Isbn: 9780521027519 - absolute music construction meaning: and the construction of meaning: 4 (new perspectives in music history and criticism, series number 4) (21 resultados)

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: New. This book is born out of two contradictions: first, it explores the making of meaning in a musical form that was made to lose its meaning at the turn of the nineteenth century; secondly, it is a history of a music that claims to have no history - absolute music. The book therefore writes against that notion of absolute music which tends to be the paradigm for most musicological and analytical studies. It is concerned not so much with what music is, but with why and how meaning is constructed in instrumental music and what structures of knowledge need to be in place for such meaning to exist. From the thought of Vincenzo Galilei to that of Theodore Adorno, Daniel Chua suggests that instrumental music has always been a critical and negative force in modernity, even with its nineteenth-century apotheosis as 'absolute music'.…

Paperback. Condición: New.

Condición: New. This book examines the intellectual history of instrumental music and its power to construct meaning. Series Editor(s): Kallberg, Jeffrey; Newcomb, Anthony; Solie, Ruth A. Series: New Perspectives in Music History and Criticism. Num Pages: 328 pages, 11 b/w illus. 44 music examples. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 19. Weight in Grams: 480. . 2008. Illustrated. paperback. . . . . …

Condición: New.

Condición: New. In English.

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Condición: New. pp. 328.

Condición: New. This book examines the intellectual history of instrumental music and its power to construct meaning. Series Editor(s): Kallberg, Jeffrey; Newcomb, Anthony; Solie, Ruth A. Series: New Perspectives in Music History and Criticism. Num Pages: 328 pages, 11 b/w illus. 44 music examples. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 19. Weight in Grams: 480. . 2008. Illustrated. paperback. . . . . Books ship from the US and Ireland. …

Paperback. Condición: Brand New. 1st edition. 314 pages. 9.00x6.50x0.75 inches. In Stock.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is born out of two contradictions: first, it explores the making of meaning in a musical form that was made to lose its meaning at the turn of the nineteenth century; secondly, it is a history of a music that claims to have no history - absolute music. The book therefore writes against that notion of absolute music which tends to be the paradigm for most musicological and analytical studies. It is concerned not so much with what music is, but with why and how meaning is constructed in instrumental music and what structures of knowledge need to be in place for such meaning to exist. From the thought of Vincenzo Galilei to that of Theodore Adorno, Daniel Chua suggests that instrumental music has always been a critical and negative force in modernity, even with its nineteenth-century apotheosis as 'absolute music'.…

Paperback. Condición: New. This book is born out of two contradictions: first, it explores the making of meaning in a musical form that was made to lose its meaning at the turn of the nineteenth century; secondly, it is a history of a music that claims to have no history - absolute music. The book therefore writes against that notion of absolute music which tends to be the paradigm for most musicological and analytical studies. It is concerned not so much with what music is, but with why and how meaning is constructed in instrumental music and what structures of knowledge need to be in place for such meaning to exist. From the thought of Vincenzo Galilei to that of Theodore Adorno, Daniel Chua suggests that instrumental music has always been a critical and negative force in modernity, even with its nineteenth-century apotheosis as 'absolute music'.…

Condición: New. Print on Demand pp. 328 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Condición: New. PRINT ON DEMAND pp. 328.

Paperback. Condición: new. Paperback. This book is born out of two contradictions: first, it explores the making of meaning in a musical form that was made to lose its meaning at the turn of the nineteenth century; secondly, it is a history of a music that claims to have no history - absolute music. The book therefore writes against that notion of absolute music which tends to be the paradigm for most musicological and analytical studies. It is concerned not so much with what music is, but with why and how meaning is constructed in instrumental music and what structures of knowledge need to be in place for such meaning to exist. From the thought of Vincenzo Galilei to that of Theodore Adorno, Daniel Chua suggests that instrumental music has always been a critical and negative force in modernity, even with its nineteenth-century apotheosis as 'absolute music'. This book examines the intellectual history of instrumental music, particularly the idea of absolute music. It shows how certain ideas in philosophy, theology and the sciences affect the meaning of instrumental music, and how instrumental music in turn permeates human discourse and helps construct meaning. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book examines the intellectual history of instrumental music, particularly the idea of absolute music. It shows how certain ideas in philosophy, theology and the sciences affect the meaning of instrumental music, and how instrumental music in turn perm.…

Taschenbuch. Condición: Neu. Absolute Music and the Construction of Meaning | Daniel Chua | Taschenbuch | Buch | Englisch | 2006 | Cambridge University Press | EAN 9780521027519 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …