissance to the present day. She examines the developing relationship between patriarchal strategies and the formal properties of the dramatic genre such as plot, comedy and realism. She also considers conventions specific to drama in performance, including images of both femininity and masculinity. An interdisciplinary approach, drawing on semiotics, psychoanalysis, philosophy, theories of spectatorship and dramatic theory from a feminist perspective, informs Guensberg's critique of landmarks in Italian theatrical history, including work by Machiavelli, Ariosto, Goldoni, D'Annunzio and Pirandello. The book concludes with a chapter on the plays of Franca Rame, assessing the impact of this important figure on contemporary Italian theatre. Maggie Ginsberg explores gender portrayal on the Italian stage, and its shifting relationship with other social categories of class, age and the family over the past five centuries. An interdisciplinary approach informs her critique of many of the landmarks of Italian theatre, from Machiavelli to Franca Rame. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Gebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Maggie Gunsberg explores gender portrayal on the Italian stage, and its shifting relationship with other social categories of class, age and the family over the past five centuries. An interdisciplinary approach informs her critique of many of the landmarks.

Hardcover. Condición: new. Hardcover. Maggie Guensberg explores the intersection between gender portrayal and other social categories of class, age and the family in the Italian theatre from the Renaissance to the present day. She examines the developing relationship between patriarchal strategies and the formal properties of the dramatic genre such as plot, comedy and realism. She also considers conventions specific to drama in performance, including images of both femininity and masculinity. An interdisciplinary approach, drawing on semiotics, psychoanalysis, philosophy, theories of spectatorship and dramatic theory from a feminist perspective, informs Guensberg's critique of landmarks in Italian theatrical history, including work by Machiavelli, Ariosto, Goldoni, D'Annunzio and Pirandello. The book concludes with a chapter on the plays of Franca Rame, assessing the impact of this important figure on contemporary Italian theatre. Maggie Ginsberg explores gender portrayal on the Italian stage, and its shifting relationship with other social categories of class, age and the family over the past five centuries. An interdisciplinary approach informs her critique of many of the landmarks of Italian theatre, from Machiavelli to Franca Rame. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condición: Neu. Gender and the Italian Stage | Maggie Günsberg | Buch | Englisch | 2016 | Cambridge University Press | EAN 9780521590280 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.